Blank Check with Griffin & David

One of the more harrowing films we’ve covered on the podcast (and the second film we’ve covered in 2024 with a memorable “gobble gobble” line), 1992’s TWIN PEAKS: FIRE WALK WITH ME was not the quirky, enjoyable plotline wrap-up fans of Twin Peaks wanted. David Lynch instead challenged the audience to identify with Laura Palmer’s humanity and pain, making her a real person - not just a girl wrapped in plastic. THE FIRST OMEN director Arkasha Stevenson joins us to talk about how this film (and WILD AT HEART) inspired her to become a filmmaker, the uncanny experience of watching it without any prior knowledge of the Twin Peaks series, and the directorial choices Lynch makes that create the film’s deeply unsettling atmosphere.

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If we told you this was the first time we’d covered a Nicolas Cage movie on the podcast - would you believe us? Well, baby - it’s true. And what a movie it is! The luminous Tatiana Maslany returns to talk about David Lynch’s smokin’ hot outlaw romance WILD AT HEART - a film that won the Palme d’Or and took Lynch away from the set of Twin Peaks. Get ready for lots of Cage career discussion (a favorite topic of Griffin Newman), a bunch of actor speak, and multiple “hey, did you know David Lynch was a fan of the Wizard of Oz?” asides.

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For a brief shining moment, Middle America went crazy for the surreal soap opera stylings of David Lynch and Mark Frost. We’re talking ABC, primetime, airing against “Cheers”-level mainstream. And then it all came crashing down. Listen as we take our first step into the intoxicating world of Twin Peaks - one of the most influential television series of all time and the project that would come to define Lynch for the rest of his career. Eva Anderson - who literally grew up in the town Twin Peaks was filmed in and can tell you for a fact that the diner cherry pie sucks - joins us to talk about how such a pop cultural oddity came to be, and why it has such staying power. Note - this episode covers Season 1 of Twin Peaks, but alludes to certain plotlines in Season 2 without directly spoiling them. 

Blank Check Theme (Cherry Pie Remix) composed by Alex Mitchell, vocals by "The ghost of Julee Cruise" aka Marie Bardi.

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Lend us your (severed) ears! This week, we’re jumping back into our Lynch series with a trip to Lumberton, USA, as our beloved Jamie Loftus joins us to chat about 1986’s BLUE VELVET. We’re going deep on the star persona of Kyle MacLachlan, David Sims’ obsession with Dean Stockwell, and David Lynch’s unironic obsession with Americana. How does a movie that deals with such deeply disturbing themes end up being so watchable? That’s that Lynchian magic, baby!

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We’re taking a break from David Lynch to answer one of the year’s biggest questions - Is Burton Back, Baby? Ummmm…kind of! Grab your “Handbook for the Recently Deceased” commemorative popcorn tin and join us as we attempt to untangle the very messy BEETLEJUICE BEETLEJUICE. Which sequences wowed us with their sparkling ingenuity? Which plotlines would we excise from the script? What song would you possess people to lipsync to and why is it Bloodhound Gang’s “The Bad Touch”? And - the most important question of all - why has David Sims not been publishing movie reviews lately, why wasn’t he at TIFF, and what the hell is going on at the Sims Swamp? 

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The sleeper must awaken. The filmography must contain a flop. We’ve arrived at the Planet Arrakis aka the Desert Planet aka DUNE (1984) - David Lynch’s attempt at wrangling Frank Herbert’s space epic into a single studio blockbuster. Did it work? Not really. Do we have fun talking about it? Hell yeah, we do! John Hodgman joins us to talk about all things “spice” - including the infamous glossary of Dune terms handed out in theaters, and a wild anecdote about Peter Berg reading Dune on an airplane. We talk about Lynch’s decision to turn down directing Return of the Jedi, the differences between Lynch’s take on Dune and Denis Villeneuve’s more critically successful version, and David finally gets the chance to let his Fremen freak flag fly by going FULL NERD.

