On the final books 8–10 of Aristotle's Nichomachean Ethics. What does friendship have to do with ethics? With guest Ana Sandoiu.
Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
On the final books 8–10 of Aristotle's Nichomachean Ethics. What does friendship have to do with ethics? With guest Ana Sandoiu.
Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
On the Nichomachean Ethics (ca. 350 BCE), books 6–7. Is intelligence just one thing? Aristotle picks out a number of distinct faculties, some of which are relevant to ethics, and he uses these to explain Plato's puzzle of how someone can clearly see what the good for him is, and yet fail to pursue it due to weakness of the will. This episode continues our discussion from way back in ep. 5.
End song: "I Die Desire" from The MayTricks (1992).
Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
On the Nichomachean Ethics (ca. 350 BCE), books 6–7. Is intelligence just one thing? Aristotle picks out a number of distinct faculties, some of which are relevant to ethics, and he uses these to explain Plato's puzzle of how someone can clearly see what the good for him is, and yet fail to pursue it due to weakness of the will. This episode continues our discussion from way back in ep. 5.
End song: "I Die Desire" from The MayTricks (1992).
Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
More Levinas, working this time through Time and the Other (1948). What is it for a person to exist? What individuates one person from another, making us into selves instead of just part of the causal net of events? Why would someone possibly think that these are real, non-obvious questions that need to be addressed?
End song: "Call on You" by Mark Lint from from the 1993 Mark Lint album Spanish Armada: Songs of Love and Related Neuroses.
Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
More Levinas, working this time through Time and the Other (1948). What is it for a person to exist? What individuates one person from another, making us into selves instead of just part of the causal net of events? Why would someone possibly think that these are real, non-obvious questions that need to be addressed?
End song: "Call on You" by Mark Lint from from the 1993 Mark Lint album Spanish Armada: Songs of Love and Related Neuroses.
Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
On "Ethics as First Philosophy" (1984). More existentialist ethics, with a Jewish twist this time! Seth returns to join Mark and Wes in figuring out how to best leave off all this aggressive "knowing" and other forms of individual self-assertion to grasp the more primordial appearance of the Other in all his or her vulnerability, which Levinas thinks makes us wholly responsible for others right off the bat.
End song: "To Valerie" from The MayTricks' So Chewy (1993).
Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
On "Ethics as First Philosophy" (1984). More existentialist ethics, with a Jewish twist this time! Seth returns to join Mark and Wes in figuring out how to best leave off all this aggressive "knowing" and other forms of individual self-assertion to grasp the more primordial appearance of the Other in all his or her vulnerability, which Levinas thinks makes us wholly responsible for others right off the bat.
End song: "To Valerie" from The MayTricks' So Chewy (1993).
Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
On Anger and Forgiveness: Resentment, Generosity, Justice (2016). What role should we allow anger to play in our public life? Should systems of punishment be utilitarian, or should they be retributive? Nussbaum thinks that anger necessarily involves the desire for payback, which is unhelpful. We should instead use anger to prevent future harm. Mark, Wes, and Dylan interview Martha and then discuss issues raised in the interview and the book.
End song: "Forgive the Disco," a Nussbaum-inspired Mark vocal on an instrumental by Sean Beeson, interviewed on Nakedly Examined Music #23.
Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
On Anger and Forgiveness: Resentment, Generosity, Justice (2016). What role should we allow anger to play in our public life? Should systems of punishment be utilitarian, or should they be retributive? Nussbaum thinks that anger necessarily involves the desire for payback, which is unhelpful. We should instead use anger to prevent future harm. Mark, Wes, and Dylan interview Martha and then discuss issues raised in the interview and the book.
End song: "Forgive the Disco," a Nussbaum-inspired Mark vocal on an instrumental by Sean Beeson, interviewed on Nakedly Examined Music #23.
Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
Guest Wes Alwan joins regulars Nathan Hanks, Mary Claire, Daniel St. Pierre, Laura Davis, and Cezary Baraniecki to discuss Mary Shelley's classic novel in this special cross-post from the newest member of the Partially Examined Life podcast network. More Phi Fic.
Guest Wes Alwan joins regulars Nathan Hanks, Mary Claire, Daniel St. Pierre, Laura Davis, and Cezary Baraniecki to discuss Mary Shelley's classic novel in this special cross-post from the newest member of the Partially Examined Life podcast network. More Phi Fic.
On the later Platonic dialogue. What is a sophist? These were guys in Ancient Greece who taught young people the tools of philosophy and rhetoric. They claimed to teach virtue. In Sophist, "the Eleatic Stranger" (i.e., not Socrates) tries to figure out what a sophist really is, using a new "method of division." This Plato era provides a nice transition to the category man Aristotle, and the whole concern with sophistry is certainly still relevant today!
