The 500 with Josh Adam Meyers

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Howlin’ Wolf’s first LP was a collection of previously recorded tracks by the Mississippi-born blues legend. Kenny Wayne Shepherd and Wayne Federman return to The 500 to discuss Wolf’s impact on multiple generations of guitar players, including the blues revival of the late 1950s and early 1960s that inspired bands like The Rolling Stones. 

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DistroKid Artist Of The Week: Kenny Wayne Shepherd & Bobby Rush

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The Pretenders grew from the punk and new wave scene in London unk and new wave in the late 1970s, and brought that combo to the pop world, fronted by the charismatic Chrissy Hynde. David Wain joins us to talk about Brass In Pocket and the rest of The Pretenders self-titled debut.

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DistroKid Artist Of The Week: Daisy The Great

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Paul’s Boutique was a very different sound from the Beastie Boys first album, License To Ill. The second album featured multi-layered sampling and more production. While the album was initially a commercial failure, the beats earned them respect among their peers. Mike E. Winfield discusses the Beastie Boys' growth between albums with Josh. 

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DistroKid Artist Of The Week: The Go! Team

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Two months after the death of Joy Division’s vocalist Ian Curtis, the remaining members of the band decided to release their second and final studio album, Closer. Matt makes his third appearance on the podcast to talk about their effect on the post-punk era and the later version of the group, New Order. 

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DistroKid Artist Of The Week: Chris Berardo

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Elton John’s ninth studio album served as an autobiographical tale of the early portion of the careers of both Bernie Taupin (the Brown Dirt Cowboy) and Elton (Captain Fantastic). Mike Portnoy sits down with Josh to talk about the first album to ever debut atop the Billboard 200 charts. 

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DistroKid Artist Of The Week: Dream Theater

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From 1974 to 1975, Kiss released three albums: Kiss, Hotter Than Hell, and Dressed to Kill. The albums helped establish a cult following for the band but were commercial failures. Paul, aka “Star Child” joins Josh to discuss the decision to release an album that captured their live energy, which turned out to be a breakthrough for the band.

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DistroKid Artist Of The Week: Solitary Friends

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The Struts lead singer Luke Spiller talks about the raw power of one of his biggest influences, and the biggest influence of rock bands for decades: T. Rex and their sophomore album Electric Warrior

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DistroKid Artist Of The Week: Luke Spiller

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Here’s a preview of “To Hell with Poverty!”, a new audiobook from Jon King, legendary frontman of iconic post-punk band Gang of Four. “To Hell with Poverty!” documents King’s story from a south London slum and working-class background to international success as core musician, lyricist, writer, and producer in the legendary post-punk/funk band Gang of Four. King’s memoir takes the reader on a journey full of raucous adventures from his childhood and teenage years, to the height of Gang of Four’s success in the seventies and eighties. Thrown off Top of the Pops, truncheoned by police at an anti-Nazi rally, coming of age in the heart of the Leeds music scene and the UK post-punk movement, mingling with Hells Angels and other undesirables, supported by bands like R.E.M. and playing with the likes of the Police, Iggy Pop, and the Buzzcocks―King’s time with Gang of Four is rich with jaw-dropping stories. Find “To Hell with Poverty!”, from Pushkin Industries, on Spotify, Audible, Pushkin.fm, or wherever you get audiobooks. 

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"(Sittin' On) The Dock of the Bay" was supposed to mark the beginning of a new phase in Otis Redding's career, not an ending. Nick Thune sits in to talk about one of Josh’s favorite solo artists and some of the top songs Redding produced, including the first ever posthumous #1 single in the US, The Dock Of The Bay.

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DistroKid Artist Of The Week: Jalen Ngonda

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OK Computer was designed as a deliberate reaction against the grunge movement of the 1990s. Josh talks about one of his favorite bands with Nick Swardson, covering tracks like “Karma Police” and “Paranoid Android”, and the genius that is Thom Yorke.  

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DistroKid Artist Of The Week: Unbelievable Truth

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The multi-platinum selling double LP “1999”  mixes rock, synthpop, and Prince’s brand of funk. It was also the first time “The Revolution” was involved in the creative process of a Prince album. Anthony Fantano joins Josh to discuss the album that pushed the iconic and mysterious artist towards his peak.  

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DistroKid Artist Of The Week: The Convenience

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The Very Best of Linda Ronstadt is a combination of her two greatest hits albums, with 16 of the 21 songs coming from when she was consistently atop the charts, with the remaining five songs sourced from her late-'80s/early-'90s adult contemporary comeback. Peter Asher discusses what it was like to work with Linda on some of her most famous tracks. 