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We’re getting in touch with our emotions this week, as Alex Ross Perry joins us to talk about Lynch’s deeply-felt, sensitively-rendered 1980 classic THE ELEPHANT MAN. Is this the most “normal” movie in Lynch’s filmography? What does “normal” mean, anyway? As with all Alex episodes, questions are posed and hotly debated, such as: What filmmakers, aside from David Lynch, made their most important work in the later part of their careers? What is the Lynch film that young people vibe with most strongly now? Did Michael Jackson actually attempt to purchase the Elephant Man’s bones? When will the Cinematrix puzzle get rid of the godforsaken “Rotten Tomatoes score” category? What does David Sims have against the famous David Foster Wallace profile of David Lynch? 

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In heaven (and in podcasting), everything is fine. Welcome to TWIN PODS: FIRE CAST WITH ME, a series on the films of David Lynch - former Eagle Scout and totally normal human man. With his 1977 debut feature ERASERHEAD, Lynch burst on to the scene somewhat fully formed as an artist, confused by normal social interactions and motivated by a seething hatred of Philadelphia. The last part of that sentence is only partially a joke. Join us as we discuss where Eraserhead fits in the pantheon of first features we’ve covered on Blank Check, where this film ranks in the “Dang Ass Freak” canon, whether we first watched this movie in a basement or on a “night porch,” the stress of parenthood, the origin story of McDonald’s mascot Grimace, and much more. Oh, and obviously - the Lady in the Radiator makes an appearance. You are not hallucinating, she is really there.

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Welp, our Kevin Costner series ends not with a bang, but a whimper. With the pulling of Horizon: An American Saga - Chapter 2 from theaters, we are left to only speculate what the future holds for Costner’s self-funded crazy passion project. What we can tell you is that Chapter 1 doesn’t really feel like its own self-contained movie. Plotlines are established, characters are introduced, and then…Giovanni Ribisi shows up.   

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You know the Butcher? That freakin' nutjob that goes around just chopping people up? Well, we’re about to spend nearly three hours talking about him! Join us as we unpack TRAP - the devilishly entertaining new thriller from M. Night Shyamalan, with special insights from our own David Sims, who spent much of this year interviewing Night at his compound in Philadelphia. We’re talking about a bunch of things - dads, serial killers, how much we don’t like going to concerts, the sexy elephant mascot of the New York Liberty, Josh Hartnett’s career arc - when we’re not excusing ourselves to go to the bathroom to uh…check on some apps.

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Free-grazers and CR-heads - this is your week. The icon, the legend, the Ringer’s own Chris Ryan joins us to talk about Kevin Costner’s understated 2003 western OPEN RANGE. We’re finally doing a deep-dive on the Taylor Sheridan empire (aka Chris tells us what Mayor of Kingstown is actually about) as we set up the later part of Costner’s career in the run-up to Horizon. We spend a good amount of time lauding the consistent greatness of Robert Duvall and Annette Bening. You can practically hear the relief in our voices when we talk about how this movie is actually quite good! It may or may not be racist against the Irish, but - hey. How great is that chocolate scene?! 

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This week’s movie has everything - fake teeth on Giovanni Ribisi, a mule performing Shakespeare, Tom Petty, Kevin Costner’s irresistible sperm…you read that correctly. This film has a major plot line that revolves around Kevin Costner’s sperm. Our beloved Emily St. James joins us to talk about Kevin Costner’s colossal 1997 flop, the post-apocalyptic ode to the US Postal Service - THE POSTMAN. There are parts of this movie that are truly moving. There are other parts of this movie where Kevin Costner and Will Patton wrestle in slow motion. It’s a fascinating text.

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In a first for Blank Check, we’re covering a filmmaker who has acted alongside our own Griffin Newman! In our premiere episode covering the directorial career of Draft Day co-star Kevin Costner, we’re unpacking his 1990 Best Picture winner, DANCES WITH WOLVES. Costner as personal mythmaker, Costner as “movie sports guy,” Costner as “hot guy who women all want to sleep with (?)”, Costner as man who decided - at a crucial (and early!) point in his career - to take a huge risk by making a 3-hour epic in an old-fashioned genre. He’s a fascinating figure. Come west with us, listeners, as we discover the frontiers within ourselves and within Lieutenant John Dunbar.

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The first "G" in "Gigli" is pronounced like the "J" in “Jacques,” the second “G” is silent. Rhymes with "really." Now that that’s out of the way - we conclude our Martin Brest series with the turkey of all turkeys. The Bennifer original sin, the project that should have gotten Justin Bartha put in prison. That’s right, folks. We’re talking about one of the canonical “Worst Movies Ever Made” - 2003’s GIGLI. Screenwriter Jen D’Angelo joins us to talk about this fascinating cultural object, and makes a case that Ben Affleck is “good in this movie, actually.” Griffin and David disagree. We’re going to Baywatch!

