The Projection Booth Podcast

Mike White engages in a conversation with filmmaker Elijah Sullivan about his 2024 documentary, The Hole Story. The film investigates the mysterious appearance of a 60-foot man-made hole on California's Mount Shasta in 2009, which sparked over a decade of speculation and intrigue.

Elijah explores the challenges of documenting such an enigmatic subject, the process of gathering diverse perspectives, and the broader implications of the public's captivation with mysteries. They also discuss Sullivan's approach to storytelling and his experiences filming on location at Mount Shasta. 

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The shield is back in action! Mike is joined by Chris Stachiw of The Kulturecast to take on Captain America: Brave New World (2025), the latest chapter in the Marvel Cinematic Universe. With Anthony Mackie stepping into the role of Captain America, the film explores Sam Wilson’s challenges as he navigates political intrigue, old enemies, and new threats—including the return of Tim Blake Nelson’s Samuel Sterns, now fully embracing his role as The Leader.

Directed by Julius Onah, this entry also introduces Harrison Ford as President Thaddeus “Thunderbolt” Ross and teases the rise of the Serpent Society. But does Brave New World deliver a worthy continuation of the Captain America legacy, or is it another symptom of the MCU’s growing pains? Mike and Chris dissect the film’s storytelling, action sequences, and its place within the ever-expanding Marvel mythology.

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Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Whoopbruary concludes with a look at Theodore Rex (1996), the buddy cop dino flick that had Whoopi Goldberg stars as the cyber-enhanced supercop Katie Coltrane, begrudgingly partnered with the titular Theodore Rex -- an ambitious, wisecracking, impeccably dressed dinosaur with a badge and a dream.

Joining Mike to excavate this fossilized oddity are Brad Jones and Razzie-nominated screenwriter Kevin Lehane, who help unearth the film’s bizarre production history, its straight-to-video fate, and its legacy as one of Hollywood’s strangest contractual obligations. Plus, we hear from the mastermind himself, writer/director Jonathan Betuel, who sheds light on the film’s wild journey from concept to cult curiosity.

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Whoopbruary keeps the action rolling with Fatal Beauty (1987), a hard-hitting crime thriller starring Whoopi Goldberg as tough-talking detective Rita Rizzoli. Directed by Tom Holland and based on a script by Bill Svanoe, the film follows Rizzoli as she battles to keep a deadly designer drug off the streets. Co-hosts Rob St. Mary and Kevin Lehane join the discussion, and we’ve got exclusive interviews with writer Bill Svanoe and director Tom Holland to break down the film’s mix of action, comedy, and social commentary.

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Whoopbruary rolls on with Burglar (1987), a comedic crime caper starring Whoopi Goldberg as Bernice Rhodenbarr -- Hugh Wilson’s reimagining of the literary burglar created by Lawrence Block. With Bobcat Goldthwait bringing his signature chaos as her loyal sidekick and G.W. Bailey on her trail, this one’s packed with familiar faces and offbeat energy. Guest co-hosts Kevin Lehane and Cullen Callagher join the discussion, plus we’ve got an interview with Lawrence Block himself.

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Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Pirate radio takes center stage as The Projection Booth tunes into 40 Watts from Nowhere (2025), the riveting true story of an underground FM station broadcasting from the shadows of 1990s Los Angeles. Host Mike White sits down with the film’s director, Sue Franklin, to explore the rebellious spirit behind the airwaves, the challenges of bringing this real-life outlaw operation to the screen, and the cultural impact of independent radio in the pre-internet era.

Catch it at the Slamdance 2025 film festival.

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Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Whoopbruary is here! We're dedicating a whole month to the incomparable Whoopi Goldberg, spotlighting a trio of films she made after her powerhouse performance in The Color Purple—plus one extra for good measure. Kicking things off is Jumpin’ Jack Flash (1986), the high-energy spy comedy directed by Penny Marshall. Whoopi stars as Terry Doolittle, a quick-witted computer technician who unwittingly stumbles into international espionage when she makes contact with a British spy. With a script originally penned by David H. Franzoni, Whoopi's signature charm is on full display.

Ian Brownell joins this month's co-host, Razzie-nominated writer Kevin Lehane, for a fun discussion of where and how this fits into Whoopi's filmography.


