The Bulwark Goes to Hollywood

On this week’s episode, Sonny talks to Eric Hoyt, a professor at the University of Wisconsin-Madison, about his new book on the rise of the Hollywood trade press and how these papers helped shape the movie business as we know it. From covering labor disputes to navigating the waters between big-city and small-town movie houses to engaging in some of the earliest film criticism, the topics covered in this book can help us understand how the movie business evolved into what it is today. You can read the book yourself for free right now by clicking here, and you can check out some of the trade papers examined by Hoyt at the Media History Project, where they are digitizing out-of-copyright publications. And if you enjoyed this episode, share it with a friend! Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week’s episode, Sonny is joined by John Fithian, president and CEO of the National Association of Theater Owners, to talk about post-pandemic moviegoing, the evolution of theatrical dining, the excitement of CinemaCon, and the potential of theaters as sites for esports and gaming events—both as spectators and as participants. If you enjoyed this episode, share it with a friend! Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week’s episode, Sonny is very pleased—and a little star struck!—to be joined by Lloyd Kaufman, the mind behind Troma Entertainment, to discuss his latest film, #ShakespearesShitstorm, as well as his 50 years in the business as one of the few truly independent indie filmmakers. Kaufman is probably best known for directing The Toxic Avenger, its sequels, and Tromeo and Juliet, as well as producing Class of Nuke ’Em High. But his company, Troma, has been a hot spring of talent for decades, serving as early homes for James Gunn (The Guardians of the Galaxy, The Suicide Squad), Trey Parker and Matt Stone (South Park), and Eli Roth (Hostel, Knock Knock).  Warning: This episode contains slightly saltier language than usual, but what else would you expect from a mind whose greatest film prominently involves gym rats running over a kid on a bike for fun?  Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week’s episode, Sonny talks to Keith Phipps about his new book, Age of Cage: Four Decades of Hollywood Through One Singular Career. Looking at the trends of Hollywood through the lens of Nic Cage’s various personae—as an oddball actor catching the tail end of the 70s auteur wave; transitioning to a “normal guy”; hitting action star peaks in the 1990s; and settling into a series of more-interesting-than-they’re-given-credit-for turns on VOD—the book is a useful glimpse at the changing tastes in Hollywood. If you enjoyed the episode, make sure to check out Keith and Scott Tobias’s Substack, The Reveal. And share this with a friend!  Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, Sonny talks to the Los Angeles Times’s Ryan Faughnder about a new poll showing that Coda and The Power of the Dog, the frontrunners for the Best Picture Oscar at this weekend’s Academy Awards, have been seen by just four and six percent of entertainment consumers, respectively. Then they discuss the walkout at Disney over the Mouse House CEO’s failure to speak up more vocally against Florida’s so-called “Don’t Say Gay” bill, as well as charges of hypocrisy that ethnic cleansing in China didn’t spark similar protests. And, finally, they talk about Amazon’s purchase of MGM and what that means for James Bond and Prime Video. If you enjoy the episode, share it with a friend! Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week’s episode, Sonny talks to Adam Novak, head of story at one of the biggest agencies in Hollywood, WME. Adam is also the author of the novel Rat Park, out this week, as well as three other novels. Adam discusses his three-plus decades in the industry as a script reader for stars like Bruce Willis and directors like John McTiernan. What’s the role of a good reader in Hollywood? How do they help serve their clients and the world of entertainment writ large? And then Sonny and Adam discuss Adam’s novels and the intricate universe he’s woven around the fictional Omniscence agency.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sonny is joined this week by Andrea Chalupa, the screenwriter of Mr. Jones, the true story of Gareth Jones’s efforts to bring the horrifying reality of the Stalin-made famine in Ukraine that killed between 3.3 and 3.9 million people. They talk about getting that film written and financed, the response to it, and how best to push back against Russian disinformation via the arts. Mr. Jones is streaming now on Hulu and is a must-watch for anyone who wants to understand why Ukraine is fighting tooth and nail against reabsorption into the nascent Russian empire. After you watch Mr. Jones, make sure to sign up for the online panel this Friday with director Agnieszka Holland, star James Norton, and the folks at the Kyiv Independent; proceeds go to support both the Independent and Ukrainian nonprofit Proliska. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week’s episode, CNN media reporter Frank Pallotta returns to the show to talk about studios boycotting Russia, why AMC is charging you a little more too see The Batman (but not a little less to see Dog), and Disney’s decision to put Turning Red directly on Disney+. Plus: Oscars talk!  Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week’s episode, Sonny talks to George Folsey Jr about his career as an editor. From the blaxploitation classics Black Caesar and Hammer to the great comedies of the 1970s and 1980s like Animal House and The Blues Brothers to assists on classics like Michelangelo Antonioni’s The Passenger and cult classics like Karyn Kusama’s Jennifer’s Body, Folsey has had a hand in a number of the movies you love.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week’s episode, Sonny is joined by Deadline’s Dominic Patten to talk about Village Roadshow’s lawsuit against Warner Bros. for killing the profitability of the Matrix franchise, the newly filed wrongful death suit against Alec Baldwin, and the Super Bowl’s big (but maybe not surprisingly big?) ratings. You can see Dominic’s archive here and follow him on Twitter here. And if you enjoyed this episode, make sure to share it with a friend! Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week’s episode of The Bulwark Goes to Hollywood, Sonny Bunch is joined by John Zaozirny of literary management company Bellevue Productions. You can see John’s bona fide’s here, but his clients have written scripts set up with virtually every major studio. Bellevue has had 42 screenplays make the last seven Black Lists—an important compilation of un-produced screenplays voted on by people in the filmmaking business—and he details some of his strategies for securing those spots on this show. Sonny and John also talked about the decline of the spec script market, the difference between agents and managers, and a host of other topics. If you enjoyed the show, make sure to share it with a friend! Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week’s episode, Sonny talks to Erich Schwartzel, author of Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy. Erich’s book is a fairly exhaustive look at the sweep of Chinese influence on Hollywood, from Mao’s shutting the industry out during the Cultural Revolution to the return of blockbusters to the fact that Chinese investment funded the very recliners you sit on in theaters. We also talked about Chinese censorship of American films, American censorship of American films out of fear of losing Chinese marketshare, and the weird ways studios have exerted influence in the country. (Did you know Disney runs a chain of English schools in the country? You will after listening to this!) If you’re interested in the business of Hollywood, Erich’s book is a must-own. And this episode is a must-listen! You cannot understand the current business climate in Hollywood without understanding the influence the biggest movie market in the world has on American fil...

This week on the show, Sonny is joined by Janice Min, who has teamed up with BGTH favorite Richard Rushfield to beef up Richard’s fabulous newsletter, The Ankler. Sonny and Janice discussed her career from US Weekly to the Hollywood Reporter to the wild world of Substack newsletters, how the Hollywood trades are defying the death of advertising, their strategy for spinoff newsletters, and why the folks at Y Combinator reached out to her and Richard about the potential of The Ankler to become a billion-dollar property. It’s a fascinating, in-depth look into the business, and the future, of entertainment reporting. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week’s episode, Sonny Bunch talks to Rene Reyes, the Paley Center for Media’s Vice President of Public Programming and Festivals. Among other duties, Rene plans the much-loved PaleyFest LA, which has panels featuring some of the biggest and most critically acclaimed shows on television. We talked about the joys (and COVID-related challenges) of in-person festivals and ran through some of the panels that will take place at this year’s event. You can see this year’s full lineup here; highlights include panels on Hacks, black-ish, and a salute to the NCIS franchise. Paley Center members can buy tickets now and they go on sale to the general public tomorrow. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week’s episode, Sonny talks to Kevin Goetz of Screen Engine/ASI and the author of Audienceology: How Moviegoers Shape the Films We Love. Kevin is one of the masters of the art of audience testing, that stressful period of time in a film’s life when it leaves the loving arms of its director and enters the world for approval by the folks who will be paying to see it. Sonny and Kevin discussed how audiences are chosen, what the screening process is like, how COVID has changed how all this works, and a few examples of how movies have been helped by the screening process over the years. Make sure to read Kevin’s book if you want a fuller understanding of one of the most important, and least visible, steps of a film’s distribution. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sonny is joined by Philip Gelatt this week. In addition to talking about the art of rotoscoping and the years-long effort to get his new film The Spine of Night made, and then released, we also discuss the state of animation more broadly in America and beyond. As a script adapter on Love, Death + Robots, Netflix’s hit animated anthology, he has a lot of experience and wisdom to share in this realm. And if you’re curious about The Spine of Night, check out the trailer here. Full disclosure: it’s not safe for work and not safe for kids. But it is pretty great, especially if you’re into cult classics like Heavy Metal and Ralph Bakshi’s animated Lord of the Rings adaptation. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week’s episode, Sonny is joined by Chris McKenna who, along with his writing partner Erik Sommers, wrote Spider-Man: No Way Home, which has grossed about $1.2 billion around the world … so far. In this in-depth interview, Chris discusses how a blockbuster of this nature gets made, from pitch meetings to brainstorming sessions to rewrites during the shoot to additional photography to tightening the ship following test screenings. We also talk a bit about the state of the business and why it’ll be a real bummer if the theatrical experience dies off. Plus, we learn that a very special Spider-Villain is a listener of this podcast! (Or, well, has listened to AN episode.) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Last month the Criterion Collection kicked off its new 4K lineup with what is, arguably, the greatest movie ever made: Citizen Kane. And the disc is absolutely loaded with special features, including a rarely seen BBC documentary on the making of the movie, multiple commentary tracks, and numerous interviews—including one with film historian Farran Smith Nehme. She joined Sonny to talk about Citizen Kane, how it got made, how William Randolph Hearst tried to smother it in the crib, and why it’s considered to be one of the great films. We also talked about her new Substack, which you can check out here, and the transformation of blogs into newsletters. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Special bonus episode this week, as The Bulwark’s Tim Miller stops by to talk about Don’t Look Up, the new satire from Adam McKay (Vice, Step Brothers), as well as how it felt to return to the multiplex and take in some movies. (You can read Sonny’s review of Don’t Look Up and Red Rocket, two films that are very much about the last five or six years of American life, at The Bulwark's website.) If you enjoy this episode, please share it with a friend! Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week’s episode, Tony Davis of Tessive returns to the show just in time for Christmas to walk you through the upgrades and lateral movements you need to be thinking about if you have home theater gear on your Christmas wishlist. We discuss HDR formats (what’s the difference between Dolby Vision and HDR10, and does it really matter?), why movies and TV shows on Amazon look so bad (hint: they’re compressed to death), and why you desperately need to upgrade those HDMI cables (because we can’t have nice things, that’s why). Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week’s episode, Sonny talks to David Herrin the CEO and founder of The Quorum, a film research firm that has done something rather remarkable in making tracking data available to the public in the same way that box office data is available to the public. “Tracking” numbers are the data points used by studios to help determine how a film will perform in theaters, and The Quorum is building a hearty database for movie nerds to dive into. In addition to discussing The Quorum’s new study examining why audiences are hesitant to return to theaters—spoiler: cost and COVID remain the two biggest factors—we also chat about the state of the business and what’s likely to come. I encourage you to poke around at The Quorum’s website if you’re a fan of sites like Box Office Mojo; there’s all sorts of interesting stuff there. And share this post with a friend if you enjoyed our chat! Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week’s episode, Sonny is joined by Wil Haygood, author of the new book Colorization: One Hundred Years of Black Films in a White World. Haygood’s book is a must-read for anyone who wants to learn about largely forgotten trailblazers such as Oscar Micheaux, better-known figures like Sidney Poitier and Harry Belafonte, the controversies over movies as diverse as The Birth of a Nation and Sweet Sweetback's Baadasssss Song, the odd fate of Porgy and Bess, and so much more. Colorization is both breezy and in-depth—the best sort of popular history—and our conversation only scratched the surface of his book. If you enjoyed this episode, please share it with a friend! Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week's episode, Sonny is joined by Christian Blauvelt, author of Hollywood Victory: The Movies, Stars, and Stories of World War II. From the pre-war skittishness of the big studios about alienating German markets—and potentially alienating an isolationist homefront, pre-Pearl Harbor—to the wartime efforts to raise funds and produce works of art that inspired Americans to resist the fascist menace, Christian's book tells a wide-ranging and fascinating story. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week’s episode, Sonny is joined by Jim Cummings, whose new feature The Beta Test drops on VOD and in select theaters Friday, Nov. 5. In addition to discussing his few film and its acidic take on the dispute between talent agencies and the WGA, Jim also talks about landing a featured role in Halloween Kills, how he financed and distributed his first feature, Thunder Road, and his horror-comedy The Wolf of Snow Hollow (which topped Sonny’s best-of list in 2020). If you enjoyed this episode, share it with a friend! Learn more about your ad choices. Visit podcastchoices.com/adchoices

When you click “buy” on a digital product at Amazon or Apple, as opposed to “rent,” what do you think that means? Most folks think of it like buying a physical copy of a thing: they can sell it or pass it down to heirs. But as Aaron Perzanowski, a professor at Case Western, notes in his sit-down with Sonny Bunch, that’s not really the case: you’re just buying a license to a thing. And if that license to Amazon or Apple ends? Well, so does your access to the thing you think you “bought.” On this week’s Bulwark Goes to Hollywood, Sonny discusses the tricky nature of ownership in an increasingly digital world—and what you need to know before you click “Buy.” If you enjoy this episode, please share it with a friend! Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week on The Bulwark Goes to Hollywood, CNN’s Frank Pallotta rejoins Sonny to talk about Netflix’s big week! New subscriber numbers, new data numbers, and a newly controversial gloss to the biggest thing in entertainment. Plus, we talk a bit about Halloween Kills, Dune, and the impact of streaming on box office numbers. If you enjoyed the show, share it with a friend! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ryan Faughnder of the Los Angeles Times’s Wide Shot newsletter rejoins the show this week to discuss the boon—and burden—of sports betting ads. What are some of the rewards, and the risks, of this enormous advertising market? We also discussed Squid Game and Netflix’s efforts to internationalize entertainment as well as the age-old debate: subtitling versus dubbing. Make sure to sign up for Ryan’s newsletter (it’s free!) and if you enjoyed this episode please share it with a friend! Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week’s episode, Sonny talks to Scott Eyman about his new book, 20th Century Fox: Darryl F. Zanuck and the Creation of the Modern Film Studio. Zanuck’s reign as a Hollywood mogul ran through nearly every major technological and business innovation Hollywood saw in the first half of the 20th century and beyond, and Mr. Eyman’s book paints a compelling portrait of a producer as both businessman and artist. You can pick up a copy wherever books are sold (here’s an Amazon link for ease’s sake), and I cannot recommend it highly enough. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week’s episode, Sonny talks to Scott Tobias, formerly of The AV Club and The Dissolve, about his new Substack endeavor with Keith Phipps, The Reveal, as well as the evolving world of film criticism. With so many local newspapers cutting back on movie reviewers for budgetary reasons and so many websites merely hitting the most popular of topics to generate clicks, it’s interesting—and, frankly, heartening—to see Substack using their Pro program to help critics like Tobias and Phipps (along with Ty Burr and Jerry Saltz) stand up their own newsletters to chase their own idiosyncratic interests. Can the “Thousand True Fans” theorem save the world of interesting film writing? Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome back to the show! Please check out last week’s episode if you missed it; Rod Lurie (The Contender, The Last Castle) had a ton of great stories about transitioning from the Army to the world of film criticism to the world of filmmaking. This week we talked about shooting The Outpost: the difficulty of bringing such a sensitive story to the big screen and trying to decide what to cut and what to keep; shooting the film in Bulgaria; and casting actors like Caleb Landry Jones and Scott Eastwood in key roles. For more on The Outpost, make sure to check out my interview with the author of the source book, Jake Tapper. And please share this episode with a friend if you enjoyed it! Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week (and next week!) Sonny talks to Rod Lurie, the director of The Contender, The Last Castle, and The Outpost, among other films and television shows. This week’s episode is all about Rod’s early efforts to break into the business, from Army officer to film critic to writer/director. He tells a great story about his first meeting with Bill Paxton, fills us in on the difficulty of getting funding for just about anything (spoiler: you’re always one actor away from a green light), and the difference between being a showrunner and a director-for-hire on a TV series. Make sure to tune in next week when we talk about The Outpost. And if you enjoy this episode, please share it with a friend! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Richard Rushfield, proprietor of The Ankler, returns to the show this week to fill us in on the declining fortunes of CinemaCon in an age of streamers and theater-threatening diseases. We also discuss low-budget horror and why studios seem loathe to fill their slate with surefire hits in addition to checking in on the minions celebrating the downfall of Mike Richards, Jeopardy scourge. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week’s episode Sonny is joined by Jake Tapper, CNN anchor and author of The Outpost: An Untold Story of American Valor, to talk about his book on Combat Outpost Keating and its adaptation into the defining movie of the Afghanistan War by Rod Lurie. Why did the book expand from coverage of the rare battle that saw two living Medal of Honor winners emerge to a book about the life an ill-advised and ill-placed outpost in the wilds of Afghanistan? How did the troops feel about American attention, or lack thereof, to the war effort? And what was it like seeing the story brought to life for viewers on screens big and small? After listening to the show, make sure to watch the movie (it’s on Netflix now!) and please: read the book. As the child of a military family, I can assure you it’s both heartrending and, occasionally, more than a little infuriating. But it’s a must-read to understand the War in Afghanistan from a soldier’s-level view. Learn more about your ad choices. ...

Very excited to have on Zak Penn this week, who, in addition to being one of the writers of Free Guy, is also a credited writer on a series of HBO classics from my younger days: Last Action Hero, PCU, and Behind Enemy Lines, among others. On this episode we talked a lot about Free Guy and the state of Hollywood’s internal struggle between IP-branded ventures and original films, but we also dove into some of his other work: What happened with the writing of Last Action Hero, the first script Penn sold; the gratifying legacy of PCU as a cult classic and the oddity of its unavailability now; and why X-Men: The Last Stand gets a bad rap. It’s a super-sized episode because we had a ton of ground to cover; if you enjoy what you hear, please share it with a friend! If this episode does well maybe we can convince the studio swells to put out that 4K Blu-ray collector’s set of PCU we’ve all been clamoring for. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, Sonny is joined by Matthew Belloni, author of the newsletter “What I’m Hearing” for the exciting new web publication Puck.news. Formerly an entertainment lawyer and editor for The Hollywood Reporter, Matt joins the show today to talk about Scarlett Johansson’s lawsuit, the ways in which streaming economics are upending traditional compensation packages, and Disney’s new “socialism.” Are the days of superstar show runners earning hundreds of millions over? And what lies ahead for actors and audiences alike? We discuss all this and more, and if you enjoy this episode, I really cannot recommend Matt’s newsletter enough: I always learn something new when I read it, which is the nicest thing I can say about anyone’s newsletter. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week’s episode, Sonny talks to Clayton Childress, an Associate Professor in the Dept. of Sociology of University of Toronto who studies taste, decision, and meaning making in the creation, production, and reception of culture. Clayton is on to discuss a recent study he coauthored with Shyon Baumann, Craig M. Rawlings, and Jean-François Nault about the strange ways elite tastes have both grown more inclusive and more exclusive. What does it mean that those with more education say they enjoy every genre (e.g., horror) but only certain films within that genre (e.g., A24’s horror films like Hereditary or The Witch)? And what does that mean for studios trying to figure out what to make—and what to market? Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this episode of The Bulwark Goes to Hollywood, Sonny talks to Ray Subers, a vice president at NRG, which has helped Hollywood studios with polling about movies for decades. Currently, NRG’s most interesting and informative efforts have to do with polling audiences on their comfort levels with going back to theaters during the age of COVID and its variants. How are audiences feeling right now as case numbers surge? How nervous is Hollywood? Also: If you’ve ever wondered how movie studios figure out the “tracking” numbers—that is, the awareness levels for upcoming movies—that help them decide on release dates and advertising strategies, Ray’s the guy to listen to. It’s a fascinating science with stakes that involve tens of millions of dollars every single week. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week Sonny is joined by John Mass, Executive Vice President of Content Partners, LLC, to talk about the business of acquiring intellectual property and figuring out how to make the business side of show business work. We had a great chat about the future of streaming, the shifting world of windows, and the (potentially limited) future of physical media. Content Partners is the leading independent owner of major studio distributed films, televisions shows, and related participations with over 500 studio release films and more than 3,000 hours of television. The company owns many notable titles, such as 13 Going on 30, Black Hawk Down, Black Swan, and is co-owner of the CSI franchise. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week on The Bulwark Goes to Hollywood, Sonny talks to the Los Angeles Times’s Ryan Faughnder about arr-poo (that is, RPU, or revenue per user) and how such calculations figure into the value of a subscriber, as well as all sorts of other topics. Make sure to subscribe to Ryan’s newsletter (it’s free!) if you’re into the whole “business of Hollywood” thing, which you are since you’re listening to this show. And if you enjoy this episode, share it with your friends! Everyone loves getting a new podcast to listen to. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week’s episode we ask a very important question of The Ankler’s Richard Rushfield: Is Vin Diesel a star? Really, what does it mean to be a star these days anyway? How are the streaming wars shaping up? What’s the deal with Universal’s new pay window? And how beloved is Quentin Tarantino? All this and more on this week’s episode of The Bulwark Goes to Hollywood. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, Sonny talks to James White, the Head of Restoration at Arrow Films. On this episode, we dive into the tricky nature of rescuing older films and getting them ready for appreciation on Blu-ray and UHD 4K. What is the actual mechanical process of restoring a film like? Beyond getting elements like the original negatives, how does James work with directors and cinematographers to make sure the color timing is right? What’s the deal with film grain? All that and more on this week’s episode! By happy coincidence, Arrow happens to be having a sale right now. (I didn’t plan this, I swear!) But if you’re an American and own an out-of-region player, make sure to check out Arrow’s site for some great deals; Bring Me the Head of Alfredo Garcia, pictured above, is just £8, as is Time Bandits, about which James had a very funny story toward the end of this week’s pod. (Eight pounds is roughly eleven dollars at the moment, so it’s a good deal.) If you don’t have an out-of-region playe...

On this week’s episode, Sonny Bunch is joined by Bulwark contributor Bill Ryan and Turner Classic Movie writer Greg Ferrara to talk about some of their favorite film books. This episode was inspired in part by a recurring question Sonny gets about books that can help people better understand film or become better film writers. Obviously, you should listen to the episode; we wouldn’t be sending it to you otherwise. But here’s a cheat sheet with links to the recommended titles. (Pro tip: I’ve linked to Amazon pages, but do yourself a favor and check out the used prices if you want to save some money. Often you’ll find offerings that are “like new” at huge discounts that have little more than a remainder mark. I’ve managed to build a pretty decent library at a fraction of the price by searching for used books.) NOTE: IF YOU WANT THE LINKS HEAD OVER TO THE SUBSTACK: bulwarkhollywood.thebulwark.com Greg’s Picks Vivien Leigh: An Intimate Portrait, by Kendra Bean Steven Spielber...

(Note: This is a two-episode week since apparently I did not upload this episode to Apple last week. But if you're listening via the Substack, you would've gotten it fine! The lesson, as always: sign up for the Substack!) Sonny is joined by Jonathan Taplin to discuss his new must-read book, The Magic Years: Scenes from a Rock-and-Roll Life. Jon was there when Dylan went electric; he was there when Martin Scorsese needed some cash to get his first early classic, Mean Streets, made; and he was there when the Stones needed someone to do the art for Exile on Main Street. He’s spent more than 50 years in the business of culture and has a great deal of insight into all the ways in which the business of art has changed over the years. And he has tons of stories to share, including one we didn’t get to on this show about a literal fight with Harvey Weinstein (you’ll have to get the book for that one). If you enjoyed the show, please share it with a friend who will also dig it. Learn...