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He’s hot. He’s got frosted tips. He loves peanut butter. His lil swimmers may or may not look like skulls. He’s death, baby! And we’re meeting him this week! Vanity Fair’s Richard Lawson returns to the pod to chat about 1998’s three hour long “symphonic metaphysical romance” MEET JOE BLACK. How does this film play in a post-Succession, “eat the rich” context? How do we feel about the infamous Jamaican patois scenes? What are our memories of the weekend the Phantom Menace trailer came out in theaters? All that and more awaits you on the other side of the bridge.

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Warning - this episode contains an ungodly amount of Pacino impressions. Listener discretion is advised.

“Actor’s actor” and local boy from Queens David Krumholtz becomes the second cast member of Oppenheimer and first person immortalized in Griffin’s beloved Disney Emoji Blitz to guest on our Martin Brest series as we talk about 1992’s dire SCENT OF A WOMAN. Would this movie be less terrible if it were at least 40 minutes shorter? What if the original first choice for Lt. Col. Frank Slade - Jack Nicholson - had done this film instead of Pacino? What if we swapped Philip Seymour Hoffman for the charisma vacuum that is Chris O’Donnell? Sadly, we can only imagine these scenarios. Join us for lots of candid Krumholtz anecdotes, a scorching hot take regarding the diner scene in Heat, and more!

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In a first for Blank Check, Ben Hosley produces an entire episode while handcuffed and under threat of legal action. What else would you expect from a MIDNIGHT RUN episode? The great Alan Sepinwall returns to the pod to talk about Martin Brest’s fantastic cross-country buddy caper, a film that proved that DeNiro could do comedy and that Charles Grodin might be the funniest man alive. We’re talking about the unofficial Larry the Cable Guy sequel (?), the famous casting what-ifs (Cher!), and the magic that went into making this movie so breezy, effortless, and fun. We didn’t how good we had it back in 1988, did we?l

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An indelible synth theme by Harold Faltermeyer. A scene-stealing turn from Bronson Pinchot. A banana in a tailpipe. EDDIE FREAKING MURPHY. It’s no wonder that Martin Brest’s Beverly Hills Cop is one of the most beloved action comedies (and still the highest-grossing R-rated film adjusted for inflation). We couldn’t be more thrilled to have two of the hottest action directors in Hollywood - Bad Boys: Ride or Die’s Adil & Bilall - join us to talk about Brest’s blockbuster second feature, bringing all the expertise from their years spent developing Beverly Hills Cop 4. We’re getting into the Stallone of it all, the Simpson/Bruckheimer of it all, the Judge Reinhold of it all - while also taking some time to unpack the specific nuances that Brest brings as a director (as opposed to Tony Scott’s take on the sequel). And….yes. We talk about BATGIRL.

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After years of citing him as a potential series, we’re finally Brest men. In this inaugural episode of our “Podverly Hills Cast” series, we’re taking a look at Martin Brest’s debut feature, 1979’s understated and deeply enjoyable old man heist film “Going in Style.” James Urbaniak joins us to chat through the beginning of Brest’s career, and the storied personas of George Burns, Art Carney, and Lee Strasberg. Cream cheese and jelly sandwiches on toasted rye for everyone! 

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We return to the Wasteland this week with Furiosa, and we’ve got quite the tour guide. Kyle Buchanan - author of Blood, Sweat & Chrome, THE book on the making of Mad Max: Fury Road - joins us as we do a definitive post-mortem on George Miller’s latest. Going up against the reputation of Fury Road was always going to be an uphill battle for the Anya Taylor-Joy starrer, and we go into all the ways in which this film matches, exceeds, or misses the highs of 2015’s action classic. Kyle brings with him plenty of behind-the-scenes details and shrewd observations, and Ben and Griffin bring a visceral report from their 4DX screening. And yes - of course we talk about how Dementus looks just like Guru Pitka.  