End song: "Dumb," by Mark Lint and the Fake from the album So Whaddaya Think? (2000).
Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
On the later Platonic dialogue. What is a sophist? These were guys in Ancient Greece who taught young people the tools of philosophy and rhetoric. They claimed to teach virtue. In Sophist, "the Eleatic Stranger" (i.e., not Socrates) tries to figure out what a sophist really is, using a new "method of division." This Plato era provides a nice transition to the category man Aristotle, and the whole concern with sophistry is certainly still relevant today!
End song: "Dumb," by Mark Lint and the Fake from the album So Whaddaya Think? (2000).
Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
Socrates hangs out in the country flirting with his buddy Phaedrus. And what is this "Platonic" love? Using the enticement of desire not to rush toward fulfillment, but to get you all excited about talking philosophy. Socrates critiques a speech by renowned orator Lysias, who claimed that love is bad because it's a form of madness, where people do things they then regret after love fades. Socrates instead delivers a myth that shows the spiritual benefits of loving and being loved. With guest Adam Rose.
End song: "Summertime" by New People, from Might Get It Right (2013).
Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
Socrates hangs out in the country flirting with his buddy Phaedrus. And what is this "Platonic" love? Using the enticement of desire not to rush toward fulfillment, but to get you all excited about talking philosophy. Socrates critiques a speech by renowned orator Lysias, who claimed that love is bad because it's a form of madness, where people do things they then regret after love fades. Socrates instead delivers a myth that shows the spiritual benefits of loving and being loved. With guest Adam Rose.
End song: "Summertime" by New People, from Might Get It Right (2013).
Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
More on The Ethics of Ambiguity (1947), this time on part III. (For Wes Alwan's summary of this book, go here). Ep. 140 laid out man's "ambiguity," but what does that mean in terms of practical decision making? B. talks about the practical paradoxes of dealing with oppression and what it might mean to respect the individual, given that there's no ultimate, pre-existent moral rulebook to guide us, nothing we can point to to excuse the sacrifice of someone to a "greater good."
Become a PEL Citizen to listen to the the Aftershow featuring Beauvoir scholar Jennifer Hansen.
End song: "Indiscretion (Mess Things Up)" from the 1993 Mark Lint album Spanish Armada: Songs of Love and Related Neuroses.
More on The Ethics of Ambiguity (1947), this time on part III. (For Wes Alwan's summary of this book, go here). Ep. 140 laid out man's "ambiguity," but what does that mean in terms of practical decision making? B. talks about the practical paradoxes of dealing with oppression and what it might mean to respect the individual, given that there's no ultimate, pre-existent moral rulebook to guide us, nothing we can point to to excuse the sacrifice of someone to a "greater good."
Become a PEL Citizen to listen to the the Aftershow featuring Beauvoir scholar Jennifer Hansen.
End song: "Indiscretion (Mess Things Up)" from the 1993 Mark Lint album Spanish Armada: Songs of Love and Related Neuroses.
On The Ethics of Ambiguity (1947), parts I and II. For Wes Alwan's summary of this book, go here. We return to existentialism! Instead of describing our predicament as "absurd," de Beauvoir prefers "ambiguous": We are a biological organism in the world, yet we're also free consciousness transcending the given situation. Truly coming to terms with this freedom means not only understanding that you transcend any label, but also recognizing that your freedom requires the freedom of others. The full foursome discuss whether this attempt to ground an existentialist ethics works.
End song: "Reasonably Lonely," by Mark Lint.
On The Ethics of Ambiguity (1947), parts I and II. For Wes Alwan's summary of this book, go here. We return to existentialism! Instead of describing our predicament as "absurd," de Beauvoir prefers "ambiguous": We are a biological organism in the world, yet we're also free consciousness transcending the given situation. Truly coming to terms with this freedom means not only understanding that you transcend any label, but also recognizing that your freedom requires the freedom of others. The full foursome discuss whether this attempt to ground an existentialist ethics works.
End song: "Reasonably Lonely," by Mark Lint.
On Ain't I a Woman: Black Women and Feminism (1981) and Black Looks: Race and Representation (1992, Intro, Ch. 3, 11). How do these pernicious forces interact? hooks describes black women as having been excluded from both mainstream historical feminism (led by white women) and black civil rights struggles (permeated with patriarchy), and this "silencing" creates challenges for self-actualization and social justice. The solution: media critique of stereotyped images and personally connecting to a historical narrative of liberation. With guest Myisha Cherry, host of the UnMute Podcast.
End song: "Stories" by Mark Lint and Steve Petrinko (2011).
