The Projection Booth Podcast

We are looking at the 1984 film from writer/director Michael Crichton, Runaway. It’s the tale of Jack Ramsay (Tom Selleck) a member of the Runaway unit who takes care of errant robots. He’s a single dad with a son and a robot at home and a new partner on his team, Karen Thompson (Cynthia Rhodes). He’s put on a case which leads him to the dastardly Luther (Gene Simmons).

Carol Borden (The Cultural Gutter) and Josh Stewart join Mike to discuss this quasi-futuristic tale.
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We’re looking at the 1985 film from director Mark L. Lester, Commando. The film stars Arnold Schwarzenegger at PEAK Schwarzenegger. The film really defines 80s action movies -- hyper violence, a killer soundtrack, and corny one-liners. The only things missing are gay panic and a good dose of misogyny.

Ti Singh (In Search of the Last Action Heroes) and Chris Stachiw (The Kulturecast) join Mike to discuss action films, Schwarzenegger, the unmade sequel, the Russian remake, and more.
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We conclude Cinema Novo month with a look at Glauber Rocha’s The Lion has Seven Heads, though, this movie seems to be post-Cinema Novo and wasn’t even made in Brazil. Instead, this film was made after Rocha was exiled from Brazil and shot in Brazzaville in the Democratic Republic of Congo along with help from French and Italian producers.

Chris Stachiw and Heather Drain join Mike to discuss this dense political treatise about colonialism.
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We're discussing Better Off Dead (1985) from writer/director Savage Steve Holland. The film stars John Cusack as Lane Myer, a high school student obsessed with his girlfriend, Beth. When Beth breaks up with him -- throwing Lane over for Roy Stalin, a jock douchebag who can ski the most dangerous mountain around -- Lane attempts suicide several times… like you do in a good comedy.

Jess Byard and Mike "McBeardo" McPadden, author of Teen Movie Hell, join Mike to discuss the film and its fast follow-up, One Crazy Summer.
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Cinema Novo month continues with a look at Joaquim Pedro de Andrade’s Macumaia. Based on the 1928 Modernist novel of the same name by Mário de Andrade (no relation). Some see the Cinema Novo movement ending around 1967 while others say that it simply entered another phase. Regardless, Macunaima is unlike any other movie we’ve discussed this month so far and it might be in the running as a favorite film overall. It’s wild, colorful, and filled with enough subtext to choke a horse.

Chris Stachiw and David Kittredge join Mike to discuss this wild tale of jungle and urban life in Brazil in 1969.
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On this special episode of The Projection Booth, Mike talks to writer/director/actor Oliver Robins about his latest film, Celebrity Crush (2019). The film stars Robins as a celebrity who is kidnapped by an obsessive fan after a one night fling at a convention.

Hear the rest of our interview with Mr. Robins on our Poltergeist episode in October!
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Cinema Novo month continues with a look at Glauber Raucha’s Terra em Transe also known as Entranced Earth or Land of Anguish. It’s the story of the mythical country of El Dorado where the events seem to oddly parallel the political upheaval of Brazil from 1960 to 1966. It was initially banned by the Brazilian government until enough public outcry allowed it to be shown domestically as well as in film festivals.
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On this very special episode of The Projection Booth we're looking at the films of Trent Harris, specifically The Beaver Trilogy (2000) which includes a documentary segment about Utah native "Groovin' Gary" along with two narrative remakes (starring Sean Penn and Crispen Glover in the Gary role). We also look at the documentary about The Beaver Trilogy from director Brad Besser called The Beaver Trilogy Part IV.

Bill Ackerman and Rahne Alexander join Mike to discuss the Beaver Trilogy films as well as Harris's Rubin & Ed and Plan 10 From Outer Space
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Cinema Novo month continues with a look at Glauber Rocha's Black God, White Devil (and its follow-up, Antonio Das Mortes). It's two stories in one as our main character, Manuel, kills his boss and then goes on the run, becoming a follower of Sebastian (the Black God of the title) before eventually becoming a follower of Corisco (the White Devil).