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Come join the dream parade, folks - we’re talking about Paprika! Mother of the Blankies Emily Yoshida is with us to chat about Satoshi Kon’s final film - a film that FEELS like a swan song especially in hindsight. In this episode, we address the elephant in the room (those Inception comparisons), dive into the serialized story Paprika was based on, and Griffin makes the important connection between Paprika’s “DC mini” device and this being a “BC mini” (series). Plus, we establish 2024 as “The Year of Dreams” (Kon and Lynch on Blank Check!!), and Emily, Ben, and Griffin discuss their experience attending a special screening of Clifford with Martin Short himself.  

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Please follow Hollywood Entertainment (the organizers of the Clifford screening mentioned on the episode)for upcoming screenings in LA (including a new residency at Heavy Manners Library), regular streaming programs (accessible everywhere), and a to-be-announced return to New York this fall. 

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They call them the Godfathers of Tokyo…and we call him the KING of TIKTOK (in an old man newscaster voice) - Reece Feldman joins us to chat about Satoshi Kon’s beautiful Christmas fable about a trio of unforgettable characters on the fringes of society. We talk about how animation is truly a medium and NOT a genre, as evidenced by this film. We talk about Ice Age (another animated movie where outsiders care for a baby). We talk about whether or not David might get roped into watching Ice Age a million times if his daughter finds out about it. And we talk about David’s pitch for a Cheaper by the Dozen spoof called “Cheaper by the Cousin”…?

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Our Satoshi Kon series continues with his 2003 film Millennium Actress, a moving exploration of memory, history, and the magic of da moviesh. Writer Hoai-Tran Bui returns to the pod as we discuss the strange history of Dreamworks’ arthouse animation arm (Go Fish pictures), the luminous screen presence of Setsuko Hara, and the added poignancy this film takes on in light of Kon’s untimely passing. Plus, Griffin publicly addresses the Penny Marshall debacle, and the gang contemplates a version of “Millennium Actor” with Clint Eastwood.  

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Welcome to the filmography of Satoshi Kon - a thrilling series of funhouse mirrors and puzzlebox narratives that proved what is possible in the animation form. The icon, the legend, the culturista himself Bowen Yang joins us to talk about Kon’s feature debut, the shocking and influential pop-idol thriller PERFECT BLUE. We’re talking about famous “bad girl” transitions in pop history. We’re talking about Digimon villains. We’re talking about obsessive fandoms. And, most crucially, we learn a new piece of Ben lore that involves a famous reality tv star.

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Our McTiernan series concludes with 2003’s BASIC - a film that Griffin thinks should instead be titled “COMPLICATED” - get it? Because there are so many plot twists?? The great BenDavid Grabinski joins us to chat about John Travolta’s run of big, skeezy characters post-FACE/OFF, McTiernan’s ultimate Achilles heel (getting too confident in his ability to fix impossible movies), the screenwriting career of studio wunderkind James Vanderbilt, and the truly terrible acting of Giovanni Ribisi. Plus, the return of Journalist Eddie Brock, our pitches for different versions of CHANGING LANES (which they should remake every five years), and our final McT filmography rankings.

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Finally, we arrive at the film that helped put John McTiernan in both “director jail” and “jail jail” - the incoherent nu-metal fart that is 2002’s ROLLERBALL. Zach Cherry continues his trend of appearing on episodes covering movies that led to actual court cases, and we do our best to try to explain what happened (both on-screen and off). Why is this film set in Borat’s Kazakhstan? What was up with the extended nightvision scene? Is Griffin insane for being a Chris Kline apologist? Plus - Ben learns about the World Nomad Games of Central Asia!

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What if there was a 13th Warrior? What if there was a version of Beowulf so grounded in reality that the climactic battle with Grendel just kind of felt like a shrug? What if Antonio Banderas was the lead in Gladiator instead of Russell Crowe? We’re just asking questions! Filmmaker David Lowery makes his long-awaited return to the podcast to talk about John McTiernan’s Michael Crichton adaptation, a movie that should have kept the title of the original book - Eaters of the Dead. Such a sick title! Anyway, prepare yourself for plenty of Banderas talk, a loving deep-dive into the famous “Banderas learns the Viking language” scene, and a reveal of some Blank Check-related easter eggs in Lowery’s filmography (!).