On Ain't I a Woman: Black Women and Feminism (1981) and Black Looks: Race and Representation (1992, Intro, Ch. 3, 11). How do these pernicious forces interact? hooks describes black women as having been excluded from both mainstream historical feminism (led by white women) and black civil rights struggles (permeated with patriarchy), and this "silencing" creates challenges for self-actualization and social justice. The solution: media critique of stereotyped images and personally connecting to a historical narrative of liberation. With guest Myisha Cherry, host of the UnMute Podcast.
End song: "Stories" by Mark Lint and Steve Petrinko (2011).
We interview John about Seeing Things As They Are (2015). What is perception? Searle says that it's not a matter of seeing a representation, which is then related to things in the real world. We see the actual objects, with no mediation. But then how can there be illusions? Well, it's complicated, but not too complicated, just some funny terminology that this episode will teach you.
Searle lays out his theory for us and amusingly dismisses much of the history of philosophy in the first half, and then Mark, Wes, and Dylan continue the discussion to make sure we understood what was just said and chase down some threads of the conversation.
End song: "Flesh and Blood" from The MayTricks' Happy Songs Will Bring You Down (1994).
We interview John about Seeing Things As They Are (2015). What is perception? Searle says that it's not a matter of seeing a representation, which is then related to things in the real world. We see the actual objects, with no mediation. But then how can there be illusions? Well, it's complicated, but not too complicated, just some funny terminology that this episode will teach you.
We interview John about Seeing Things As They Are (2015). What is perception? Searle says that it's not a matter of seeing a representation, which is then related to things in the real world. We see the actual objects, with no mediation. But then how can there be illusions? Well, it's complicated, but not too complicated, just some funny terminology that this episode will teach you.
Searle lays out his theory for us and amusingly dismisses much of the history of philosophy in the first half, and then Mark, Wes, and Dylan continue the discussion to make sure we understood what was just said and chase down some threads of the conversation.
End song: "Flesh and Blood" from The MayTricks' Happy Songs Will Bring You Down (1994).
We interview John about Seeing Things As They Are (2015). What is perception? Searle says that it's not a matter of seeing a representation, which is then related to things in the real world. We see the actual objects, with no mediation. But then how can there be illusions? Well, it's complicated, but not too complicated, just some funny terminology that this episode will teach you.
On Pierre Bourdieu's Distinction: A Social Critique of the Judgment of Taste (1979), introduction, ch 1 through p. 63, conclusion, and postscript. How do our tastes in music, art, and everything else reflect our social position? This philosophically trained sociologist administered a few detailed questionnaires in 1960s France and used the resulting differences in what people in different classes preferred and how they talked about these preferences to theorize about the role that taste plays in our social games. Featuring guest Tim Quirk of Too Much Joy and recent guest on Mark's Nakedly Examined Music podcast #8.
End song: "When She Took Off Her Shirt" from Tim's band Wonderlick's Topless At The Arco Arena (2005).
On Pierre Bourdieu's Distinction: A Social Critique of the Judgment of Taste (1979), introduction, ch 1 through p. 63, conclusion, and postscript. How do our tastes in music, art, and everything else reflect our social position? This philosophically trained sociologist administered a few detailed questionnaires in 1960s France and used the resulting differences in what people in different classes preferred and how they talked about these preferences to theorize about the role that taste plays in our social games. Featuring guest Tim Quirk of Too Much Joy and recent guest on Mark's Nakedly Examined Music podcast #8.
End song: "When She Took Off Her Shirt" from Tim's band Wonderlick's Topless At The Arco Arena (2005).
On Theodor Adorno and Max Horkheimer's "The Culture Industry: Enlightenment as Mass Deception" from Dialectic of Enlightenment (1944), plus Adorno's "Culture Industry Reconsidered" (1963). How does the entertainment industry affect us? Adorno (armed with Marx and Freud) thinks that our "mass culture" is imposed from the top down to lull us into being submissive workers.
End song: "All Too Familiar," from around 1992 with all instruments by Mark Linsenmayer, released on The MayTricks.
On Theodor Adorno and Max Horkheimer's "The Culture Industry: Enlightenment as Mass Deception" from Dialectic of Enlightenment (1944), plus Adorno's "Culture Industry Reconsidered" (1963). How does the entertainment industry affect us? Adorno (armed with Marx and Freud) thinks that our "mass culture" is imposed from the top down to lull us into being submissive workers.
End song: "All Too Familiar," from around 1992 with all instruments by Mark Linsenmayer, released on The MayTricks.
A whole second discussion on G.F.W. Hegel's Encyclopedia Logic, hitting sections 78–99 on the dialectic and Understanding vs. Reason. Hegel thinks we can use Reason to objectively come up with basic metaphysical categories, but can we really? With guest Amogh Sahu.
This continues ep. 134. PEL Citizens can listen to the Aftershow.
