Disgraceland

This week in the After Party, Jake talks the impact of departing icons, jealous exes, this week's DISGRACELAND episode on Marilyn Monroe, and of course your emails, texts, DMs, and voicemails. Which celebrity death affected you the most? Is Marilyn Monroe the biggest icon in entertainment history? Has anyone else captured the public’s imagination for such a long period of time? Does the mystery around her death contribute to our fascination? Get in touch at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod, and come join the After Party.

To hear an extended version of the After Party with a story about two icons and their bitter, toxic jealousy, and more from the DISGRACELAND community, become a Disgraceland All Access member at disgracelandpod.com/membership.

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Marilyn Monroe is one if not the greatest Hollywood stars of all time. She rose from orphan to icon by creating an on screen character America could not peel their eyes away from. And she did it all while battling anxiety, depression and addiction. Along the way she bedded, married and otherwise conquered America’s most impressive men; Joe DiMaggio, Arthur Miller, Frank Sinatra and President John F. Kennedy to name a few and her relationship with JFK and his younger brother Attorney General, Robert F. Kennedy would prove disastrous and result in long running rumors and conspiracy theories about her death that are as hard to debunk as they are to dismiss.

This episode contains themes that may be disturbing to some listeners, including sexual assault and suicide. If you’re thinking about suicide, or are worried about a friend or loved one, call the Suicide Prevention Lifeline at 800-273-8255.

This episode was originally published on May 14, 2024.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership.

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This week in the After Party, Jake talks the uncanny fascination with Beat poets, their numerous run-ins with musical icons, this week's DISGRACELAND episode on William S. Burroughs, and of course your emails, texts, DMs, and voicemails. Which icons, living or dead, do you think are overrated? What are your thoughts on Burroughs and his place among the Beats? Drop a line at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod, and come join the After Party.

To hear an extended version of the After Party with a story about two Beats' association with another murder, a story about Jake staying in a cabin, and more from the DISGRACELAND community, become a Disgraceland All Access member at disgracelandpod.com/membership.

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William S. Burroughs was a literary icon whose novel Naked Lunch, one of the signature works of the Beat Generation, was banned and went on trial for obscenity. His writing inspired generations of musicians, from the Rolling Stones and Patti Smith to Nirvana and Sonic Youth. But long before all that, in 1951, when he was an unknown and mostly failed writer, William S. Burroughs made the most fateful decision of his life when he pointed a gun at a highball glass balanced on top of his wife’s head…and pulled the trigger.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership.

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This week in the After Party, Jake talks humans' fascination with true crime, crossing the line, this week's DISGRACELAND episode on Garth Brooks, and of course your emails, texts, DMS, and voicemails. What artist would you be least surprised to find out is a serial killer? What do the real Garth Brooks fans feel about all this? Get in touch at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod, and come join the After Party.

To hear an extended version of the After Party with stories about Garth Brooks' awkwardness and burying his master tapes under Hollywood Boulevard, and more from the DISGRACELAND community, become a Disgraceland All Access member at disgracelandpod.com/membership.

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Garth Brooks has more albums that have sold over 10 million copies than any other artist in history. He cut one of the biggest record deals in history – bigger than Madonna or Prince, a deal matched at the time only by Michael Jackson. His live shows are just as big, like when he triggered an actual earthquake in Baton Rouge. But it was along Garth Brooks’ seismic tour route that online detectives began to suss out a rumor…a rumor tying together the cities in which Garth Brooks performed and missing persons cases. A rumor that left some people asking, “Where are the bodies, G?”

This episode contains themes that may be disturbing to some listeners, including descriptions of domestic violence.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership.

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This week in the After Party, Jake talks collaborations, new genres, this week's DISGRACELAND episode on Public Enemy, and of course your emails, texts, DMS, and voicemails. Which artist has best represented the world in a "folk music" way? What are your thoughts on PE's Fear of a Black Planet? Let Jake know at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod, and come join the After Party.