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A Fiji water bottle. “Sinnerman” by Nina Simone. That Magritte painting with the bowler hat. A SCINTILLATING, AGE-APPROPRIATE ROMANCE WITH TWO OF THE GREATEST HEIST SEQUENCES IN MOVIE HISTORY. We’re talking Tommy C (1999), baby! The delightful Amanda Dobbins joins us for her long-awaited Blank Check debut, and this episode is about as fun as you’d expect. Do we think this movie is better than the Norman Jewison original? Yes. Do we go long on the filmography of Rene Russo? Yes. Do we explain how Pierce Brosnan fit the Monet canvas into his briefcase? Sort of. Does Amanda know the plot of “Wicked”? Surprisingly, no!

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John McTiernan back with the Die Hard franchise after the spectacular flop of Last Action Hero. Bruce Willis and Samuel L Jackson back together after Pulp Fiction. Die Hard with a Vengeance is definitely part of the “we are so back” canon. Shea Serrano (who owns every McTiernan movie on VHS) joins us to chat about this explosive action threequel that features a surprising amount of New York theater actors and a bunch of childhood games and riddles. Also, you don’t need us to tell you this but - Jeremy Irons hot. Also cool.

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You either love this movie or you hate it, and guess what - we’re landing all over the LOST ACTION HERO spectrum this episode! Paul Scheer & Jason Mantzoukas join us once again for a clock-busting, rip-roaring time, and we’re unpacking all of this movie’s meta madness.  Is John McTiernan able to parody his own work? Should the kid have actually killed people in this movie (as in the original, edgier script)? Will David have an aneurysm if this episode recording doesn’t end at a reasonable time?

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And if anyone has what Jason is looking for, email blankcheckpodcast@gmail.com and well get it to him. 

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Oh baby, this one’s a STINKER! Sean Connery finds the cure for cancer but then he loses it (??). Lorraine Bracco delivers all of her dialogue like someone making a comment and not asking a question at a Q&A. They’re both playing scientists - but where’s the CHEMISTRY?? Comedian and writer Jamie Lee returns to Blank Check to talk about John McTiernan’s attempt at a serious adult drama, 1992’s MEDICINE MAN. We spend most of the episode trying to recast this movie to make it somewhat palatable. But the musical score is great!

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We love da submarinesh! Host of “Unclear and Present Danger” Jamelle Bouie joins us this week to talk about middle aged white guys, airport novels, and naval recruitment propaganda. That’s right - we’re talking about John McTiernan’s adaptation of Tom Clancy’s THE HUNT FOR RED OCTOBER! Come for our thesis on why Alec Baldwin played the best version of Jack Ryan, stay for Ben and Jamelle’s impassioned pleas for a Highlander patreon series. And of course, there will be Connery impressions.

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The pomp. The pageantry. The awkwardness of trying to shoehorn any of this year’s Oscar nominees into “Moon River” - that’s right, folks. The Blankies (and host Griffy Crystal) are back! Joe Reid of “This Had Oscar Buzz” joins us once again to celebrate the momentous year in cinema that was 2023. We’re handing out fake awards, making outrageous claims, and we’ve got a special musical performance that brings the house down. Enjoy!

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Thirty-six floors. Thirteen (fake) terrorists. One perfect action movie. Kevin Smith - who was in a Die Hard movie AND directed Alan Rickman in DOGMA -  joins us again for a supersized episode on McTiernan’s signature film. We’re getting into Bruce's wine cooler commercials. We reveal the surprising Shakespeare play that influenced McTiernan’s direction of this story. We’re nerding out about the spatial and organizational PERFECTION that makes it such a classic. And we’re paying loving homage to two screen presences whose careers ended tragically too soon. 

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GET TO THE CHOPPA! Griffin attempts his best (actually, worst) Arnold voice this week as we head to the jungle with Jon Gabrus and some bic razors. For almost three hours, we’re dissecting every little bit of PREDATOR - the glow-stick goo alien blood, the Alan Silvestri score, Arnold’s calves, Arnold’s biceps, Arnold’s long red polo shirt, Arnold’s chiseled cheekbones, the way Arnold says KILL ME!!! - you can expect lots of Arnold talk. 