Ken Stanley and Chris Stachiw join Mike to discuss Rocha's work before and after the political coup that changed Brazilian history.
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We are kicking off a month of shows discussing the Cinema Novo movement from Brazil with a look at Nelson Pereira dos Santos’s 1963 film Vidas Secas. Also known as Barren Lives, the film is based on a 1938 novel by Graciliano Ramos. It’s the story of a family trying to survive in the scraggly countryside of Northeast Brazil. We join them as they search for a place to live, a way to put food on their table, and how to make enough money to buy a leather bed.

Chris Stachiw and Trevor Gumbel join Mike to try and unpack this "First Wave" Cinema Novo film.
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Can Dialectics Break Bricks? is the 1973 film from Rene Vienet which is a re-dubbing of the 1972 film Crush. The film re-tells re-tells the story of Crush as the story of a bunch of rotten bureaucrats who have oppressed the working class long enough. The workers look forward to a day when the landlords will all hang, priests will be cut in two and the churches will be burned to the ground.

Spencer Parsons and Rob St. Mary join Mike to to discuss the Situationist movement, detournement, and its modern implications.
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We’re looking at the 1971 film from James Bidgood, Pink Narcissus. It’s a wordless film which tells the story of a young hustler played by Bobby Kendall who engages in a series of fantasies throughout an evening. The film was shot on 8mm but still presents a lush, fantastic color palette and incredible sets that are even more incredible when the viewer remembers that this was all shot in Bidgood’s Hell’s Kitchen apartment.

Maitland McDonagh and David Kittredge join Mike to discuss lyrical pornography, New York real estate, and the importance of finishing projects.
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Jess Byard and Heather Drain join Mike to discuss the Panic Movement and Fernando Arrabal's freshman film, Viva La Muerte. It's the surrealistic tale of Fando, a boy whose mother sold his father out to the fascists during the Spanish Civil War.
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Daniel Kremer and Jarrod Labine join Mike to discuss The Magic Garden of Stanley Sweetheart. Based loosely on Robert T. Westbrook’s book of the same name, the film follows the exploits of the unlikely-named protagonist who’s not very likable, Stanley Sweetheart (Don Johnson). He fancies himself an underground filmmaker and Lothario. The film follows him on his exploits as he navigates life, women, and the scene in 1970’s New York.

Our episode features interviews with Robert Westbrook, actress Linda Gillen, and actor Brandon Maggart.
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Bro, on this special episode of The Projection Booth we're looking at the 2001 movie from R. D. Robb, Don's Plum. The film remains officially unreleased in the U.S. while available legally in other parts of the world. The film stars a group of young actors known as "The Pussy Posse" including Leonardo DiCaprio and Tobey Macguire. It's about a group of guys who bring their dates to the titular diner where they talk, boast, and engage in bathroom-bound monologues.

Mike Sullivan (Shock Cinema, Cinema Sewer) and Andrew Rausch (My Best Friend's Birthday: The Making of a Tarantino Film) join Mike to boast, debase women, and talk about the history of the film. Producer Dale Wheatley provides insights from behind-the-scenes.
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French Month concludes with a look at Jean Rollin's Lips of Blood (1975). The film stars Jean-Loup Philippe as Frederic, a man who, one night at a party, sees a photograph of a gothic castle that triggers a memory. He suddenly recalls a time when he was young when a young woman gave him shelter for the night. After that he's plagued by visions of her and feels the need to reconnect.

Maitland McDonagh and Samm Deighan join Mike to talk about Rollin, cinemafantastique, and Suck Me, Vampire.
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French Month continues with a look at Henri-Georges Clouzot’s Le Corbeau. Also known as The Raven, the film was released in 1943 and made by Continental Films, a German company operated in France during World War II. It’s the story of the small town of Saint Robin which is plagued by a poison pen letter writer who torments citizens with scandalous details of their lives, turning people against one another and casting a net of suspicion across the entire region.

Special guest Judith Mayne (Woman at the Keyhole) discusses Occupation Cinema in general and Le Corbeau in particular. Kat Ellinger and Ken Stanley help Mike unpack this incredibly fascinating film.
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We’re looking at a new series called Time Warp: The Greatest Cult Films of All Time. Directed by Danny Wolf, the title might tip you off that this is a documentary about cult movies with an audacious title and scope.

