Weeding with Parker Posey

The New Yorker Radio Hour

Parker Posey has been a vivid presence in American film, especially indie film, for twenty-five years. She got her start in “Dazed and Confused,” and went on to appear in dozens of movies, including Christopher Guest’s cult-classic satires “Waiting For Guffman,” “Best in Show,” and “A Mighty Wind.”

Like her performances, Parker Posey’s new memoir is surprising and funny. “You’re On an Airplane” is written as a monologue delivered by the author to her seatmate on a long flight. It’s also full of recipes, and it includes instructions for throwing pottery. Being so practical and resourceful—not to mention a former cheerleader—served Posey in good stead when she, The New Yorker’s Michael Schulman, and his producer Alex Barron found themselves locked out of her building and trapped in the small yard behind it.  


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Parker Posey has been a vivid presence in American film, especially indie film, for twenty-five years. She got her start in “Dazed and Confused,” and went on to appear in dozens of movies, including Christopher Guest’s cult-classic satires “Waiting For Guffman,” “Best in Show,” and “A Mighty Wind.”

Like her performances, Parker Posey’s new memoir is surprising and funny. “You’re On an Airplane” is written as a monologue delivered by the author to her seatmate on a long flight. It’s also full of recipes, and it includes instructions for throwing pottery. Being so practical and resourceful—not to mention a former cheerleader—served Posey in good stead when she, The New Yorker’s Michael Schulman, and his producer Alex Barron found themselves locked out of her building and trapped in the small yard behind it.  


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

2018-08-14 16 min
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