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George A. Romero’s Resident Evil is one of the greatest "what could have been" stories in horror cinema. Filmmaker Brandon Salisbury discusses his documentary, which explores the legendary director’s unmade adaptation of the iconic video game, diving into the history, the scripts, the concept art, and the behind-the-scenes drama that kept Romero’s vision from reaching the screen. Featuring insights from those who were there, this episode uncovers the alternate universe where the zombie master himself brought Resident Evil to life. 

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Buckle up for a journey through the absurd, anarchic, and audacious as The Projection Booth takes on Jean-Luc Godard's Weekend (1967). Hosts Mike White, Rob St. Mary, and Andrei Idu (who requested the episode via Patreon) dive headfirst into Godard's biting critique of consumerism, class, and chaos, dissecting the film's surreal narrative, infamous tracking shots, and unapologetically subversive tone. From the traffic jam to the revolutionaries, they explore how this incendiary masterpiece continues to provoke and puzzle audiences decades later.

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Mike White is joined by Maurice Bursztynski and Suzen Tekla Kruglinska to explore Hal Ashby's Being There (1979), a satirical masterpiece based on Jerzy Kosinski’s novel. This listener request from Patreon supporter Jordan Nash examines the story of Chance, played brilliantly by Peter Sellers, a sheltered, developmentally delayed man who steps out of isolation after his caretaker's death. Wandering the streets of Washington, D.C., Chance is swept into the elite world of Eve Rand (Shirley MacLaine) and influential power players, including the President (Jack Warden), thanks to a series of misunderstandings. The trio delves into the film's themes of perception, power, and simplicity, discussing its layered satire, unforgettable performances, and enduring relevance.

Professor Aaron Hunter, author of Authoring Hal Ashby: The Myth of the New Hollywood Auteur, discusses the film's evolution from Kosinski's novel to the screenplays by Robert C. Jones to the final film.

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Mike welcomes writer/director (and fellow Michigander) Anna Baumgarten for a heartfelt conversation about her award-winning 2021 film Disfluency. This intimate exploration of a young woman's journey to recover from trauma and rediscover her voice captures the raw vulnerability of healing and self-discovery. Anna shares the personal inspirations behind the film, the challenges of portraying mental health and emotional resilience on screen, and the creative choices that brought Disfluency to life.

Visit https://www.disfluencymovie.com/ for more details. 

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We dive into Red Lights (2012), a psychological thriller that blends skepticism, belief, and the enigmatic world of psychic phenomena. Written and directed by Rodrigo Cortés (Buried), the film stars Sigourney Weaver and Cillian Murphy as a pair of investigators determined to expose fraudulent psychics. Their sights are set on Simon Silver (Robert De Niro), a legendary blind performer whose mysterious powers defy explanation—or do they?

Co-hosts Rod Lott and Ryan Luis Rodriguez team up to discuss this layered tale of science versus the supernatural, unraveling its twists and themes. Along the way, they explore why this overlooked gem from James Brummel's Patreon request deserves a closer look. Is Red Lights a misunderstood thriller or a missed opportunity? Tune in and decide for yourself!


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The Projection Booth dives deep into the shadowy corridors of power with Alan J. Pakula's All the President’s Men (1976), a landmark film about the Watergate scandal that brought down a presidency. This special episode, co-hosted by Robert Bellissimo and Andras Jones -- who requested the film for Patreon Request Month -- delves into the gripping story of Washington Post reporters Bob Woodward (Robert Redford) and Carl Bernstein (Dustin Hoffman), as they unravel the conspiracy that reached the highest levels of government.

With a razor-sharp script by William Goldman and Pakula’s masterful direction, the film captures the intensity of investigative journalism and the political paranoia of its time. Join us as we explore the making of this cinematic powerhouse, its relevance today, and the passion behind Redford’s drive to bring this story to the screen.

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We continue another Patreon month with a pick from Andrew Henrickson: 24 Hour Party People. Join Mike White, Father Malone, and Axel Kohagen as they dive into Michael Winterbottom's electric chronicle of the Manchester music scene, told through the eyes of the ever-charismatic Tony Wilson, played by Steve Coogan. From Factory Records to the legendary Hacienda, the film brims with unforgettable moments and a who's who of '80s post-punk history, including standout performances by Lenny James, Paddy Considine, and more.