End song: "Flow" by Gary Lucas and Mark Lint. Listen to Gary interviewed about this instrumental on Nakedly Examined Music #7.
A whole second discussion on G.F.W. Hegel's Encyclopedia Logic, hitting sections 78–99 on the dialectic and Understanding vs. Reason. Hegel thinks we can use Reason to objectively come up with basic metaphysical categories, but can we really? With guest Amogh Sahu.
This continues ep. 134. PEL Citizens can listen to the Aftershow.
End song: "Flow" by Gary Lucas and Mark Lint. Listen to Gary interviewed about this instrumental on Nakedly Examined Music #7.
On G.F.W. Hegel's The Science of Logic (1812–1816), §1–§129 and The Encyclopaedia Logic (1817) §1–§25. "Logic" for Hegel is about how thought interacts with the world. Our thoughts about fundamental metaphysical categories bear the same relations to each other as the the categories themselves do. Just take Hegel's many, many words for it! With guest Amogh Sahu.
End song: "Procrastination" by Steve Petrinko from The MayTricks' Happy Songs Will Bring You Down (1994). Hear Mark interview Steve on Nakedly Examined Music.
On G.F.W. Hegel's The Science of Logic (1812–1816), §1–§129 and The Encyclopaedia Logic (1817) §1–§25. "Logic" for Hegel is about how thought interacts with the world. Our thoughts about fundamental metaphysical categories bear the same relations to each other as the the categories themselves do. Just take Hegel's many, many words for it! With guest Amogh Sahu.
End song: "Procrastination" by Steve Petrinko from The MayTricks' Happy Songs Will Bring You Down (1994). Hear Mark interview Steve on Nakedly Examined Music.
On Fromm's The Art of Loving (1956). What is love, really? This psychoanalyst of the Frankfurt school thinks that real love is not something one "falls" into, but is an art, an activity, and doing it well requires a disciplined openness and psychological health.
End songs: "Kimmy" (1995) and "Kimmy 2002" by Mark Lint.
On Fromm's The Art of Loving (1956). What is love, really? This psychoanalyst of the Frankfurt school thinks that real love is not something one "falls" into, but is an art, an activity, and doing it well requires a disciplined openness and psychological health.
End songs: "Kimmy" (1995) and "Kimmy 2002" by Mark Lint.
On selected "moral epistles" (from around 65 CE) by Lucius Annaeus Seneca: 4. On the Terrors of Death, 12. On Old Age, 49. On the Shortness of Life, 59. On Pleasure and Joy, 62. On Good Company, 92. On the Happy Life, 96. On Facing Hardship, and 116. On Self Control. We're joined by Massimo Pigliucci of the How to Be a Stoic blog, who for a long time was on the Rationally Speaking podcast. How can one most profitably interpret weird-sounding Stoic recommendations about the emotions and about following nature?
End song: "I Lose Control" by The MayTricks from So Chewy! (1993).
On selected "moral epistles" (from around 65 CE) by Lucius Annaeus Seneca: 4. On the Terrors of Death, 12. On Old Age, 49. On the Shortness of Life, 59. On Pleasure and Joy, 62. On Good Company, 92. On the Happy Life, 96. On Facing Hardship, and 116. On Self Control. We're joined by Massimo Pigliucci of the How to Be a Stoic blog, who for a long time was on the Rationally Speaking podcast. How can one most profitably interpret weird-sounding Stoic recommendations about the emotions and about following nature?
End song: "I Lose Control" by The MayTricks from So Chewy! (1993).
Our second discussion of De Anima or On the Soul (350 BCE), this time on book 3. What is the intellect? We talk about its highest part/function: nous, which is a "form of forms," literally nothing until it thinks, survives death and is not actually yours or mine, but just the universal mind!
This continues the discussion from ep. 130 and includes a preview of the Aftershow featuring Rebecca Goldner.
End song: "Wonderful You" (live 2001) by Mark Lint.
Our second discussion of De Anima or On the Soul (350 BCE), this time on book 3. What is the intellect? We talk about its highest part/function: nous, which is a "form of forms," literally nothing until it thinks, survives death and is not actually yours or mine, but just the universal mind!
This continues the discussion from ep. 130 and includes a preview of the Aftershow featuring Rebecca Goldner.
End song: "Wonderful You" (live 2001) by Mark Lint.
On De Anima or On the Soul (350 BCE), books 1 and 2, after some listener mail. What can this ancient text tell us about biological life? What counts as a scientific explanation? A. describes life as "the first actuality of a natural body which has organs," so bodies express their nature only when they're growing and reproducing and all that stuff that bodies do. The body is potential, and life is its actuality. So what the heck kind of explanation is that, and how does it tie into Aristotle's convoluted metaphysics?