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DistroKid Artist Of The Week: Margaret Cho

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Let’s Get It On is a pivotal soul recording that also increased the popularity of funk in the 1970s. The commercially successful album also established Marvin Gaye as a sex icon. Chris Redd joins Josh to discuss the sultry-sounding album. 

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DistroKid Artist Of The Week: Avant, featuring Ke Ke Wyatt

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Imperial Bedroom’s success was due to the intense collaboration between Elvis Costello and Producer Geoff Emerick, who had engineered some of the later work of the Beatles. Greg Proops joins Josh to discuss Costello’s seventh studio album and his time on Whose Line Is It Anyway?

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DistroKid Artist Of The Week: Ben Kweller

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Metallica is a massive name now, and their first big step towards stardom was when they released their third album. Joe Manganiello joins Josh to talk about one of his all-time favorite bands and the impact the thrash metal album had for decades to come,. 

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DistroKid Artist Of The Week: Dark Chapel feat. Black Label Society Guitarist Dario Lorina

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My Aim Is True is influenced by a wide variety of genres, from punk, new wave, and British pub rock to elements of 1950s rock and roll, R&B, and rockabilly. In an interview, Costello stated that the songs are motivated solely by "revenge and guilt". Lisa Loeb joins Josh to discuss the impact and influence that this album had on her. 

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DistroKid Artist Of The Week: Josh Ritter

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Unlike previous albums from the band, Exodus moves away from story-telling and transitions to themes of change, religion, politics, and sexuality. Ian Edwards joins Josh to discuss his connection to Marley while growing up in Jamaica. 

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DistroKid Artist Of The Week: Stephen Marley feat. Jack Johnson, Bobby Weir & Wold Bros

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The Who had established themselves as one of the best live acts in the world by the end of the 1960s. Two shows were scheduled to capture that for what would become today’s album. Michael Shannon stops by to talk about the influence this live album and The Who had on both him and his band.

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DistroKid Artist Of The Week: Frogbelly

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-The duo of DJ Morty Coyle & Wayne Federman return to talk about one of the more overlooked bands from the British Invasion era, The Byrds.  

Long Description

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This album is the most eclectic and experimental in the Byrds' catalog. The album’s content ranged from folk and country music to psychedelic and electronic music.  DJ Morty Coyle & Wayne Federman go through the tracks with Josh and discuss the end of David Crosby’s time with the band. 

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DistroKid Artist Of The Week: Cory Marks

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The third studio album by Stewart is a mix of hard rock, folk, and blues styles. It went to number one in the United States and the UK, including Rod's breakthrough hit, "Maggie May”. Wayne Federman is back to discuss an album right in his wheelhouse: Early 1970s rock and roll. 

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DistroKid Artist Of The Week: Paul Carrack

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After releasing Something/Anything, Rundgren said he evolved as an artist and reached beyond writing about love and relationships. The proficient Producer and Musician produced every track on the album and performed all of the instruments on three of the four sides. W. Kamau Bell stops by to talk about the different moods of the album.

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DistroKid Artist Of The Week: Allie Crow Buckley

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Unlike most of his solo records, Bob collaborated with various artists on this release like Emmylou Harris and Eric Clapton. “Desire” marked Bob’s heavy resurgence on social themes. Dan Fogler, who plays Dylan's Manager Albert Grossman in "A Complete Unknown", and Josh do a track-by-track breakdown of Dylan’s seventeenth studio album on the podcast. 

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DistroKid Artist Of The Week: Joe Ely

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This album and its singles earned Carpenters eight Grammy Award nominations. They won for Best New Artist and Best Contemporary Vocal Performance by a Duo, Group or Chorus for the album. Wayne Federman stops by to discuss their distinctively soft musical style. 

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DistroKid Artist Of The Week: Andy Bender

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Joe Perry said the purpose of Rocks "was to reidentify us as America's ultimate garage band, with blistering guitars, blistering vocals, balls-to-the-wall smash-your-eardrums production.” Fellow rocker Sebastian Bach makes his debut on The 500 to talk about the album that caused the next generation of guitar heroes to start playing in the 1970s.  

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DistroKid Artist Of The Week: Ty Segall

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“One Nation Under A Groove” has been described as the peak of Funkadelic’s output, and funkifying music to another level. It expanded the boundaries of their music to be more political, social, and sexual. Friend of the 500 Wayne Federman makes his first appearance in 2025 to discuss some of George Clinton’s finest work. 

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DistroKid Artist Of The Week: Cory Henry

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The Impressions were an American music group whose repertoire included doo-wop, gospel, soul, and R&B. Curtis Mayfield first achieved success and recognition with the Impressions during the Civil Rights Movement of the late 1950s and 1960s, and later worked as a solo artist. Godfrey makes his second appearance to discuss the musical influence Mayfield had for generations to come. 