Rod Lott and Chris Stachiw join Mike to discuss this 5 1/2 hour, 3 part series.
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French Month continues with a look at Alain Renais's Last Year at Marienbad (1961). Based on a script by Alain Robbe-Grillet, the film tells the tale of three characters, M, A, and X, as they wander the halls and grounds of a vast hotel in Marienbad. What are their relationships? What are they doing in Marienbad? How does this film take apart everything that we think we know about narrative storytelling? We'll try to figure some of that out as we go along.

Jim Vendiola and Samm Deighan join Mike to discuss this challenging film.
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On this special episode, Mike talks with director Andrew Ahn (Spa Night) about his latest film, Driveways. It's a touching story of a mother and son who are cleaning up a relative's house after her death. The son makes friends with their new neighbor, played by Brian Dennehy in one of his final performances.
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We kick off French Month with a look at Jean-Pierre Melville’s Le Doulos. The second of his several and seminal gangster films, Le Doulos is the story of two men -- Silien (Jean-Paul Belmondo) and Faugel (Serge Reggiani). They are denizens of the underworld where loyalty and honor are everything. When a burglary Faugel has planned goes awry he thinks that it’s Silien who set him up. Is Silien the titular “Doulos,” an informer?

Samm Deighan and Ken Stanley join Mike to wax fondly about Jean-Pierre Melville and his rich career.
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We wrap up Polish Month on the Projection Booth with a look at Wojciech Has's Hourglass Sanatorium. Based on a 1937 book from Bruno Schulz, the 1973 film stars Jan Nowiki as Josef, a man who travels to the titular sanatorium to see his father who is somewhere between life and death. Things only get stranger from there.
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Polish month continues with a look at Walerian Borowczyk's Goto, Island of Love. Released in that magical year of 1969, the film tells the tale of a thief (Guy Saint-Jean) on the Island of Goto which is ruled over by Governor Goto III (Pierre Brasseur). After being pitted in armed combat and somehow surviving he is put in charge of the Governor’s dogs, boots, and the killing of flies.

Daniel Bird (Camera Obscura: The Walerian Borowczyk Collection) and Kat Ellinger join Mike to discuss Borowczyk's live action feature debut as well as his early shorts.
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Mike talks to director Ben Kasulke who's had a long career as a cinematographer, working often with Lynn Shelton, Guy Maddin, and Todd Rohal. Ben's feature debut, Banana Split, is an endearing coming-of-age story and is now available on Amazon Prime.
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Released in 2005, Shane Black’s KISS KISS BANG BANG stars Robert Downey Jr. as Harry Lockhart, a two-bit thief who lucks his way into a Hollywood audition which puts him on a very crooked path of playing a detective along with Val Kilmer as Gay Perry. The film pays homage to pulp detectives of old by way of the slick writing style of Black in his directing debut.
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On this special report, author Mark Edlitz talks with Mike about his latest book, The Many Lives of James Bond: How the Creators of 007 Have Decoded the Superspy.
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We continue Polish Month with a look at two films from Andrzej Żuławski. First up is his feature debut, Third Part of the Night (1970) which is a horror thriller regarding lice, the apocalypse, and doubles. We also discuss The Devil (1972) in which a man jailed for regicide is freed, given a straight razor, and pointed to all the people he feels have betrayed him.