End song: "Intermission Song" by Mark Lint from Spanish Armada: Songs of Love and Related Neuroses (1993).
On De Anima or On the Soul (350 BCE), books 1 and 2, after some listener mail. What can this ancient text tell us about biological life? What counts as a scientific explanation? A. describes life as "the first actuality of a natural body which has organs," so bodies express their nature only when they're growing and reproducing and all that stuff that bodies do. The body is potential, and life is its actuality. So what the heck kind of explanation is that, and how does it tie into Aristotle's convoluted metaphysics?
End song: "Intermission Song" by Mark Lint from Spanish Armada: Songs of Love and Related Neuroses (1993).
Nathan Gilmour (Christian Humanist podcast) and Rob Dyer (God Complex Radio) join Mark and Wes for to discuss the reasonableness of religious belief reading Antony Flew's "The Presumption of Atheism," Norwood Russell Hanson's "The Agnostic's Dilemma," Steven Cahn's "The Irrelevance of Proof to Religion," Alvin Plantinga's "Is Belief in God Properly Basic?" Merold Westphal's "Sin and Reason," Basil Mitchell's "Faith and Criticism," Peter van Inwagen's "Clifford's Principle," William Alston's "Experience in Religious Belief," Richard Swinburne's "The Voluntariness of Faith" and "The World and Its Order," and Paul Helm's "Faith and Merit." Read synopses of all these at partiallyexaminedlife.com.
End song: "Let Us Meet" by Mark Lint, setting an old poem by Kim Casey Linsenmayer.
Nathan Gilmour (Christian Humanist podcast) and Rob Dyer (God Complex Radio) join Mark and Wes for to discuss the reasonableness of religious belief reading Antony Flew's "The Presumption of Atheism," Norwood Russell Hanson's "The Agnostic's Dilemma," Steven Cahn's "The Irrelevance of Proof to Religion," Alvin Plantinga's "Is Belief in God Properly Basic?" Merold Westphal's "Sin and Reason," Basil Mitchell's "Faith and Criticism," Peter van Inwagen's "Clifford's Principle," William Alston's "Experience in Religious Belief," Richard Swinburne's "The Voluntariness of Faith" and "The World and Its Order," and Paul Helm's "Faith and Merit." Read synopses of all these at partiallyexaminedlife.com.
End song: "Let Us Meet" by Mark Lint, setting an old poem by Kim Casey Linsenmayer.
On "The Meaning of Meaning" (1975). If meaning is not a matter of having a description in your head, then what is it? Hilary Putnam reformulates Kripke's insight (from #126) in terms of Twin Earths: Earthers with H20 and Twin Earthers with a substance that seems like water but is different have the same mental contents but are referring to different stuff with "water," so that word is speaker-relative in a certain way. With guest Matt Teichman.
End song: "In the Boatyard" by Mark Lint & the Madison Lint Ensemble (2004, finished now).
On "The Meaning of Meaning" (1975). If meaning is not a matter of having a description in your head, then what is it? Hilary Putnam reformulates Kripke's insight (from #126) in terms of Twin Earths: Earthers with H20 and Twin Earthers with a substance that seems like water but is different have the same mental contents but are referring to different stuff with "water," so that word is speaker-relative in a certain way. With guest Matt Teichman.
End song: "In the Boatyard" by Mark Lint & the Madison Lint Ensemble (2004, finished now).
On Experience and Nature (1925), through ch. 4. What's the relationship between our experience and the world that science investigates? Dewey thinks that these are one and the same, and philosophies that call some part of it (like atoms or Platonic forms) the real part while the experienced world is a distortion are unjustified.
End song: "Uncontrollable Fear" by The MayTricks from So Chewy! (1993).
On Experience and Nature (1925), through ch. 4. What's the relationship between our experience and the world that science investigates? Dewey thinks that these are one and the same, and philosophies that call some part of it (like atoms or Platonic forms) the real part while the experienced world is a distortion are unjustified.
End song: "Uncontrollable Fear" by The MayTricks from So Chewy! (1993).
On Naming and Necessity (1980). What's the relationship between language and the world? Specifically, what makes a name or a class term pick out the person or things that it does? Saul Kripke wanted to correct the dominant view of his time (which involved a description in the speaker's mind), and used talk of "possible worlds" to do it! With guest Matt Teichman.
End song: "Reason Enough" by Mark Lint.
On Naming and Necessity (1980). What's the relationship between language and the world? Specifically, what makes a name or a class term pick out the person or things that it does? Saul Kripke wanted to correct the dominant view of his time (which involved a description in the speaker's mind), and used talk of "possible worlds" to do it! With guest Matt Teichman.
End song: "Reason Enough" by Mark Lint.
