Prestige Junkie

Live onstage at Televerse, I caught up with the Emmy winning host of Peacock's reality series The Traitors, which just wrapped production on its fourth season. While keeping mum about a few things, Cumming revealed plenty of secrets from within those castle walls, including the odd relationship he builds with the contestants, how he balances his work as a producer on the set as well as hosting, and what he gets to do in character as the show's host that he can't do anywhere else. 

Subscribers to Prestige Junkie After Party can watch the full video of this conversation as well as the panel that came immediately before it, where I got to catch up with a truly all-star lineup of Traitors contestants: Bob the Drag Queen, Boston Rob Mariano, Cirie Fields, Kate Chastain, Parvati Shallow, and Phaedra Parks. Subscribe now to watch! 

Thank you to Peacock for making this episode possible. 

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Esther Zuckerman joins Katey and Chris to look at the fall slate for A24 as well as the newest contender for its cool kid crown, Mubi, plus a few titles from fellow indies Lionsgate and Bleecker Street. Then Katey talks to The White Lotus star Walton Goggins about the terrifying but grand adventure of being on that set, and why his offscreen reunion with Sam Rockwell might have been even more dramatic than what we saw on the show.

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Katey talks to the Emmy nominated star of the Netflix rom-com about what he keeps learning about himself this far into his career, the difference between fame in your 20s and your 40s, and what happened to his Teen Choice Award surfboard. 

Paid subscribers to Prestige Junkie After Party can watch the full video version of this conversation, so join us now!

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David Sims joins Katey for part 3 of our fall preview series, looking at the major studios and their Oscar lineups, and whether Warner Bros can get their first best picture win in over a decade. Then Katey talks to Michelle Williams about both starring in and executive producing Dying for Sex, and how she learned the hard way which kind of sets she actually wants to be part of.

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The double Emmy nominee for Paradise and Hacks remembers how she knew she wanted to work with Sterling K. Brown, how she felt brave enough to really go for it on Hacks, and what you really learn after a three-decade career in the business. 

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Tyler Coates joins Katey and Christopher Rosen to look at the slates for three indie labels owned by studios that all hope to stake their claim in this year's awards race. Searchlight Pictures, the only one of the three to ever win best picture, is hoping to win hearts with Rental Family, while Focus Features is going heavy on auteurs with Yorgos Lanthimos's Bugonia and Chloe Zhao's Hamnet. Meanwhile Sony Pictures Classics has a tried-and-true formula for getting their films in front of voters, and have a heavy historical drama, Scarlett Johansson's directorial debut, and much more. 

The episode also includes Katey's conversation with Stephen Graham about his labor of love turned worldwide phenomenon, Adolescence. He calls the experience of making the show like working with a theater troupe, and talks about how he built the confidence to build the series around a series of astonishing single-takes, and why he thinks the show has hit such a nerve since it debuted on Netflix earlier this year. 

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David Canfield joins Katey and Chris to kick off our five-part fall preview, in which we take a close look at the lineups for every studio that has won best picture in the past 10 years. We're starting, naturally, with reigning best picture champion Neon, who shepherded Anora from Cannes breakout to best picture juggernaut, and are aiming to do it again this year. Can they continue their winning formula? Are they facing challenges from their fellow indie distributors? And can they finally get Elle Fanning the awards season respect she deserves?  We get into it all, and much more. Don't forget that this week brings the launch of Prestige Junkie After Party, where you can get video versions of future episodes and lots of special bonus content. Join us there!

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Vulture’s Nick Quah joins Katey to talk about why Stephen Colbert feels like only the first of the late night giants to fall, why podcasts and YouTube shows won’t be able to fully replace what late night has done for decades, and how the Emmys might fit into all of this.

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Katey and Chris go live immediately after the Emmy nominations announcement — bear with the bad audio, we promise it gets better — to talk about the big morning for HBO and Apple, the dominance of Netflix actors, the upcoming battle between The Pitt and Severance, and much more. Plus, a conversation with Adolescence star Erin Doherty about her big plans for Emmy night.

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Katey and Chris run through all the major Emmy categories and share their final predictions, whether they feel confident about them or not. From the best actress in a comedy race, which seems set in stone, to the wildly unpredictable guest categories, we've got our best guesses about what to expect when the Emmy nominations are announced next Tuesday, July 15.