To hear an extended version of the After Party with a story about Public Enemy's engineer getting mugged and almost inadvertently leaking Fear of a Black Planet, and more from the DISGRACELAND community, become a Disgraceland All Access member at disgracelandpod.com/membership.

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Jean-Michel Basquiat's graffiti in Lower Manhattan was mistaken for a CIA operation. He was the toast of the New York art world while sleeping on floors in squalid apartments. He sold his first painting to Blondie's Debbie Harry for $200. Less than a year later, his paintings were going for more than $20,000. And decades later, the debate over what is and what is not a real Basquiat rages on.

This episode contains themes that may be disturbing to some listeners, including a depiction of police brutality.

This episode was originally published on April 25, 2024.

Basquiat excelled at both visual art and music. What other musicians excelled in a second skill, art form, or sport? Tell Jake at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod.

To see the full list of contributors, see the show notes at ⁠⁠⁠⁠www.disgracelandpod.com⁠⁠⁠⁠.

To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at ⁠⁠⁠⁠disgracelandpod.com/membership⁠⁠⁠⁠.

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Public Enemy were revolutionaries – both in their message and their music. In the 1980s and 1990s, they elevated hip-hop to an art form. They did this with Chuck D's booming voice, Flavor Flav's comic levity, and the auditory assault of the Bomb Squad's production. But with that revolution came scandal. Their hype man allegedly tried to shoot his neighbor while high on crack cocaine. Their so-called "Minister of Information" was so controversial that his words alone nearly derailed the group's success. They performed at a prison – after just releasing a song about a prison break. And in the summer of 1989, Public Enemy released a song that was so powerful, it put them in the middle of the cultural zeitgeist at the very moment that it seemed they were splintering apart.

To see the full list of contributors, see the show notes at ⁠www.disgracelandpod.com⁠.

This episode was originally published on April 23, 2024.

To listen to Disgraceland ad free and get access to exclusive weekly bonus content and more, become a Disgraceland All Access member at ⁠disgracelandpod.com/membership⁠.

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This week in the After Party, Jake talks actors committing fully, this week's DISGRACELAND episode on Heath Ledger, and of course your emails, texts, DMS, and voicemails. What are your top five favorite fight scenes? What is your favorite Heath Ledger performance? Is Heath one of the best actors of the early 2000s? Do you believe Debbie Harry about encountering Ted Bundy? Drop a line at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod, and come join the After Party.

To hear an extended version of the After Party with insight into the paparazzi's setup of Heath Ledger in an L.A. hotel room, and more from the DISGRACELAND community, become a Disgraceland All Access member at disgracelandpod.com/membership.

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Heath Ledger’s preparation for and disappearance into his movie roles is legendary, and it’s what helped him play repressed cowboys, junkies, and maniacal clowns equally well. His research led him to junkies who taught him how to properly shoot up using a stolen prosthetic arm and fake blood, and to a personal diary full of cut-and-paste madness. The paparazzi, however, mocked Heath’s method, and took their public quarrel with him to duplicitous lengths.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership.

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This week in the After Party, Jake talks great films, this week's new DISGRACELAND episode on Kobe Bryant, and of course your emails, texts, DMS, and voicemails. What are your top five Tarantino films? Who are your top five NBA players? Who's your favorite athlete who's a musician on the side? Get in touch at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod, and come join the After Party.

To hear an extended version of the After Party with insight into Bryant's rapping days, other musical athletes, and more from the DISGRACELAND community, become a Disgraceland All Access member at disgracelandpod.com/membership.

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He was a professional killer. A warrior trained from birth. A member of the deadliest squad of assassins in The Association. But that was before he tried to go solo. And before they tried to kill him. They made one mistake though – they didn’t finish the job. Now the Black Mamba is back and he won’t stop until he’s got his hands on the ultimate prize – the assassin’s ring – and his revenge on the ex-partner and boss who double crossed him.

This episode contains themes that may be disturbing to some listeners, including sexual assault.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership.