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Okay, action freaks! We’re kicking off our John McTiernan miniseries - POD HARD WITH A VENGECAST - with a film that is not at all indicative of the greatness to come. Nomads! A movie where Pierce Brosnan attempts a garbage French accent and is terrified by some punks in a van. That’s kind of the whole thing. Anyway - get ready for a spirited conversation about plenty of other topics, like: the filmography of Tom Shadyac! John McTiernan’s super cool dad! Gerard Depardieu’s face! The strict rules of Julliard! The 1976 Academy Awards! And more! 

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If Yentl was about connecting with her absent father, and The Prince of Tides was about forgiving her difficult mother, The Mirror Has Two Faces is just about BARBRA! Who Weekly’s Bobby Finger and Lindsay Weber join us as we close out our Streisand series with her final film, a strange Frankenstein of a Judd Apatow, Albert Brooks, and Nora Ephron romcom. Should Lauren (“Betty”) Bacall have won the Oscar that year? Should Pierce Brosnan and Jeff Bridges have swapped roles? Is “the perfect bite” the ideal romcom concept? Is Barbra Streisand actually lazy, as she claims she is? Do we have any listeners who keep snoballs in their drawers?

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Can you hear the crawdads sing? Or is that just our Nick Nolte impression? Our favorite Carolinian Katey Rich joins us to chat about Streisand’s 1991 adaptation of Pat Conroy’s bugnuts novel, a story that includes some serious ethical breaches made by alluring therapist Susan Lowenstein. Listen along as Katey shares some tidbits from the book that did NOT make the screen adaptation (a tiger, for example), Griffin relates to Jason Gould’s attempts to be sporty, and David offers his hot take that this is a better 90s therapy movie than Good Will Hunting.  

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Surprise! In a first for Blank Check, we're dropping a bonus main-feed episode featuring a conversation with an Academy Award-nominated star of the film we just covered. The great Amy Irving joins us for a fun conversation about her career highs and lows, the behind-the-scenes YENTL gossip, and Ben's buried jeans. That's right, we have to explain Ben's denim thing to Amy Irving.

Follow Amy on IG @amyirvingofficial AND checkout her album "Born In A Trunk" on Spotify, Apple Music, Bandcamp or wherever you get music!

To witness the Buried Jeans™ in 3D and the rest of the 2024 collection goto congratyoulations.com

Plus, it's never too late to check out the Slow Xmas 2023 holiday music compilation now on Spotify, Apple Music, Bandcamp or wherever you get music!

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Podcast, can you hear me?” We certainly can, Barbra! The very menschy Jordan Hoffman joins us to chat about Streisand’s official directorial debut, a marvel of a film that makes anyone describing it sound insane. Yes, Barbra wrote, directed, produced, and starred in a period piece about a shtetl girl who crossdresses in order to study the Talmud. Yes, the film is a musical with songs composed by Michel Legrand. Yes, Barbra is the only person who sings in it, despite the male lead being Broadway legend Mandy Patinkin. Yes, Steven Spielberg called this movie “the greatest directorial debut since CITIZEN KANE.” Yes, we think Barbra should enter the MCU and direct Ant Man 4. Wait, what?

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Hello Gorgeous! We’re kicking off our Barbra Streisand series (titled “Podcastl,” naturally) with a look at her version of the classic Hollywood cautionary tale - 1976’s A STAR IS BORN. And who better to join us than our own songbird superstar - the lovely Rachel Zegler! While Babs didn’t technically direct this one, she and her partner Jon Peters (Bradley Cooper in LICORICE PIZZA, duh) exacted supreme creative control over the project - to mixed results. Join us as we trace the beginning of Streisand’s career, go down several rabbit holes of who else was considered for this movie (Elvis, Sonny and Cher), and speak fondly about Mariah Carey’s GLITTER. Because, why not?!

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Vroom vroom! Michael Mann is BACK. Bilge Ebiri is BACK. How do you say “we’re so back” in Italian? Join us as we talk about cars that go fast (Ferraris), hair that grows long (Adam Driver’s, normally), faces that have seen smart phones (Shailene Woodley’s) and character actors that could have been in this movie (Paul Giamatti, but specifically as Pig Vomit). Masculinity is a cage, machines that work the best are the most beautiful, and we all think that the Mille Miglia seems like a bad idea. No grazie!

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We’re closing out 2023 with two words - Wet. Chocolate. Join us as we bid farewell to the DCEU, say “hello fennel” to Timothée Chalamet, and bring our craziest unhinged, “end of school year” energy to two very different new releases. Orm.