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Katey and Chris look back at 2005’s July 4 weekend blockbuster, which was overshadowed at the time by Tom Cruise’s press tour but still holds up, with its dark metaphor for American life after 9/11 and what are still some of the most chilling action sequences ever made.

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Timothee Chalamet mastered it, Brad Pitt is trying it out, and everyone knows you've got to go for it — it's the new press tour hotspots, from Hot Ones to running in Central Park. Nicole LaPorte talked to Hollywood's most ruthless publicists about which ones are actually worth it, and shares her findings on this week's episode.

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The star and executive producer of Dope Thief took on his first behind the scenes role on the Apple TV+ series, and found a whole new way of working in the process. 

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Franklin Leonard, the founder and CEO of The Blacklist, joins Katey for a check in on the industry’s cautious optimism over summer movie season, but also the lingering anxieties that keep standing in the way. Then hear Katey’s live onstage conversation with the team behind ABC’s High Potential: director Alethea Jones, showrunner Todd Harthan, creator Drew Goddard and star Kaitlin Olson.

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The star of the Black Mirror episode “Eulogy” joins the series creator for a freewheeling conversation about memory, grief, AI and how to fit an American into what was intended as a very English story. Watch the full video version of this interview on The Ankler’s YouTube page.

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The comedian, author and actress on learning how to ask questions, building trust with everyone she works with, and learning to play her face like a harp.

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Vulture's Joe Reid joins Katey to talk about the less-discussed Emmy contenders that deserve voter attention, from the sexy Interview with the Vampire to the bloody and brilliant Black Doves. Then Good American Family star Ellen Pompeo explains why it took so long for her to play a role that's not Meredith Grey, and how she's learned to fight for herself and for others on set.

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The creator of the new Judy Blume adaptation Forever joins her longtime friend and star Karen Pittman for a frank conversation about motherhood, Hollywood, and co-creating with God. 

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The team behind Prime Video's new limited series tell Katey about the family drama that lured them into the story, how Biel and Banks built their sisterly dynamic, and the key to a perfect 90s needle drop

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The Ankler’s new deputy editor joins Katey for a look at what’s at stake as Emmy voting looms— and rest assured, you’ll be hearing much more of Chris on this podcast going forward. Then Katey talks to Jason Segel about embracing the TV persona he’s built up over two decades of stardom— and then trying to blow it all up on Shrinking.

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The musician and director of the documentary Sly Lives! (aka the Burden of Black Genius) wanted to tell the story of the seminal band Sly and the Family Stone, but also the unique challenges that faced its leader — challenges that Questlove himself knew quite well, particularly after his Oscar win. 

This is the first of several special weekend editions of the podcast we'll be sharing with some of the season's most fascinating Emmy contenders.

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Chris Feil returns to break down the most talked-about titles from Cannes, and why Neon is releasing almost all of them. Then, Severance star Britt Lower and creator Dan Erickson discuss the trial by fire experience of making the buzzy Apple show, and how it allowed them to take even bigger risks in season two.

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The Ankler himself Richard Rushfield joins Katey to look back at the series of disasters that have been facing Hollywood for the past decade, and the hope that still remains for escaping it. Then Katey talks to Andor showrunner Tony Gilroy and executive producer and star Diego Luna about the show's ambitious, moving final episodes, and why Andor may be the first show ever to say it's being made like a long movie and actually pull that off.

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Tyler Coates returns to break down the state of the Emmy race, including the wide-open battle for drama series and the new shows with major upset potential. Then Luke Kirby talks about his new collaboration with Amy Sherman-Palladino and Dan Palladino, entering the tough but beautiful world of ballet with the new Prime Video series Etoile.

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First Dave Gonzales joins Katey to look at how Thunderbolts fits into the Marvel Cinematic Universe's current existential crisis, and whether Fantastic Four later this summer can keep the good vibes going. Then Matlock creator Jennie Snyder Urman and star Kathy Bates talk about how they crafted a legal procedural for the modern era, and why it was good enough to bring Kathy back from the brink of retirement.

Tom Oyer, an Oscar die-hard and former senior vice president at the Academy, joins Katey to break down the new rules for this year’s Oscars, and explains why the Oscars need so many rules in the first place. Then Katey talks to Hannah Einbinder and Paul W Downs about the latest season of Emmy champion Hacks, and their secrets for the best backlot golf cart rides.