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This week in the After Party, Jake talks trusting the government, the April Fool's DISGRACELAND episode on John Denver, and of course your emails, texts, DMS, and voicemails. If you could be any musician, who would you be? Drop a line at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod, and come join the After Party.

To hear an extended version of the After Party with some insight into next week's episode on Kobe Bryant, a special "trailer" from that episode, and more from the DISGRACELAND community, become a Disgraceland All Access member at disgracelandpod.com/membership.

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Do you need more DISGRACELAND in your life? How about exclusive monthly scripted episodes? Exclusive weekly bonus content? An always-on chat with Jake Brennan and your fellow Disgos? Learn all about how to get all of that and more by becoming a DISGRACELAND All Access member at disgracelandpod.com/membership.

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Though they were one of the first so-called “grunge” bands to sign to a major label, Alice in Chains were something of an outlier in the late ‘80s/early ‘90s Seattle scene. They didn’t fall directly into the punk camp, or the hair metal camp, and even the true metalheads thought they weren’t hardcore enough. This became painfully evident when the band opened a tour for Megadeth, Slayer, and Anthrax, and were hazed, spat on, and booed. Alice’s lead singer, Layne Staley, could take the criticism. He had a prankster’s spirit, not to mention a rock ‘n roll attitude that paired well with his killer rock ‘n roll voice. But newfound fame was overwhelming, as was the destructive addiction to heroin Layne developed to deal with it all. Soon Layne Staley found himself lost in a jungle of his own making, not unlike the jungle that he sang so convincingly about in one of Alice in Chains’ most endearing songs.

This episode was originally published on March 28, 2024.

Which Seattle artist or band hits you the hardest? Why? Let Jake know at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod.

To listen to Disgraceland ad free and get access to weekly bonus content and more, become a Disgraceland All Access member at ⁠disgracelandpod.com/membership⁠.

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This week in the After Party, Jake talks the motivating factors that drive people to the guitar, the new DISGRACELAND episode on Van Halen, the new episode on Layne Stayley of Alice in Chains ONLY in the Disgraceland All Access club, and of course your emails, texts, DMS, and voicemails. Is Eddie Van Halen the greatest rock n roll guitarist of all time? Is Van Halen the greatest band to ever rebound from the departure of their original singer? Is Van Halen's Pretty Woman the greatest example of a cover being better than the original? Get in touch at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod, and come join the After Party.

To hear an extended version of the After Party with a wild story about Eddie and a certain Nü-Metal/Rap-Rock frontman, and more from the DISGRACELAND community, become a Disgraceland All Access member at disgracelandpod.com/membership.

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On the backs of one of rock ‘n roll’s greatest innovators and one of its greatest ringmasters, Van Halen made some of the greatest music of the late ‘70s and early ‘80s. Guitarist Eddie Van Halen chased the perfect sound while lead singer David Lee Roth chased the next party. They were also ruthless when it came to protecting the unique thing they had created. Nothing was allowed to stand in their way. Not bullies, bootleggers, cynical guitar manufacturers, record producers – even the members of Van Halen themselves.

This episode was originally published on March 26, 2024.

To see the full list of contributors, see the show notes at ⁠www.disgracelandpod.com⁠.

To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at ⁠disgracelandpod.com/membership⁠.

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This week in the After Party, Jake discusses the concept of coolness, this week’s DISGRACELAND episode on Steve McQueen, and of course your emails, texts, DMS, and voicemails. Was there a cooler actor in the 60s and 70s than Steve McQueen? Let Jake know at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod, and come join the After Party.

To hear an extended version of the After Party with more insight into the would-be conspiracy between Steve McQueen and a certain King, and more from the DISGRACELAND community, become a Disgraceland All Access member at disgracelandpod.com/membership.

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Hustling on the streets of New York. Wagering with a U.S. president over who could sleep with more women. Knocking back beers with Elvis. Waving his gun around at the funeral of Jay Sebring, one of the victims of Charles Manson’s murderous family. The same family that had their sights now set on the King of Cool, Steve McQueen, who needed the speed of a Mustang or the power of a Magnum to keep Charlie’s crazy cult at bay.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership.