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DistroKid Artist Of The Week: M.I.L.K.

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ABBA is one of the most popular and successful musical groups of all time, having a meteoric rise to fame after an appearance on Eurovision in 1974. Liza Treyger stops by to talk about some of her favorites from the Swedish pop group’s career-encompassing album. 

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DistroKid Artist Of The Week: Big Star

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”The Rolling Stones, Now” is considered the first complete album from the Rolling Stones discography, mixing blues classics and some of their tunes. Wayne Federman makes his sweet-sixteenth appearance to discuss the Glitter Twins during the early portion of their career

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DistroKid Artist Of The Week: Ginny Luke

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This was the first album released by Bob Marley & the Wailers. Maz Jobrani makes his debut on The 500 to talk about “No Woman, No Cry” from Natty Dread, the first of three times we’ll be talking about the King of Reggae on the podcast. 

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DistroKid Artist Of The Week: Junior Marvin

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Sharing a preview of a podcast called The Wonder of Stevie. You might think you know Stevie Wonder. You might think you know his music. But you’ve never heard it like this. Host Wesley Morris is taking you on a deep-dive through Stevie's Classic Period: five legendary albums back-to-back in just four years. Hear about the record deal that started it all, the technology Stevie adopted to create never-before-heard sounds, and his influence on our culture. There will be appearances from legends like Barack and Michelle Obama, Questlove, Smokey Robinson, Dionne Warwick, Babyface, Janelle

Monae and more.

In this episode, Wesley details how, years after signing his first recording deal with Motown Records, Stevie decides to renegotiate his contract. One of the things on the table? Complete creative freedom. What follows is the beginning of one of the greatest streak of albums in American popular music: Music of My Mind.

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Fleetwood Mac’s Self-Titled album not only introduces Stevie Nicks and Lindsey Buckingham, but also a softer, warmer sound with tracks like “Over My Head”  “Say You Love Me”, and “Landslide.” Dane Cook joins Josh to talk about one of the biggest bands from the 1970s. 

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DistroKid Artist Of The Week: McKenna Michaels

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Willie Nelson's Red Headed Stranger perhaps is the strangest blockbuster country produced, a concept album about a preacher on the run after murdering his departed wife and her new lover, told entirely with brief song-poems and utterly minimal backing. Andy Richter joins Josh to discuss Willie’s 18th album and the legend he became. 

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DistroKid Artist Of The Week: Tara Thompson

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The Immaculate Collection is Madonna’s first greatest hits album and her most-sold record. It sold over 31 million copies worldwide, making it one of the best-selling albums of all time. Legendary comedian Kathy Griffin stops by to discuss the final album from the Material Girl to make The 500 list.  

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DistroKid Artist Of The Week: Little Boots

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The 1969 debut album from The Stooges was a forerunner to what would become the punk rock genre. The 500 turned to its top contributor Wayne Federman to discuss Iggy Pop and the album that would go on to inspire future punk legends like The Ramones and the Sex Pistols. 

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DistroKid Artist Of The Week: Amyl & The Sniffers

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-Fresh is the sixth album by American funk band Sly and the Family Stone, the band’s final album to reach the Top 10. Speech, of hip hop group Arrested Development, makes his debut on The 500 to talk about an album Brian Eno credits with shifting the history of recording, "where the rhythm instruments, particularly the bass drum and bass, suddenly [became] the important instruments in the mix”

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DistroKid Artist Of The Week: Speech

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-Often considered his best and most accessible album, So was an immediate commercial success and transformed Gabriel from a cult artist into a mainstream star, becoming his best-selling solo release. Thomas Lennon makes his debut on The 500 to talk about the former Genesis frontman’s hits and deep cuts on 1987’s “So”. 

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DistroKid Artist Of The Week: Nicotine Dolls

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Despite encountering multiple speed bumps in the recording process and fractures within the band that were becoming more prevalent, Buffalo Springfield released their second album before band members like Neil Young and Stephen Stills went on to even bigger things. Adam Ferrara stops by to talk about tracks like “Mr. Soul” and “Broken Arrow.”

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DistroKid Artist Of The Week: Nathan Jacques

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Happy Trails” is an album recorded from performances at the Fillmore East & West venues. Most of the tracks are reworkings of some of Bo Diddley's tracks. Quicksilver Messenger Service was very influential but wasn’t commercially successful The 500 invited Wayne Federman & DJ Morty Coyle back to unpack “Happy Trails”, the last QMS album to feature their original lineup. 