On Isaac Asimov's "The Last Question," Albert Camus's "The Fall," Karl Jaspers's "Truth and Symbol," C.S. Peirce's "The Fixation of Belief," Bertold Brecht's "Theatre for Pleasure or Theatre for Instruction," and Thomas Sheehan's Stanford lectures on the Historical Jesus.
These are snippets covering topics we haven't had time to cover on the podcast proper. Brief yourself via these 10–15 minute bursts, or become a PEL Citizen to listen to the full discussions.
On Isaac Asimov's "The Last Question," Albert Camus's "The Fall," Karl Jaspers's "Truth and Symbol," C.S. Peirce's "The Fixation of Belief," Bertold Brecht's "Theatre for Pleasure or Theatre for Instruction," and Thomas Sheehan's Stanford lectures on the Historical Jesus.
These are snippets covering topics we haven't had time to cover on the podcast proper. Brief yourself via these 10–15 minute bursts, or become a PEL Citizen to listen to the full discussions.
On The Human Condition (1958), Prologue and Sections 1 and 2. How has our distinction between the private and public evolved over time? Arendt uses this history, and chiefly the differences between our time and ancient Athens, to launch a critique of modern society. The fab four conducted this podcast live at the Pittsburgh Continental Philosophy Conference.
End song: "Space" by Mark Lint from The Cheese Stands Alone. Read about it.
Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
On The Human Condition (1958), Prologue and Sections 1 and 2. How has our distinction between the private and public evolved over time? Arendt uses this history, and chiefly the differences between our time and ancient Athens, to launch a critique of modern society. The fab four conducted this podcast live at the Pittsburgh Continental Philosophy Conference.
End song: "Space" by Mark Lint from The Cheese Stands Alone. Read about it.
Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
On the Manual of Epictetus, aka The Enchiridion (135 CE). What's a wise strategy for life? Stoicism says that the secret is mastering yourself. Nothing external can break your spirit unless you let it. So, how weird and misguided is that advice? With guest Alex Fossella.
End song: "But I Won't" by Mark Lint from Spanish Armada: Songs of Love and Related Neuroses (1993).
Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
On the Manual of Epictetus, aka The Enchiridion (135 CE). What's a wise strategy for life? Stoicism says that the secret is mastering yourself. Nothing external can break your spirit unless you let it. So, how weird and misguided is that advice? With guest Alex Fossella.
End song: "But I Won't" by Mark Lint from Spanish Armada: Songs of Love and Related Neuroses (1993).
Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
On F.A. Hayek's "The Use of Knowledge in Society" (1945) and Amartya Sen's On Ethics and Economics (1987). Is economics a pseudoscience? Are its assumptions by necessity too over-simplifying? Hayek objects to the idea of planning an economy, because the planners aren't in a position to know enough. With guest Seth Benzell, who starts us off with a "precognition" of the material.
End song: "People Who Throw Away Love" by Mark Lint from The Cheese Stands Alone.
Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
On F.A. Hayek's "The Use of Knowledge in Society" (1945) and Amartya Sen's On Ethics and Economics (1987). Is economics a pseudoscience? Are its assumptions by necessity too over-simplifying? Hayek objects to the idea of planning an economy, because the planners aren't in a position to know enough. With guest Seth Benzell, who starts us off with a "precognition" of the material.
End song: "People Who Throw Away Love" by Mark Lint from The Cheese Stands Alone.
Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
Haven't had enough Augustine? Danny Lobell and Wes Alwan welcome Augustine scholar James Wetzel and PEL Citizens Terra Leigh Bell, Amogh Sahu, and Scott Anderson to discuss our Augustine episodes, covering humility, love, desire, grief, sex, misogyny, degrees of reality, and how love of God fits with relating to other people. Minimally edited, recorded the same day it's being posted, we present a full Aftershow on our public feed for the very first time. (The last?) What do you think?
Get all the aftershows and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
Haven't had enough Augustine? Danny Lobell and Wes Alwan welcome Augustine scholar James Wetzel and PEL Citizens Terra Leigh Bell, Amogh Sahu, and Scott Anderson to discuss our Augustine episodes, covering humility, love, desire, grief, sex, misogyny, degrees of reality, and how love of God fits with relating to other people. Minimally edited, recorded the same day it's being posted, we present a full Aftershow on our public feed for the very first time. (The last?) What do you think?
Get all the aftershows and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
Yet more on The Confessions, now on books 10–13. What is memory and how does it relate to time and being? Augustine thinks that memory is a storehouse, but it contains not just the sensations we put in it, but also (à la Plato's theory of recollection) all legitimate knowledge. It's our route to God, to real Being. Mark, Wes, and Dylan also discuss time, language, knowledge, the existence of evil, and more.