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Katey talks to Ankler colleague Lesley Goldberg about a TV trend that's more promising than it might seem, thanks to spring hits like The Pitt. Then Katey talks to Uzo Aduba about leading Netflix's new White House murder mystery series The Residence, and what it takes to play true genius on TV.

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First, Katey talks to fellow long-time podcaster Karina Longworth about the latest season of her show You Must Remember This, which looks back at how iconic directors like John Huston and William Wyler adapted to the changes in Hollywood in the 1960s — and what we can learn from their struggles. Then, The Wedding Banquet director Andrew Ahn and his co-writer James Schamus talk about their unusual collaboration, working together to remake a film Schamus co-wrote in 1993 with Ang Lee, and update it for a modern audience while maintaining the original's scrappy indie film spirit.

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Live on stage at NAB Show in Las Vegas, Katey talks to the prolific filmmakers about their long friendship, hard-won lessons, and what's next for Hollywood, technology and storytelling.

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First, Natalie Jarvey, the author of the Ankler's Like and Subscribe newsletter, joins Katey to talk about how Hollywood is trying once again to partner with some of the Internet's most popular creators — and why those creators still want Emmy recognition, too. Then Katey talks to Jason Isaacs, fresh off watching the finale of The White Lotus alongside his cast mates, about the wild ride of being on the most talked-about show in television, and some hard-won lessons from a career onscreen.

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Mississippi’s own Landon Bryant— better known on the Internet as Landon Talks— joins Katey to talk about his hometown hero Parker Posey and her divisive, instantly iconic performance on the current season of The White Lotus. They also talk about the actors who have nailed their Southern accents over the years, and Hollywood might be able to work with creators like Landon to truly get it right going forward.

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With splashy TV premieres everywhere you look and many more to come, it really is officially Emmy season, but maybe a little too early to get into the weeds of who will win. So instead we're kicking things off with a look at the world of prestige TV, Ankler-style, with two of our Series Business authors, Elaine Low and Manori Ravindran, joining me to talk about the world of TV overall. How do this year's contenders reflect all the anxiety and contraction we're seeing in the industry? How are so many UK imports making such a splash? And which shows are giving us hope that TV might just be OK after all?

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Chris Feil and Joe Reid return to join Katey for a broad overview of the most exciting films ahead this year, from new work from greats like Paul Thomas Anderson, Celine Song and Yorgos Lanthimos to, yes, Wicked: For Good. They also continue their annual tradition of making irresponsibly early best picture predictions, and share some hopes that Colin Farrell, Paul Mescal, Andrew Scott and even some non-Irish actors will have a huge year ahead of them.

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With the 97th Academy Awards finally in the rearview, Katey gathers a murderers' row of former guests to share their final takeaway from this topsy turvy season. Answering the question "What did you learn from this year's Oscars?" are Esther Zuckerman, Jordan Hoffman, Richard Rushfield, Tyler Coates, Michael Shulman, Sam Adams, Rebecca Ford, Shirley Li, Matt Patches, David Canfield, Chris Murphy, Sean Fennessey, Alison Brower, and Chris Feil. Join us, and then you never have to think about this year's Oscars again.

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Anora wins big, Conan wins over the crowd, and everyone wonders what's next for Demi Moore. It's the morning-after Oscars report with Katey and Tyler, with highlights from the red carpet, the Anora after-party, and everything in between.

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Katey and Joe Reid go through their final picks in all 23 Oscar categories, from the guaranteed wins to the true toss-up categories — and of course, the eternally unpredictable best picture race. Then Katey talks to Oscar executive producers Raj Kapoor and Katy Mullan about the frantic final days before the show, what to expect from Conan O'Brien's first time as host, and how some classic Oscar traditions will be turned on their head this year.

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Dan D'Addario, Variety's chief correspondent and the author of the upcoming book The Talent, joins Katey to take stock of this year's Oscar season as final voting ends, and ponder which actors did the best job of giving what Dan calls "the performance after the performance" on the campaign trail. Dan's new novel The Talent, out in bookstores February 25, follows five best actress nominees across a fictional awards season, which brings up the question: why is the best actress race the one that captivates Oscar obsessives year after year?

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Find out more about Dan's book The Talent.