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This week in the After Party, Jake discusses conspiracy theories, this week’s DISGRACELAND episode concluding the Peter Tosh story, and of course your emails, texts, DMS, and voicemails. Why was Peter Tosh murdered? Was it a conspiracy? What do you make of the revenge against the would-be assassins of Bob Marley? Get in touch at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod, and come join the After Party.

To hear an extended version of the After Party with even more insight to the conspiracy theory about Peter Tosh's murder, an interview with this week's REWIND subject Michael Alig, and more from the DISGRACELAND community, become a Disgraceland All Access member at disgracelandpod.com/membership.

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As a reggae revolutionary who rejected peace in the name of truth and justice, and an outspoken critic of the Jamaican government, Peter Tosh's refusal to compromise nearly cost him his life many times over. He tried to amplify his message by purchasing Jamaica's Radio One. He tried to protect himself by way of African bush doctors and medicine men. He spent years knowing there was a bullet out there with his name on it. And in 1987, when Peter Tosh was 42, that bullet found him. Murdered in his own home by someone he knew. But why? Revenge? Wounded pride? Or was it murder for hire? Who really silenced the great Peter Tosh?

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

This episode was originally published on March 12, 2024.

To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at ⁠disgracelandpod.com/membership⁠.

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This week in the After Party, Jake talks this week’s DISGRACELAND episode on Peter Tosh, the history of DISGRACELAND two-parters, and pulls back the curtain to discuss the research and sources that go into bringing these stories to life.

Plus, who are the true badasses of the history of music and culture? Let Jake know at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod, and come join the After Party.

To hear an extended version of the After Party with even more insane revelations about Peter Tosh, the Rolling Stones, and more from the DISGRACELAND community, become a Disgraceland All Access member at disgracelandpod.com/membership.

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Peter Tosh was a reggae subversive who used his music as a means to fight corruption, oppression, and hypocrisy. Unlike his one-time bandmate Bob Marley, Tosh didn’t fight for peace. He fought for truth–and justice. He did this with a guitar shaped like an M-16 automatic rifle. He lobbied for the legalization of marijuana, using the profits of the drug trade to get his message onto the most iconic album of his career. All of this put Peter Tosh in the crosshairs of authority, the government, and those who wished to silence him – some who even wanted to see him dead.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

This episode was originally published on March 5, 2024.

To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at ⁠disgracelandpod.com/membership⁠.

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The great writer Hunter S. Thompson was nearly beaten to death by Hell's Angels, and then nearly electrocuted in a hotel bathtub when he pissed off the wrong people. He dropped acid with the Merry Pranksters, hunted deer with his car, and carried around an alcoholic monkey in his pocket. He was an outcast, a rebel, and a hellraiser, motivated by anger and the constant need for attention – the latter of which he received in spades when a whole new word had to be created to describe his entirely subjective journalism style.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

This episode contains themes that may be disturbing to some listeners, including sexual assault and suicide. If you’re thinking about suicide, or are worried about a friend or loved one, call the Suicide Prevention Lifeline at 800-273-8255.

This episode was originally published on February 29, 2024.

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This week in the After Party, Jake talks this week’s DISGRACELAND episode on Andy Warhol, the new DISGRACELAND All Access Membership Club, plus much more. What are your thoughts on the Warhol episode, and on fame in today’s world? Have you had your own brushes with fame? And who played Hunter S Thompson the best? Let Jake know at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod, and come join the After Party.

To hear an extended version of the After Party, become a Disgraceland All Access member at disgracelandpod.com/membership.

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Scott Weiland was sent to a psych ward when he was just 16 years old. Thirteen stints at rehab within the span of three years. In and out of two huge rock bands, Stone Temple Pilots and Velvet Revolver. On and off drugs. Addictions to heroin and cocaine that put him in harm’s way, not least of which were three muggers in Paris who abducted and tried to kill him. Addictions that also caused him to hallucinate “demonic forces.” Forces that Scott Weiland fought off, physically and mentally, thanks in large part to his robust survival instinct – one that served him well but could only hold all that trouble and evil at bay for so long.