Samm Deighan and Rondo-Award Winner Kat Ellinger join Mike to discuss these early works in Andrzej Żuławski's filmography.
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On this special episode of The Projection Booth, Mike talks with Joseph Lanza, author of The Texas Chain Saw Massacre: The Film That Terrified a Rattled Nation.
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On this episode we’re looking at a pair of films from Roman Polanski. First up we’re discussing the 1962 film Knife in the Water. It’s about a couple, Andrej and Krystyna, who run across a young man without a name. After that we discuss another film with a trio of characters, 1994's Death and the Maiden.
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We continue our examination of the films of 1969 with a look at Dariush Merhjui’s The Cow. The film stars Ezzatolah Entezami as Hassan, a man with a very high status in his village. He’s the proud owner of the sole cow. When he goes away for a morning his cow mysteriously dies and the rest of the villagers conspire to cover this up by telling him that the animal has run away. Let’s just say that Hassan doesn’t take the news so well….
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On this special episode of The Projection Booth we’re looking at Ken Russell’s Tommy. Released in 1975 this is an interpretation of The Who’s Rock Opera of the same name which stars Roger Daltry as the titular Tommy. After witnessing a scene of his mother and her lover killing his father, Tommy is rendered psychosomatically blind, deaf, and mute. He becomes a wiz at pinball, starts a religion, and is eventually brought low as a false prophet.
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Our examination of 1969 continues with our first American film we’ve discussed this year, They Shoot Horses, Don’t They? Directed by Sydney Pollack and based on a novel by Horace McCoy, the film stars Michael Sarrazin as Robert and Jane Fonda as Gloria, a pair who get thrown together in a marathon dance contest during the Great Depression.
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Our look at 1969 continues with a discussion of Jacques Rivette’s L’Amour Fou. The story of a director, Sebastien, and an actress, Claire. We watch them work together on the play Andromaque -- seeing the crafting of the production via behind-the-scenes 16mm footage as well as the 35mm film cameras that capture the real behind-the-scenes footage of Sebastien and Claire’s fizzling relationship.

Jonathan Owen and Samm Deighan join Mike to discuss this four hour epic which marks a radical change in Rivette's filmmaking.
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Heather Drain joins Mike to take listener questions, rail against the Rondos, and give a peek behind the podcast curtain as we celebrate nine years of The Projection Booth.
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Our appreciation of 1969 continues with a look at The Big Dig. Also known as The Blaumilch Canal, the film was written and directed by Ephraim Kishon and stars Bomba Tzur as the titular Blaumilch, an escaped mental patient with a mania for digging. When he finds a jack hammer in downtown Tel Aviv he kicks off a chain of events that demonstrates the absurdity of bureaucracy.
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Our exploration of 1969 continues this week as we head from Europe to Argentina to check out Armando Bo’s FUEGO. It’s the story of Laura who’s played by the one and only Isabel Sarli. She is a woman driven by her passions. After she marries Carlos, played by Bo, she realizes what a hopeless nymphomaniac she is.

Heather Drain and Rod Lott join Mike in discussing this South American firecracker of a film.
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It's less than two minutes to midnight on the Doomsday Clock. Our Eastern Neighbors are being quarantined from the corona virus. And here we are talking about the end of the world as shown in 1969 by director Marco Ferreri. The Seed of Man / Il seme dell'uomo stars Marzio Margine as Cino and Anne Wiazemsky as Dora, the only lovers left alive after a plague has wiped out most of the world's population. The two live in a seaside home where Cino has a museum of trivial objects. He feels that he has to repopulate the world but Dora has other ideas.
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Our appreciation of 1969 continues with a look at Piero Schivazappa’s Femina Ridens / The Laughing Woman. Also sometimes known as The Frightened Woman, the film stars Phillipe Leroy as Sayer, the head of a charity foundation, and Dagmar Lassander as Maria, one of his employees. She she expresses an interest in writing an article about male sterilization, he takes that as his cue to invite her to his house and enslave her. What else can a good chauvinist do?

Elric Kane and Kat Ellinger join Mike to discuss the film, Niki de Saint-Phalle, Men's Rights, and more.
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Our appreciation of 1969 continues with our second look at an adaptation of Edowaga Rampo’s work, Blind Beast. Directed by Yasuzo Masumura, the film stars Mako Midori as Aki Shima, a model, and Eiji Funakoshi as Michio, a blind sculptor who becomes obsessed with her. He and his mother kidnap Aki and keep her in his warehouse studio where the two become engaged in a game of cat and mouse as he tries to create a new form of art that only the blind can appreciate.
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Our appreciation of 1969 continues with a look at Teruo Ishii’s Horrors of Malformed Men. Based on the writings of Edogawa Ranpo, the movie tells the tale of Hirosuke Hitomi played by Teruo Yoshida. When we first see him, he’s locked up in an insane asylum. And things only go downhill from there…

Ben Buckingham and Jess Byard join Mike to delve into the ero-guro.
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Taking its title from the notorious book by Leopold von Sacher-Mascoch, Jess Franco's Venus in Furs (1969) stars James Darren as Jimmy Logan, a musician who can blow a cool horn. He finds the corpse of a woman he had seen at a party, the mysterious Wanda (Maria Rohm). When Wanda shows up -- alive and seducing -- shortly thereafter, Jimmy becomes obsessed with her, despite his loving relationship with chanteuse Rita (Barbara McNair).