We were supposed to speak with screenwriter Frank Cottrell Boyce again for the episode but it didn't happen this time.

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On this special episode, Mike talks with Sharif Nakhleh, director of Dread Zeppelin: A Song of Hope (2024), and producer Jason USA. This compelling documentary charts the bizarre, brilliant journey of the band Dread Zeppelin, blending reggae, Led Zeppelin covers, and a touch of Elvis for a sound and story like no other. Mike unpacks the film’s creation, its exploration of musical eccentricity, and its celebration of the enduring power of hope and creativity.

Find out more at https://www.chibson.com/blogs/blog/dread-zeppelin-a-song-of-hope-new-documentary

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Starting 2025 with a bang, we're diving into Todd Haynes's groundbreaking debut, Poison (1991). Co-hosted by the fabulous Rahne Alexander and Kyler Fey himself, this episode unpacks the audacious triptych of tales—Hero, Horror, and Homo—that propelled Haynes to indie cinema stardom. Bold, provocative, and unapologetically queer, Poison challenges conventions and leaves an indelible mark on the New Queer Cinema movement. Join us as we explore the film’s layered narratives, its haunting aesthetics, and its enduring impact.

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Mike dives into the deep end with Patrick Jankiewicz, the author of Just When You Thought It Was Safe: A JAWS Companion. From the film’s iconic legacy to its ripple effect on Hollywood and pop culture, Patrick unpacks the behind the scenes of the shark that changed everything. It’s a fascinating look at the making of a masterpiece, the sequels, and why JAWS still has us afraid to go in the water.

Buy it at https://amzn.to/4fFJOxQ

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Explore the dualities of morality, fate, and human frailty in Crimes and Misdemeanors (1989), Woody Allen's masterful blend of dark comedy and philosophical drama. To close out 2024 and our Patreon-requested series, Mike White welcomes Andras Jones and Keith Gordon for a spirited discussion of this haunting tale. With Martin Landau and Allen himself leading parallel storylines—one of an ophthalmologist spiraling into ethical darkness, the other of a struggling documentarian chasing unrequited love—the film weaves an intricate tapestry of guilt, ambition, and existential reckoning. Along the way, a blind rabbi offers wisdom (and serves as a poignant metaphor) as the characters navigate their moral crossroads.  

The episode features an interview with Woody Allen's friend and biographer Eric Lax who describes Allen's process and the evolution of Crimes and Misdemeanors. 



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Mike is joined by co-hosts Father Malone and Chris Stachiw to sink their teeth into J.C. Chandor'a Kraven the Hunter (2024), the latest cinematic adaptation from Sony's Spider-Man universe. They dissect the film’s portrayal of the infamous anti-hero, the performances, and its place in the broader superhero genre. The trio tackles the creative choices, the film’s fidelity to its source material, and whether it brings anything fresh to the crowded landscape of comic book adaptations.

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Dive into a neon-drenched dystopia as Mike is joined by Chris Stachiw and Heather Drain to dissect Kamikaze 89! This cult oddity, directed by Wolf Grem, is the fifth adaptation of Per Wahlöö's Murder on the 31st Floor, but this version catapults the narrative into the "futuristic" world of 1989. Together, the team explores the film’s avant-garde aesthetic, its sly satire on media and power, and the iconic performance of Rainer Werner Fassbinder in a leopard-print suit. It’s a wild ride through West German sci-fi that defies convention and genre.

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When cult cinema maestro Jess Franco turns his lens to noir with Downtown (1975), you know you're in for a sleazy, surreal ride! Join Mike White, Heather Drain, and Jessica Shires as they unravel the tangled web of private eyes, femme fatales, and Franco’s unmistakable flair.

This Patreon-requested episode, brought to you by the fabulous Pat Radke, dives deep into one of Franco’s lesser-seen gems. Is Downtown a gritty noir, an erotic fever dream, or something in between? Tune in to find out as the crew discusses its place in Franco's prolific filmography, its unique style, and why it deserves more love.

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Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Mike converses with Stephen Brotherstone and Dave Lawrence, the authors of the Scarred for Life  book series. They discuss the unsettling aspects of 1970s and 1980s pop culture that left lasting impressions on a generation.