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Your Guide to the Oscar-Nominated Shorts with Chris Feil, Plus Monica Barbaro's Voice Lessons

Chris Feil and Katey watched all fifteen of the Oscar-nominated short films, and though we recommend you see them yourself in theaters, we've also got a cheat sheet for how to pick them in your Oscar pool. Then Katey talks to Monica Barbaro about becoming a singer to play Joan Baez in A Complete Unknown, and the advice about taking care of your voice that she learned — and if her voice coach asks, she's definitely still following them. 

Speaking of Oscar pools! Join the Prestige Junkie Oscar Pool and test your mettle against the Ankler staff and some of our favorite pundits. 

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Kyle Buchanan joins Katey, who has lost most of her voice after a big awards season weekend in Los Angeles, to break down three huge recent victories for Sean Baker’s Anora— and what, if anything, might still be standing between it and best picture. They also look back at the outsized role played this awards season by online fans, and whether that will be the new normal going forward.

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David Sims joins Katey to look broadly at the best picture field after the Emilia Perez fallout, the Complete Unknown surge, and everything else that’s made this season so impossible to predict. What actually deserves to win best picture after all this? What will look like a good win in 10 years? We get into all of it.

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After a whirlwind few days of scandal and seemingly endless interviews from Emilia Pérez star Karla Sofia Gascón, Slate's Sam Adams join Katey to figure out how it all played out, how fervent fan bases have played outsize roles in this awards season, and where Emilia Pérez's Oscar hopes can go from here. Then Katey talks to Anora's director, writer, co-producer and editor Sean Baker about his very particular way of making movies, how he challenged himself with Anora and where he'll go from here.

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The Ringer's Joanna Robinson returns to join Katey and look at the Oscar success of not just The Substance but also Nosferatu, and why it's good for everyone when there's a popular genre movie that the Oscars can already embrace. Then, The Brutalist director Brady Corbet calls from London, where he reflects on the long promotional campaign he's still in the middle of, what the future of Hollywood and AI should actually look like, and what he'll do on March 3 when this awards season rush is all over.

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The Ankler's Alison Brower joins Katey from Park City to talk about the highlights from the first few days of Sundance, which as usual is heavy on excellent docs and has plenty of hit-or-miss star vehicles. Luckily for the rest of us, there are at least a few surefire hits to look forward to.

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Katey shares instant reactions to this year’s Oscar nominations with Esther Zuckerman, then shares segments of a Substack Live session with Richard Rushfield, asking some of the bigger questions about what this years nominations mean for Hollywood. Want to be part of our next Substack Live? Become a paid subscriber to The Ankler and join us!

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It feels like an eternity since last week’s Golden Globes, and with all of Los Angeles focused on the wildfires and their aftermath, awards season has taken a backseat— but hasn’t ended entirely. Tyler Coates joins Katey to talk about the impact of all this turmoil, and how awards season might boost the city’s recovery once it finally returns.

Then Katey talks to Robert Eggers, the director of stylish horror films who just had his biggest hit ever with Nosferatu, a movie he’s spent more than a decade trying to get made— and was absolutely worth the wait.

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The Golden Globe-winning star of I’m Still Here on reuniting with Walter Salles for their acclaimed historical drama, and how she learned from her mother how to prepare for a run through awards season.

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Katey and Richard Rushfield continue their look back at the year that was in Hollywood, selecting the year's standout performances in everything from little-seen Sundance indies to some likely future Oscar winners. It's enough good work to even make Richard feel a little optimistic as the new year begins.

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Katey sits down in front of a live audience in Hollywood with the director of the animated sensation, discussing what it took to make his directorial debut after years at Pixar, the many versions of the film that existed before the one we see today, and the emotions driving his console these days.

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Katey reunites with Vanity Fair's David Canfield to break down the highlights of the Golden Globes, which had some surprisingly great winners and a very capable host in addition to some bizarre production snafus. Then Katey talks to Guy Pearce, a Golden Globe and Critics Choice nominee for his role in The Brutalist, about some hard-won wisdom from a long, up-and-down career in Hollywood.

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Richard Rushfield joins Katey to look back at the year in film, which Richard thinks is one of the worst in the history of studio filmmaking — if not the worst — but still scrounged up enough titles to get excited about. The episode also includes Katey's conversation with Javier Bardem about his chilling performance on the limited series Monsters: The Lyle and Erik Menendez Story — and his surprisingly moving motivation for taking on a very different kind of character in a recent, criminally underseen children's film.

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