Brad Jones and Samm Deighan join Mike to discuss Franco's film as well as an alternate cut of the movie along with a few other adaptations of the Sacher-Masoch story.
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Our examination of 1969 continues with a look at Pier Paolo Pasolini's Porcile. Based on a play Pasolini wrote, the film cross-cuts between an Italian enclave in Germany in 1967 and a rogue cannibal in an unknown time around Mt. Etna.

Ken Stanley and Jonathan Owen join Mike to dissect this oblique film.
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Based on a book by Vasilis Vasilikos, Costa-Gavras’s Z (1969) stars Yves Montand as a political activist who is killed after a rally. The film also stars Jean-Louis Trintignant as the investigator of the incident who manages to uncover a vast conspiracy.

Keith Gordon and Eric Cohen join Mike to discuss this political thriller which is a thinly veiled re-telling of the events in Greece of 1963 and the assassination of Grigoris Lambrakis.
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We're kicking off our discussion of the films of 1969 with a look at Yoshishige Yoshida's Eros + Massacre. The film tells two parallel stories - one in the early 1920s and the other in contemporary 1969.

Samm Deighan and Chris Stachiw join Mike to smugly discuss the film. We're joined by special guest Professor Dick Stegewerns author of Kiju Yoshida and ATG - The Reluctant Partner.
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For the last episode in our Sci-Fi December series it's a five hour journey into Douglas Trumbull's Brainstorm (1983) which stars Christopher Walken as scientist Michael Brace who has helped in the discovery of a new technology that records the sensations of a person and allows for playback directly into another person's brain.

Interviews include Trumbull, actress Louise Fletcher, screenwriters Bruce Joel Rubin, Philip Messina, Robert Stitzel, and author Joseph Maddrey.

Co-hosts Samm Deighan and David Kittredge join Mike to discuss the film, the tragedy that overshadowed it, and its spiritual sequel, Strange Days (1995).



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Sci Fi December continues with a look at the 1986 film from Georgiy Daneliya, Kin Dza Dza. It’s the story of two men who are transported to the planet Pluke where they have to navigate the barren landscape and strange cultures of the people there.

Jennifer Handorf and Dan Martin join Mike to unpack the rituals and anthropological implications of Pluke as well as dicuss the 2013 animated remake, Ku! Kin-Dza-Dza.
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Sci-Fi December rolls along with a look at 1989’s Millennium. Directed by Michael Anderson, the film stars Kris Kristofferson as an airline disaster investigator who stumbles onto something unexpected at the site of a mid-air collision. It will lead him into a tangled web of time traveling shenanigans.

Jedidiah Ayres and Chris Bricklemyer join Mike to discuss the film, John Varley's source novel, and more.
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Sci-Fi December continues with a look at The Creation of the Humanoids. Copyrighted 1960, the film was directed by Wesley Barry and written by Jay Simms. It plays like a stage play about a post-Apocalyptic world in which androids are a large part of society and human beings fear being replaced by them.

Jennifer Handorf and Dan Martin join Mike to discuss the film, science fiction as allegory, and intentional versus accidental genius.
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We kick off sci-fi December with a look at Nicolas Roeg’s The Man Who Fell to Earth (1976). Based on the book by Walter Tevis, the film stars David Bowie as Thomas Jerome Newton, a strange man who appears in the office of a patent attorney with some big ideas that help him start on the road to untold wealth. Along the way he meets colorful characters such as Candy Clark as Mary Lou, a hotel worker, and Rip Torn, as Professor Bryce, a lascivious pedagogue.

Samm Deighan and Skizz Cyzyk join Mike to discuss the film. Interviews include Candy Clark, Sam Umland and Susan Compo.
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On this special episode Mike talks to Stew Buck, the writer/director/producer of a pair of upcoming documentaries -- A World War II Fairy Tale: The Making of Michael Mann's "The Keep" and Uncovering Wolfen. 

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