This episode contains themes that may be disturbing to some listeners, including suicide. If you’re thinking about suicide, or are worried about a friend or loved one, call the Suicide Prevention Lifeline at 800-273-8255.

To see the full list of contributors, see the show notes at ⁠www.disgracelandpod.com⁠.

This episode was originally published on February 27, 2024.

To listen to Disgraceland ad free and get access to weekly bonus content and more, become a Disgraceland All Access member at ⁠⁠⁠⁠⁠⁠disgracelandpod.com/membership⁠⁠⁠⁠⁠⁠.

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Andy Warhol was the first artist to achieve rock star status. He was a Beatle with a silkscreen printer. His work and play space, the Factory, attracted people of all ages; rich and poor, straight and gay, sane and…not so sane. It was in the Factory that he was shot by a would-be assassin. He was rushed to a hospital and pronounced clinically dead. But Andy Warhol's second life began the moment he was resurrected on an operating table. As soon as his heart began to beat again, he became a true cultural icon – bigger than his paintings or his Polaroids or his experimental films, bigger than life itself. Andy Warhol became the future.

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This week Jake talks the inspiration and background behind this week's brand-new DISGRACELAND episode on Anthony Bourdain, plus your emails, voicemails, texts, and DMs. What did you think of the Bourdain episode? What other icons should we cover this year? Get in touch at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod, and come join the After Party.

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Anthony Bourdain had a lust for life. He went all in on adventure, indulgence, food, romance – including the romance of a heroin addiction that he chased through the restaurant kitchens and grimy rock clubs of 1980s Manhattan. For years he was a struggling cook and writer, but his first book, published when he was 43 years old, was an overnight success. He parlayed success as a writer into success as a TV host, traveling all over the world, dining with rockstars, presidents, and everyone in between. He dodged bullets, the real and the figurative kind, the figurative kind from the tabloids having the most impact. But in the end, he was unable to dodge the truth, which to a romantic like Anthony Bourdain, was hard to come to terms with.

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This episode contains themes that may be disturbing to some listeners, including sexual assault and suicide. If you’re thinking about suicide, or are worried about a friend or loved one, call the Suicide Prevention Lifeline at 800-273-8255.

This episode was originally published on February 20, 2024.

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Anthony Bourdain had a lust for life. He went all in on adventure, indulgence, food, romance – including the romance of a heroin addiction that he chased through the restaurant kitchens and grimy rock clubs of 1980s Manhattan. For years he was a struggling cook and writer, but his first book, published when he was 43 years old, was an overnight success. He parlayed success as a writer into success as a TV host, traveling all over the world, dining with rockstars, presidents, and everyone in between. He dodged bullets, the real and the figurative kind, the figurative kind from the tabloids having the most impact. But in the end, he was unable to dodge the truth, which to a romantic like Anthony Bourdain, was hard to come to terms with.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

This episode contains themes that may be disturbing to some listeners, including sexual assault and suicide. If you’re thinking about suicide, or are worried about a friend or loved one, call the Suicide Prevention Lifeline at 800-273-8255.

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This week in the After Party, Jake talks the new DISGRACELAND episode on The Clash, as well as this week's REWIND episode on Studio 54, and provides insight into next week's episode on Anthony Bourdain. Plus, your emails, voicemails, texts, and DMs. Who are your top five 70s punk bands? Let Jake know at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod, and come join the After Party.

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The Clash were once described by their manager as a news organization first, and entertainers second. They were, as their record label put it, “the only band that matters.” They were on the front lines at the dawn of punk rock, but were adventurous enough to quickly branch out into reggae, dub, and hip-hop. They were arrested on suspicion of terrorism in London. Chased out of Jamaica by local drug lords armed to the teeth. Caused a near riot in Times Square when their week-long takeover of a disco was shut down by the city after night one. For Joe Strummer, one of the Clash’s two songwriters and the group’s political avatar, all this insanity came with the territory when you were disrupting the status quo. But the weight of it all, the importance of the only band that mattered, became too much to bear, and at the height of the band’s commercial success…their frontman went missing.