This continues our discussion from ep. 121. Listen to the Aftershow featuring James Wetzel!
End song: "The Past Is Not Real" by Mark Lint from Songs from the Partially Examined Life. Read about it.
Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
Yet more on The Confessions, now on books 10–13. What is memory and how does it relate to time and being? Augustine thinks that memory is a storehouse, but it contains not just the sensations we put in it, but also (à la Plato's theory of recollection) all legitimate knowledge. It's our route to God, to real Being. Mark, Wes, and Dylan also discuss time, language, knowledge, the existence of evil, and more.
This continues our discussion from ep. 121. Listen to the Aftershow featuring James Wetzel!
End song: "The Past Is Not Real" by Mark Lint from Songs from the Partially Examined Life. Read about it.
Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
On The Confessions (400 CE), books 1–9. The question is not "What is virtue?" because knowing what virtue is isn't enough. The problem, for Aurelius Augustinus, aka St. Augustine of Hippo, is doing what you know to be right.
End song: "I Still Want" by New People, from Impossible Things (2011).
Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
On The Confessions (400 CE), books 1–9. The question is not "What is virtue?" because knowing what virtue is isn't enough. The problem, for Aurelius Augustinus, aka St. Augustine of Hippo, is doing what you know to be right.
End song: "I Still Want" by New People, from Impossible Things (2011).
Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
Seth Paskin and Danny Lobell were joined by Dr. Gregory B. Sadler, David Buchanan, Erik Weissengruber, Tom Kirdas, Ken Presting, and Bill Coe. Recorded July 26, 2015. This is the first 15 minutes of a two-hour conversation, available in full to PEL Citizens or free on our YouTube page.
Seth Paskin and Danny Lobell were joined by Dr. Gregory B. Sadler, David Buchanan, Erik Weissengruber, Tom Kirdas, Ken Presting, and Bill Coe. Recorded July 26, 2015. This is the first 15 minutes of a two-hour conversation, available in full to PEL Citizens or free on our YouTube page.
We discuss Un-Willing: An Inquiry into the Rise of Will's Power and an Attempt to Undo It (2014) with the author, covering Socrates, Augustine, Aquinas, Heidegger, Nietzsche, Sartre, compatibilism, the neurologists' critque of free will, and more.
End song: "I Insist" by Mark Lint from Songs from the Partially Examined Life. Read about it.
Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
We discuss Un-Willing: An Inquiry into the Rise of Will's Power and an Attempt to Undo It (2014) with the author, covering Socrates, Augustine, Aquinas, Heidegger, Nietzsche, Sartre, compatibilism, the neurologists' critque of free will, and more.
End song: "I Insist" by Mark Lint from Songs from the Partially Examined Life. Read about it.
Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
A highlight from our musician-packed breakdown of our songwriting episode. Featuring a third (ex-) member of Camper Van Beethoven, plus Chase Fiorenza, Mike Wilson, Maxx Bartko, Danny Lobell, Mark Linsenmayer, and (not heard on this preview) Adrian Cho and Fischerspooner's Warren Fischer. We discuss authenticity, the state of the music biz, humor in music, and more.
A highlight from our musician-packed breakdown of our songwriting episode. Featuring a third (ex-) member of Camper Van Beethoven, plus Chase Fiorenza, Mike Wilson, Maxx Bartko, Danny Lobell, Mark Linsenmayer, and (not heard on this preview) Adrian Cho and Fischerspooner's Warren Fischer. We discuss authenticity, the state of the music biz, humor in music, and more.
On Friedrich Nietzsche's The Birth of Tragedy (1872). Nietzsche thought that you could tell how vital or decadent a civilization was by its art, and said that ancient Greek tragedy was so great because it was a perfect synthesis of something highly formal/orderly/beautiful with the intuitive/unconscious/chaotic. But then Socrates ruined everything! With guest John Castro.
Includes a preview of the Aftershow feat. Greg Sadler.
End song: "Some Act" by Mark Lint and the Fake from "So Whaddaya Think?" (2000).
On Friedrich Nietzsche's The Birth of Tragedy (1872). Nietzsche thought that you could tell how vital or decadent a civilization was by its art, and said that ancient Greek tragedy was so great because it was a perfect synthesis of something highly formal/orderly/beautiful with the intuitive/unconscious/chaotic. But then Socrates ruined everything! With guest John Castro.
Includes a preview of the Aftershow feat. Greg Sadler.
End song: "Some Act" by Mark Lint and the Fake from "So Whaddaya Think?" (2000).
Listen to or watch the Aftershow for Episode 117 on Antigone, with Danny Lobell, Wes Alwan, and a bunch of PEL listeners like you. Also, learn about our new Citizen feed: get the full Aftershow delivered right to your smartphone!