From chilling public information films to haunting children's television and dystopian sci-fi, discover how these dark cultural elements shaped their acclaimed books. Tune in for a captivating discussion that blends nostalgia with insightful analysis of the media that scarred us for life.

Order your copy today at https://linktr.ee/scarredforlife 

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Noirvember 2024 ends with a bang as we delve into Stephen Frears' electrifying neo-noir The Grifters. Adapted from Jim Thompson’s novel by screenwriter Donald Westlake, this razor-sharp film stars Anjelica Huston as Lily Dillon, a veteran con artist manipulating the odds at the racetrack. Her uneasy reunion with estranged son Roy (John Cusack) and his cunning girlfriend Myra (Annette Bening) sparks a volatile triangle of deception and betrayal in the high-stakes world of grifting.

Mike is joined by crime fiction experts Andrew Nette and Jedidiah Ayres to untangle this web of cons and double-crosses. Plus, executive producer Barbara De Fina and producer Peggy Rajski reveal what it took to bring this stylish, unsettling tale to life.

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Step into the weird and wonderful world of Crust as Mike sits down with actor, writer, and director Sean Whalen! Best known for his unforgettable roles in cult classics like The People Under the Stairs and Twister, Sean takes us behind the scenes of his latest venture—a bizarre and heartfelt horror-comedy about a laundromat worker, his insecurities, and a monster made from soiled socks.

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Yaniv Eidelstein and Will Youmans join Mike to discuss Avanti Popolo (1986), from writer/director Rafi Bukai. Set at the end of the Six-Day War, this poetic and darkly comedic masterpiece follows a group of Egyptian soldiers navigating the vast Sinai Desert on their journey to the Suez Canal. Along the way, they're thrust into surreal and precarious scenarios, exposing the absurdity and humanity of war.

We explore the film's rich cultural commentary and unforgettable performances. Plus, we welcome the film’s editor, Zohar Sela, who provides behind-the-scenes insights into the creative process and the enduring impact of Bukai's vision.

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Noirvember 2024 shines a spotlight on Otto Preminger’s Angel Face (1952), a twisted tale of obsession and betrayal. Robert Mitchum stars as Frank Jessup, an ambulance driver entangled with the wealthy Tremayne family. Torn between the dangerously alluring Diane Tremayne (Jean Simmons) and his steadfast girlfriend Mary (Mona Freeman), Frank is drawn into a deadly web of manipulation and deceit.

Jedidiah Ayers and Lexi Van Dyke join Mike to discuss this gripping exploration of desire and duplicity.

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Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

On this special episode, Mike talks with actor/musician Dash Mihok a little bit about his career including his latest film, Armor (2024).  The film will be in Theaters, On Digital and On Demand November 22, 2024.

Learn more at https://dashmihok.net/


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We continue Noirvember 2024 with a look at Jean Renoir’s The Woman on the Beach.  Released in 1947, the film tells the tale of veteran Scott Burnett played by Robert Ryan.  He’s plagued with nightmares caused by his PTSD and is assigned to the mounted division of the Coast Guard where he patrols the beach on his horse, meeting the comely Peggy Butler played by Joan Bennett.  She’s married to blind painter Tod Butler played by Charles Bickford.  

Otto Bruno and Robert Bellissimo join Mike to discuss this compromised film and what could have been.

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Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Mike welcomes filmmaker Eugenio Mira to discuss his 2004 darkly comic thriller The Birthday. Starring Corey Feldman, the film unfolds at an eerie party in a mysterious hotel, revealing a strange world where horror, surrealism, and cult menace meet. Mira dives into the film’s influences, its unique stylistic choices, and how it developed its cult status. This conversation offers an intriguing look into a forgotten gem of early 2000s genre cinema.

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Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Mike welcomes Bill Burke, former TCM executive and founder of The Optimism Institute, for a deep dive into cinema’s power to inspire and uplift. Drawing from Burke’s mission to champion optimism and celebrate humanity, the discussion explores his views on the role of movies in encouraging positivity and resilience. Burke shares his thoughts on TCM’s influence on film lovers and how the Institute fosters a brighter outlook in challenging times.