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DistroKid Artist Of The Week: Giant Sand

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Elvis Presley’s popularity began to wain as the 1960s went on. In 1968, he was asked to do a Christmas special but decided to sing songs from his catalog instead. The decision proved to be a wise one, as the popularity of the TV special provided Elvis a career resurgence. Josh Wolf returns to The 500 to discuss the live album “From Elvis In Memphis” and his love of The King. 

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DistroKid Artist Of The Week: Brigitte Calls Me Baby

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Fun House was the second studio album from the Stooges. While it wasn’t commercially successful, it had a tremendous cult following in what would become an emerging punk rock scene later on in the 1970s and early 1980s. Greg Fitzsimmons makes his first appearance since 2020 to talk about the album and one of the more unique singing voices, Iggy Pop. 

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DistroKid Artist Of The Week: The Youth Ahead

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-The Flying Burrito Brothers helped forge the connection between rock and country with their 1969 debut album, The Gilded Palace of Sin. What they lacked in longevity, they made up for with a big influence in rock and country music. Long-time blues guitarist Kenny Wayne Shepherd and friend of The 500 Wayne Federman discuss Gram Parsons and more with Josh. 

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Kenny Wayne Shepherd Tour Dates & “Dirt On My Diamons 2” 

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DistroKid Artist Of The Week: Yarn

https://www.youtube.com/watch?v=ARlEVJ_l2KE

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Comedian Jordan Jensen dives into the rebellious angst and pop-punk anthems of Green Day's 1994 album Dookie

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DistroKid Artist Of The Week: Face to Face

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“Transformer” is considered an influential landmark of the glam rock genre, which includes Lou Reed's most successful single, "Walk on the Wild Side", which touched on controversial topics of sexual orientation, gender identity, and prostitution. Penn Jillette is considered one of the iconic magicians of our time and joins The 500 to talk about Lou’s career from the Velvet Underground and beyond. 

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DistroKid Artist Of The Week: John-Allen Weiss

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John Mayall and the Bluesbreakers served as a rite of passage for guitar players who would go on to be a part of other major bands. Eric Clapton was one of those legendary members who passed through the band. Joe Bonamassa and Wayne Federman join this week’s episode, discuss “Blues Breakers with Eric Clapton, " and geek out over guitars. 

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DistroKid Artist Of The Week: Walter Trout

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Nuggets was a compilation of some of the earliest psychedelic and garage rock from the late 1960s. Before he joined Patti Smith as her guitarist, Lenny Kaye was a music critic in the New York scene and collected these Artyfacts from the first psychedelic era. DJ Morty Coyle also weighs in one of the pivotal collection released in the early 1970s. 

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DistroKid Artist Of The Week: Kikagaku Moyo

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R.E.M.’s 1983 debut album “Murmur” contained the blueprint for much of what music would sound like in the coming years. Josh and this week’s guest, Adam Pally, discuss tracks like “Radio Free Europe” and “Talk About The Passion”, breaking down the vocal influence Michael Stipe had, and ranking the band’s place among great American musicians. 

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Trailer To Adam’s New Series “The Throwback” on Peacock

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DistroKid Artist Of The Week: The Ocean Blue

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The Best of Little Walter is a foundational piece of blues rock that inspired artists like Led Zeppelin, The Rolling Stones, and Eric Clapton. Little Walter revolutionized live harmonica playing (both in style and technologically). Comedian & Impressionist James Adomian returned to the podcast to discuss the album and jam with JAM on the hand harmonica. 

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DistroKid Artist Of The Week: Tommy Newport

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The Strokes' first full-length album, Is This It, was a pivotal moment in the sound of guitar rock in a new millennium. Comedian & Actor Paul Scheer makes his debut on The 500 to talk about his connection to the New York-based band, their very different upbringings in the greater NYC area, and tracks like “Last Nite”, “The Modern Age”, and the title track. 

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DistroKid Artist Of The Week: Artless Jesus

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Bill Burr makes his first appearance in over four years on The 500 to talk about who he considers to be the greatest rock band of all-time, AC/DC. One of their top albums that stands the test of time is Highway To Hell. Their sixth studio album was the last for lead singer Bon Scott, who passed away a few months after the album’s 1979 release.

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DistroKid Artist Of The Week: SKoR

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Sean Patton’s first appearance on The 500 centers around what some consider Nine Inch Nails’ masterpiece, The Downward Spiral. The title foreshadowed what Trent Reznor’s life would become after the release of Nine Inch Nails’ second full-length studio album. Explaining the self-loathing nature of the songs on TDS, Trent Reznor said "I'm not proud to say I hate myself and don't like what I am, but maybe there is real human communication that ends up positive even though everything being said is negative."

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DistroKid Artist Of The Week: Painted Shield

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https://www.youtube.com/watch?v=kRdyqi-TYeg

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