On this week’s episode, James Emanuel Shapiro returns to the show to talk about the return of Cannes and what it’s like to be on the business side of a film festival. We all know about the great premieres and the fancy parties, but what about the actual business of these festivals, the markets where films are bought and sold? Plus, we’ll talk about Amazon’s purchase of MGM and, at the end, James shares some interesting data about Prime Video and iTunes’s relative place in the transactional VOD market. Learn more about your ad choices. Visit podcastchoices.com/adchoices

CNN Media Reporter Frank Pallotta returns to the show to talk about a huge week in movie business news. Amazon has acquired MGM (and half of James Bond) for $8.45 billion. Summer movie season has kicked off in China, with the release of F9 and kicks off this weekend in America with A Quiet Place 2: what do new benchmarks for success look like? All this and more on a news-and-analysis packed episode. If you found the episode interesting and informative, please subscribe to Bulwark+ to help keep the show sustainable and share it with a friend! A recommendation from a friend remains the best way to grow a podcast’s audience. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week Sonny is joined by Eddie Muller, the host of TCM’s “Noir Alley” and the founder and president of the Film Noir Foundation. We discussed the Foundation’s reliance on the Golden Globes for the funding it procures to help restore long-lost film noirs to something approaching their original condition. We also talked about the world of film restoration more generally and Eddie offered up some picks for those looking to dive into the world of film noir. And make sure to pick up Eddie’s newly revised and expanded edition of Dark City: The Lost World of Film Noir. I’ve already ordered my copy! And please: If there’s a noir lover in your life—or someone you hope to convert into a noir lover—make sure to share this episode with them. Just click that little button and pass it along; they’ll surely thank you for it. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week Sonny is joined by Jon Finkel, author of 1996: A Biography: Reliving the Legend-Packed, Dynasty-Stacked, Most Iconic Sports Year Ever. This is a movie podcast, not a sports podcast, so I understand if you’re confused. But 1996 was also notable for having some great sports movies (Jerry Maguire, Tin Cup) and some … not-so-great sports movies (The Fan, Space Jam). Plus: Happy Gilmore! We also talked about how athletes perceive their portrayals onscreen and had a quick lightning round about which classic sports flicks are better. Some controversial choices in that segment, I guarantee you; Hoosiers fans should feel forewarned. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week Sonny is pleased to be joined by Jesse Nelson, the co-owner of Diabolik DVD and Cauldron Films. Diabolik is one of the best places to pick up boutique Blu-ray discs from outlets like Vinegar Syndrome, Arrow, and Shout/Scream Factory, and he had a number of interesting thoughts about the state of the physical media industry. We also talked a bit about his own label, Cauldron Films, which released a wonderful Blu-ray set of the pictured movie: American Rickshaw. If you’re a fan of physical media or have one in your life, make sure to share this episode with them! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Chris Fenton, author of Feeding the Dragon: Inside the Trillion Dollar Dilemma Facing Hollywood, the NBA, & American Business, returns to the show to talk about China’s influence on Hollywood, and vice versa. Why is the Chinese Communist Party censoring news about Chloe Zhao’s historic win on Oscar night? Should Disney be worried about the fact that she’s the director on the forthcoming MCU tentpole, The Eternals? What to make of recent misfires in the Middle Kingdom like Mulan and Raya and the Last Dragon? And why did the CCP not really care that Hong Kong got destroyed by Godzilla and King Kong? All this and more on this week’s episode of The Bulwark Goes to Hollywood! If you enjoy the chat, please hit that button below and share this post with a friend who also loves talking about movies! They’ll thank you later, trust me. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Nicholas Jarecki—the writer and director of the opioid crisis thriller Crisis—talks to Sonny about the making and casting of Crisis, the evolving international market for feature films, and the difficulties of promoting a movie when one of the actors is undergoing a PR crisis of his own. We also talk a bit about the evolving nature of film criticism, how one researches a project about drugs while tens of thousands are dying from overdoses, and more. If you enjoy the show, please share it with a friend! Podcasts need love too. Learn more about your ad choices. Visit podcastchoices.com/adchoices