To see the full list of contributors, see the show notes at ⁠www.disgracelandpod.com⁠.

This episode was originally published on February 13, 2024.

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This week in the After Party, Jake talks this week's brand-new DISGRACELAND episode on Scott Weiland, our REWIND episode on MC5, and your voicemails, texts, emails, and more. Who are your top five 90s frontmen? Who are your top 5 proto-punk bands? Drop a line at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod, and come join the After Party.

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This week Jake talks the trailer and upcoming subjects in DISGRACELAND's Icons series, this week's REWIND episode on Run DMC, plus answers your DMs, texts, voicemails, emails, and Insta Live questions. Who do you want to see an episode on? Thoughts on the Jam Master Jay killing and current trial? Get in touch at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod, and come join the After Party.

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Welcome to DISGRACELAND in 2024. Jake Brennan will continue to bring you the most insane stories about rock stars getting away with murder and behaving very badly ... and will also tell other stories about icons from beyond the world of music who possess dangerously compelling rock 'n roll hearts. Like Anthony Bourdain. Andy Warhol. Hunter S. Thompson. Kobe Bryant. Garth Brooks. Public Enemy. Van Halen. And so many more. Get the scoop on the exciting 2024 we have planned for you, the biggest and most iconic year in DISGRACELAND history. Rocka rolla.

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This week on the After Party, Jake talks this week's new episode on Stu Sutcliffe, as well as the REWIND episode on Dimebag Darrell of Pantera and Damageplan. Plus, your emails, voicemails, texts, and DMs. Do you want more Beatles episodes? What should they cover? What's your favorite Beatles era? Let Jake know at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod, and come join the After Party.

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Stu Sutcliffe was rock 'n roll's original Sid Vicious. Just like Sid, Stu was a bass player. But also like Sid, Stu could hardly play. What he did have in spades was style and attitude. He was by far the coolest looking member of the Beatles, back when the Fab Four were still a fab five (minus Ringo). These were the days of the Reeperbahn in Hamburg, Germany, a violent landscape of gangsters, thugs, prostitutes, and vindictive club owners who ran their depraved joints with an iron fist. It was here that the Beatles played marathon sets at some of Hamburg’s rowdiest bars. It was where they first popped pills, were arrested for the first time – but also where they learned how to be great, and how to be effortlessly cool. That last one thanks to their bass player Stu Sutcliffe, whose days on this earth were finite, but whose impact would live forever.

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This week Jake talks the new DISGRACELAND episode on Serge Gainsbourg and this week's REWIND episode on Madonna, plus some personal stories and of course your correspondence. What's your favorite Serge Gainsbourg music? Favorite Madonna era? Get in touch at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod, and come join the After Party.

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In the late 1960s, Serge Gainsbourg carried out an illicit affair with Brigitte Bardot, not only the world’s preeminent sex symbol at the time, but a sex symbol with a powerful millionaire for a husband. Her love inspired Serge to a creative breakthrough, transforming French pop music and the music of the world while their passionate fling was busy barreling toward a doomed ending - an ending as doomed and as shocking as the end of the two outlaws they modeled their romance and their music on.

To see the full list of contributors, see the show notes at ⁠www.disgracelandpod.com⁠.

This episode was originally published on January 16, 2024.

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On this week's second After Party, Jake sets up next week's brand-new episode on Serge Gainsbourg, gets in to more of this year's content, and of course responds to your voicemails, texts, DMs, and emails. What are your non-music episode recommendations for Jake? And what are some of the more weird Kinks songs? Let Jake know at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod, and come join the After Party.

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Today in the After Party, Jake lays out the year in DISGRACELAND, gives a primer and some insight into the production of this week’s Rewind episode on Johnny Cash, and responds to your texts, emails, and DMs. What are your 2024 episode suggestions? Do you have the scoop on Fred Neil? What’s your favorite Johnny Cash music? Get in touch at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod, and come join the After Party.