Check out Matt Singer’s Wonka Themed IHOP menu article.

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The music! The makeup! The MAESTRO! We’re diving into Bradley Cooper’s Leonard Bernstein biopic, the result of his post-A STAR IS BORN Blank Check, and we’re getting personal, emotional, and pretty ridiculous. Who does Griffin’s Bernstein impression sound like (because it certainly doesn’t sound like Bernstein)? What is Ben’s familial connection to the Maestro? Will Marie ever forgive Griffin for inviting Bobby Wagner on a date to visit Bradley Cooper’s Philly cheesesteak truck instead of her? Will David ever forgive Griffin for comparing the Maestro to Will Smith?

Theme music by Alex Barron

Music selection "We Three Kings" by Amy Irving, Goolis, Aaron Is Your Friend from Slow Xmas 3.

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It took seven years for Hayao Miyazaki and the artists at Studio Ghibli to make THE BOY AND THE HERON. What better way to honor that lengthy process than to invite JD Amato back for another clockbusting, context-loaded episode?! For a rather bit-free THREE-AND-A-HALF HOURS, we are diving into Miyazaki’s personal history, his creative process, the differing animation styles between the Ghibli greats, and the thematic implications of this beautiful new film. Because this is Blank Check, we’ve also got lots of thoughts on Robert Pattinson’s vocal performance, and a lot to say about some other, less-successful animated films released this year.

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Mamma mia! We’ve got-a some-a sleepy pasta for-a you to taste-a this-a week! In our latest, much-awaited installment of PORCH CLASSICS, we’re handing the reins to Producer Ben, who has chosen to spotlight a forgotten comedy about “the world’s horniest pizza man who cannot die.” Lawrence Kasdan’s I LOVE YOU TO DEATH is a feast of bizarre performances (Italian-face Kevin Kline, Serb-face Joan Plowright, Stoner-face William Hurt) and tonal miscalculations. All this to say - it’s a very FUN movie to talk about.

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We’re wrapping up our Fincher series with his latest release - a stripped-down, gig-economy hitman thriller - THE KILLER. Is Michael Fassbender’s unnamed hitman actually good at his job, or a total goober? How do your friends at Blank Check feel about The Smiths? Where do the Two Friends put MANK in their final Fincher rankings? And - is Griffin okay, or has he fallen too deep inside the Gaylor Swift rabbit hole?

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Nerts! Are you folks ready to get MANK-PILLED? We advise that you start by “mankro-dosing” David Fincher’s 2020 exploration of the life and times of cantankerous screenwriter Herman J. Mankiewicz. The Big Picture’s Sean Fennessey joins us to chat about Fincher’s first Netflix feature, and we’re asking all the important questions. Would this film have a better reputation if it had been titled “manK!” ? Will there be a film made 40 years from now entitled “SORK” about Aaron Sorkin, David Fincher, Mark Zuckerberg, and the making of THE SOCIAL NETWORK? Is Mank the “Jabba the Hut of cynicism”? Will Griffin use this episode as another excuse to talk about The Offer?

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“Amazing Amy” meets “Awkwardly-Smiling Affleck” in Fincher’s darkly comic masterpiece - an instant classic from that first shot of Rosamund Pike’s pretty head. The delightful Esther Zuckerman (who will definitely NOT “gone girl” her boyfriend) joins us to discuss this impressive work of adaptation. We’re asking all the big questions - is “Amazing Amy” actually a good children’s book? Did Tyler Perry take any directing tips from David Fincher when he made BOO! A MADEA HALLOWEEN? Would this movie work as well with Reese Witherspoon and Jon Hamm as the two leads? Why haven’t we gone long on the career of one Benjamin G. Affleck yet?

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The Girl with the Dragon Tattoo? More like The Girl Who Go On Computer! The Girl with the Fruit Tattoo - Fran Hoepfner - joins us as we dive into Fincher’s 2011 Nordic noir. How does Fincher’s take on Stieg Larsson’s international best-seller compare with the original Swedish version? What does Rooney Mara as Lisbeth Salander have in common with ET? Does Christopher Plummer have the greatest octogenarian acting decade of all time? WHEN WILL BEN HOSLEY MAKE HIS WITCH HACKER MOVIE?

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