The Shamanic Voice of Kim Hyesoon with Jack Saebyok Jung
In March 2014, the legendary avant-garde poet Kim Hyesoon embarked on her first foray into digital performance art. For a duration of eight months, she posted anonymously on the online blog of a major South Korean publisher under the moniker “Lady No.” Set in a fictional land called Aerok, or Korea spelled backward, the posts explore the anxieties and obsessions of modern Korean society, often using aspects of the occult to point at what is unspeakable or unsaid. In Lady No, poet Jack Saebyok Jung presents translations of these hybrid works into English for the first time.
In this episode of Tricycle Talks, Tricycle’s editor-in-chief, James Shaheen, sits down with Jung to talk about how Kim Hyesoon’s poetry resists and outmaneuvers censorship, Hyesoon’s aspiration to achieve transparent poetry, how poetry can respond to the pressures of everyday life, and the shamanic dimensions of Hyesoon’s work. Plus, Jung reads a few poems from Lady No.
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In March 2014, the legendary avant-garde poet Kim Hyesoon embarked on her first foray into digital performance art. For a duration of eight months, she posted anonymously on the online blog of a major South Korean publisher under the moniker “Lady No.” Set in a fictional land called Aerok, or Korea spelled backward, the posts explore the anxieties and obsessions of modern Korean society, often using aspects of the occult to point at what is unspeakable or unsaid. In Lady No, poet Jack Saebyok Jung presents translations of these hybrid works into English for the first time.
In this episode of Tricycle Talks, Tricycle’s editor-in-chief, James Shaheen, sits down with Jung to talk about how Kim Hyesoon’s poetry resists and outmaneuvers censorship, Hyesoon’s aspiration to achieve transparent poetry, how poetry can respond to the pressures of everyday life, and the shamanic dimensions of Hyesoon’s work. Plus, Jung reads a few poems from Lady No.
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