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Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Mike talks with creature and makeup effects artist Steve Newburn to explore his transformative work on Sasquatch Sunset (2024). Known for turning actors like Jesse Eisenberg and Riley Keough into life-like cryptids, Newburn shares insights into the prosthetic design and the challenges of outdoor filming in rugged settings. Newburn’s craftsmanship, honed over 30 years, takes center stage as he discusses the delicate balance of realism, comfort, and storytelling in creature design.

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Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Mike sits down with Mark Edlitz to dive into Movies Go Fourth, Edlitz’s latest exploration of film history that focuses on fourth installments in beloved movie franchises. Together, they explore the unique quirks, challenges, and unexpected triumphs of fourth films, from reinventions to revivals. Alongside a conversation about the power of nostalgia and innovation in filmmaking, this episode promises insights for fans of sequels, classics, and the less-charted cinematic territories of beloved series.

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Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

On this special episode, we’re diving into the curious 1953 fantasy The 5,000 Fingers of Dr. T. Produced by Stanley Kramer, directed by Roy Rowland, and uniquely penned by Dr. Seuss, the film stars Hans Conreid as Dr. Terwilliker, a sinister piano teacher who’s devised the “Terwilliker Method” for the obedient fingers of child pianists. Tommy Rettig plays Bartholomew Collins, an imaginative boy determined to derail Dr. T's grand plans. Join Mike, playwright David MacGregor, and critic John Monaghan as they delve into the film's quirky charms, elaborate set pieces, and iconic status.

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Mike welcomes Samm Deighan and Andrew Nette, co-editors of Revolution in 35mm: Political Violence and Resistance in Cinema from the Arthouse to the Grindhouse, 1960–1990, from PM Press.  The book explores revolutionary cinema across the globe. They discuss the themes and politics of the films covered in the book, highlighting how cinema has been used to challenge authority, incite change, and reflect social struggles. It’s a deep dive into cinema as a tool for revolution, with insights from two of the leading voices in the field of film criticism.

Order your copy from PM Press at https://bit.ly/3Ai6y8x 

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We to kick off Noirvember 2024 with a delve into Pitfall (1948), a classic film noir directed by André De Toth, starring Dick Powell as an insurance man caught in a web of deception and danger. When Powell's character falls for Lizabeth Scott’s femme fatale, his seemingly mundane life spirals into chaos, bringing betrayal, blackmail, and murder.

Ian Brownell and Philip Marinello join Mike to explore the film’s themes of moral ambiguity, post-war disillusionment, and the pitfalls of desire in this rich discussion of this noir gem.

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Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Set against the sun-drenched landscapes of Baja California, this film explores a cursed tale where the desert heat and shadows of folklore merge into an atmospheric terror. Mike speaks with writer/director Jeff Daniel Phillips about his latest feature film on this special episode.

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Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

In this episode of The Projection Booth, Mike interviews Tim Hautekiet, the director behind Me, Myself & the Void (2024). Hautekiet shares insights into crafting this surreal, introspective journey that follows a stand-up comedian as he confronts himself in a mysterious "void." Exploring themes of self-discovery, friendship, and vulnerability, Mike and Hautekiet discuss the film's influences, the creative process, and its unique balance of comedy and introspection that aims to resonate with audiences on a personal level.

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Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

In this exciting crossover episode, Mike is joined by Chris Stachiw of The Kulturecast, Father Malone of Midnight Viewing, and filmmaker Antonio Llapur for a lively discussion of Venom: The Last Dance (2024). While Chris and Mike found a lot to admire, Father Malone and Antonio weren’t as enthusiastic, leading to a spirited exchange on what works and what misses in this unique entry in the Venom franchise.

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Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

In this episode Mike talks with Barry Keating, the co-screenwriter of Invoking Yell (2024), the latest horror from Chilean director Patricio Valladares. Set in the isolated landscapes of Southern Chile, this atmospheric found-footage film follows a group of young women trying to record a black metal demo amidst strange, paranormal occurrences in the forest. What starts as a raw music venture quickly descends into a terrifying ordeal as eerie forces begin to lurk around every corner.

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Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

The Spirit of Halloweentown (2024) celebrates the unique Halloween festival of St. Helens, Oregon—a town that annually transforms itself in tribute to Disney’s cult-classic film Halloweentown, which was filmed there in 1998. Directed by Bradford Thomason and Brett Whitcomb, known for their nostalgic lens in Jasper Mall, the film dives into the lives of the locals who are the heart of this Halloween tradition.