Listen to or watch the Aftershow for Episode 117 on Antigone, with Danny Lobell, Wes Alwan, and a bunch of PEL listeners like you. Also, learn about our new Citizen feed: get the full Aftershow delivered right to your smartphone!
Victor Krummenacher and Jonathan Segel join Mark and Wes to discuss songwriting and authenticity in the age of Internet consumerism. This episode prefigured Mark's Nakedly Examined Music podcast.
Includes a preview of the Aftershow featuring more musicians including ex-Camper Chris Molla.
End songs: "The Bastards Never Show Themselves" by the Monks of Doom and Mike Wilson's "RG."
Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
Victor Krummenacher and Jonathan Segel join Mark and Wes to discuss songwriting and authenticity in the age of Internet consumerism. This episode prefigured Mark's Nakedly Examined Music podcast.
Includes a preview of the Aftershow featuring more musicians including ex-Camper Chris Molla.
End songs: "The Bastards Never Show Themselves" by the Monks of Doom and Mike Wilson's "RG."
Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
Philosophically considering the ancient Greek tragedy, which we also performed with Lucy Lawless and Paul Provenza.
End song: "Woe Is Me" (live, 2002) by Madison Lint.
Features a preview of the Aftershow, feat. Wes and host Danny Lobell.
Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
Philosophically considering the ancient Greek tragedy, which we also performed with Lucy Lawless and Paul Provenza.
End song: "Woe Is Me" (live, 2002) by Madison Lint.
Features a preview of the Aftershow, feat. Wes and host Danny Lobell.
Get this and every episode ad-free by becoming a PEL supporter at partiallyexaminedlife.com/support.
An unrehearsed, fun read-through of the Greek Tragedy from 441 BCE, plus some discussion with the cast of Greek drama, our selected translation, and other stuff. Enjoy!
PEL Citizens can get an ad-free, extended version.
End song: "Antigone (Choragos Speaks)" by Mark Lint. Read about it.
An unrehearsed, fun read-through of the Greek Tragedy from 441 BCE, plus some discussion with the cast of Greek drama, our selected translation, and other stuff. Enjoy!
PEL Citizens can get an ad-free, extended version.
End song: "Antigone (Choragos Speaks)" by Mark Lint. Read about it.
On Sigmund Freud's On Dreams (1902) and other stuff. Are dreams just random, or our best key to understanding the mind?
For Wes Alwan's Freud summaries, go here: https://www.philosophysummaries.com.
After you listen to this, check out the Aftershow.
End song: "Sleep" by Mark Lint. Read about it.
On Sigmund Freud's On Dreams (1902) and other stuff. Are dreams just random, or our best key to understanding the mind?
For Wes Alwan's Freud summaries, go here: https://www.philosophysummaries.com.
After you listen to this, check out the Aftershow.
End song: "Sleep" by Mark Lint. Read about it.
The Camper Van Beethoven violinist/composer/multi-instrumentalist joins us to discuss The World as Will and Representation, book 3 selections.
The Camper Van Beethoven violinist/composer/multi-instrumentalist joins us to discuss The World as Will and Representation, book 3 selections.
On The World As Will and Representation (1818), book 2. The world is a blind, striving force!
On The World As Will and Representation (1818), book 2. The world is a blind, striving force!
Interpreting the Parables using texts from Paul Ricoeur, John Dominic Crossan, Paul Tillich, et al, with guest Law Ware.
Interpreting the Parables using texts from Paul Ricoeur, John Dominic Crossan, Paul Tillich, et al, with guest Law Ware.
On Paul Ricoeur's "The Critique of Religion" and "The Language of Faith" (1973), with guest Law Ware. How can we apply hermeneutics to the Bible?
On Paul Ricoeur's "The Critique of Religion" and "The Language of Faith" (1973), with guest Law Ware. How can we apply hermeneutics to the Bible?
On Hans-Georg Gadamer's Truth and Method (1960, ch. 4), "Aesthetics and Hermeneutics" (1964), "The Universality of the Hermeneutical Problem" (1966), and "Hermeneutics as Practical Philosophy" (1972).
On Hans-Georg Gadamer's Truth and Method (1960, ch. 4), "Aesthetics and Hermeneutics" (1964), "The Universality of the Hermeneutical Problem" (1966), and "Hermeneutics as Practical Philosophy" (1972).
Mark and Seth go line-by-line through the first half of "On the Essence of Truth" to help you understand Heidegger's language. This is a 17-min preview of a 2 hr, 37-min bonus recording. Citizens, log in and listen now.
Mark and Seth go line-by-line through the first half of "On the Essence of Truth" to help you understand Heidegger's language. This is a 17-min preview of a 2 hr, 37-min bonus recording. Citizens, log in and listen now.