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This week on the After Party, Jake gets in to the Rewind episodes on the Beach Boys' Dennis Wilson, and the Manson zeitgeist surrounding them. Plus your emails, voicemails, texts, DMs, and more. Drop Jake a line at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod, and come join the After Party.

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This week in DISGRACELAND is all about Christmas, thanks to our new episode on Mariah Carey and our REWIND episode on Derek and the Dominos, and it's got Jake talking Christmas music, electric shocks, and your emails, voicemails, texts, and DMs. How do you feel about "All I Want For Christmas Is You?" What are you doing -- or did you do -- for Christmas? Get in touch at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod, and come join the After Party.

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Mariah Carey once lived under constant surveillance in her own home. Her husband planted cameras and recording devices around their prison-like mansion to watch her every move. He hired armed guards to follow her everywhere but the bathroom – the same armed guards who nearly shot Mariah’s collaborators when she unexpectedly dipped for a 30-minute joy ride. Despite her record-breaking five-octave pipes, Mariah Carey didn’t didn’t have a voice in her relationship for years. And when she did finally speak up to get a divorce, that’s when her husband’s stalking ended…and his sabotage on her career began.

To see the full list of contributors, see the show notes at ⁠www.disgracelandpod.com⁠.

This episode was originally published on December 19, 2023.

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This week in DISGRACELAND, Jake is talking the new episode on Sean "Diddy" Combs, as well as the Rewind episode on the Temptations. Plus, your emails, voicemails, texts, and DMs. Do you think Combs is innocent? Guilty? Who are your favorite Motown artists? What's your favorite record label? What do you like most in the content we're bringing you? What are the best two-chord songs? What would you want on a DISGRACELAND vinyl? What Christmas music do you get most pumped on? Drop a line at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod, and come join the After Party.

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Sean “Diddy” Combs is a music producer and rapper, but he is a businessman first. And as every businessman knows, you gotta pay the cost to be the boss. You’ve gotta bet big to win big. You have to have drive, determination, and swag. Three things that Diddy possesses and which helped Diddy navigate through the fallout of a fatal stampede, an alleged beatdown of a record exec, and a shooting at a Manhattan nightclub. All of them obstacles on the road to building one of the most dominant empires in hip-hop: a record label and a brand that commanded top dollar and defined the commercial apex of the genre in the mid-to-late 1990s.

This episode was originally published on December 12, 2023.

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Sean “Diddy” Combs is a music producer and rapper, but he is a businessman first. And as every businessman knows, you gotta pay the cost to be the boss. You’ve gotta bet big to win big. You have to have drive, determination, and swag. Three things that Diddy possesses and which helped Diddy navigate through the fallout of a fatal stampede, an alleged beatdown of a record exec, and a shooting at a Manhattan nightclub. All of them obstacles on the road to building one of the most dominant empires in hip-hop: a record label and a brand that commanded top dollar and defined the commercial apex of the genre in the mid-to-late 1990s.

This episode was originally published on December 12, 2023.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

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To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership.

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This week on the After Party, Jake talks the new DISGRACELAND episode on Jane's Addiction, the re-release of the Juice WRLD episode, new ideas, and more. Plus your emails, DMs, voicemails, and texts. Who is the greatest band of the 90s? Let Jake know at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod, and come join the After Party.

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Jane’s Addiction’s Dave Navarro was only 15 years old when his mother was brutally murdered in her apartment by her ex-boyfriend. The killer escaped, and for eight long years eluded capture. During those years, Dave Navarro couldn’t shake the pain of his mother’s death or the fear of knowing that the man responsible was at large. He became addicted to heroin. He nearly died when he OD’d in a London flat. And his addiction helped drive a rift in his band just as they were reaching a critical and commercial height.

This episode contains themes that may be disturbing to some listeners, including descriptions of stalking and domestic violence.

This episode was originally published on December 5, 2023.

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