As part of our Fantastic Fest coverage, Mike talks with Thomason and Whitcomb about their latest documentary film.

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Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

#Shocktober2024 wraps up with a double dose of horror and weird science, diving into The Incredible 2-Headed Transplant, a pick from Patreon donor James Brummel. No, it’s not the two-headed flick with Rosie Greer or the one from Japan—this is Bruce Dern’s wild ride as a mad scientist, melding the body of a manchild with the head of a deranged killer in the ultimate “transplant gone wrong.”

Tim and Agatha Luz of CinemaSpection join Mike to break down this two-headed cult classic and explore the world of other split-brained cinema (The Manster, The Thing with Two Heads).

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Mike, Dr. Nicholas Schlegel, and Heather Drain bring the eerie vibe of Shocktober 2024 to new heights with a Patreon request from Kyler Fey: Bell from Hell. This sinister 1973 gem by Claudio Guerín, written by Santiago Moncada, follows John (Renaud Verley), fresh from the asylum after a stay orchestrated by his aunt, Marta (Viveca Lindfors), and her three daughters. Now he’s back—and his intentions? Is he a prankster with a wicked sense of humor, or is he dead-set on revenge?

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Get ready for a wild deep dive into the world of cult cinema preservation! Mike sits down with Jackson Cooper to uncover the incredible work of the American Genre Film Archive (AGFA). From rescuing the rarest of grindhouse gems to giving life to lost horror, sci-fi, and action films, AGFA is on a mission to save the strange and spectacular corners of film history. Together, they explore how this non-profit powerhouse preserves, restores, and redistributes the films that defy genre and have captivated die-hard fans for decades.

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Our #Shocktober coverage heats up with a Patreon pick from Ellis Kish: Turkey Shoot. This 1982 cult classic from writer-director Brian Trenchard-Smith throws us into a dystopian nightmare set in the “futuristic” year of 1995. Steve Railsback and Olivia Hussey star as prisoners caught in a ruthless government’s clutches, where torture is just the beginning—the real terror lies in the deadly “Turkey Shoot.”

Heather Drain, Andrew Nette, and Mike dive into this savage satire with insights from Trenchard-Smith and actor Roger Ward, who share the gritty details behind this shocking tale of authoritarianism.

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Shocktober continues with a Patreon request as we discuss the 2022 horror film Rucker which follows Leif Rucker, a seemingly ordinary long-haul trucker who has been serially killing women resembling his ex-wife for 30 years. The narrative takes a turn when Maggie, a young filmmaker making a documentary about truckers, becomes privy to Rucker's deadly secret and chooses to document his crimes.

Father Malone and Chris Stachiw join Mike to discuss the film, alongside an interview with director Amy Hesketh.

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Our coverage of the Fantastic Fest continues with a look at Heads or Fails via a discussion with film making brothers Harpo and Lenny Guit alongside composer Simon Hanes.

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Our coverage of the Fantastic Fest continues with Mike talking to Justin Hardy, son of director Robin Hardy, the filmmaker behind The Wicker Man. Justin discusses the film that ruined his family and the documentary he and his brother made about it.

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Our coverage of Fantastic Fest continues with Mike talking with writer/director Toby Jones, star AJ Thompson, and producer Ben Hansen -- three of the talents behind AJ Goes to the Dog Park (2024).  It's a delightful story of local politics.

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Also known as Legend of Doom House, Malpertuis is a gothic horror film starring Matthew Carriere as Jan, a sailor back at his home port where he visits the estate known as Malpertuis where he encounters a group of colorful kooks including the formidable Cassavius played by Orson Welles. 

Jessica Shires and Matthew Asprey Gear join Mike to discuss the film while director Harry Kumel talks about the making of it.

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On this cross-over episode with The Kulturecast, Mike joins Chris to discuss the latest work from auteur Todd Phillips, Joker: Folie à Deux (2024), a jukebox musical continuation of the Arthur Fleck (Joaquin Phoenix) story where he's joined by Harley "Lee" Quinzel in a courtroom drama. That run-on sentence pretty well sums it up.

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