The Projection Booth Podcast

On this special episode of The Projection Booth, Mike talks with the writer/director/star of Armed (2018), Mario van Peebles -- who also talks a bit about his roles in Baadasssss!, Heartbreak Ridge, Ali, and more.
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Mike talks to director Lisa D'Apolito about her feature documentary debut, Love, Gilda (2018), a portrait of Detroit's own Gilda Radner who took the world by storm in the 1970s and whose legacy continues to make a difference today.

Visit https://www.lovegilda.com/ for more information.
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On this special episode of The Projection Booth we fly upon the wings of a demon as we discuss John Boorman’s 1977 film Exorcist II: The Heretic.

It’s been a few years since we’ve seen Regan MacNeil, the little girl who, on the cusp of womanhood, was possessed by a demon in William Friedkin’s 1973 film. She’s back... And so’s the demon, Pazuzu…This time the titular exorcist is Father Philip Lamont (Richard Burton) who is investigating what happened to the ill-fated Father Merrin (Max Von Sydow) with the help of Dr. Gene Tuskin (Louise Fletcher) and her hypnosis machine.

Heretical super-fans Samm Deighan (Diabolique Magazine) and David Kittredge (who's directing a documentary about Exorcist II) join Mike (who did a commentary track on the new Scream Factory blu-ray release) to look at the film, how it came to be, and its fate after release. Professor Brian Hoyle (The Cinema of John Boorman) and writer Paul Talbot (The Unmaking of Exorcist II) join the fray to try and explain this cinematic oddity.
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On this special episode of The Projection Booth Mike talks to Art House Theater Day co-directors Gabe Chicoine (Austin Film Society) and Lawren Desai (a/perture cinema). They discuss what AHTD is, how it came to be, and what patrons can expect at the September 23, 2018 event that takes place at select independent theaters across the USA.

Mike also talks to Joseph A. Ziemba (Bleeding Skull) about one of this year's AHTD selections, SCHLOCK, as well as other films from the American Genre Film Archive.

To find out more about Art House Theater Day visit http://www.arthouseconvergence.org
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Czechtember 2018 continues with a discussion of František Vláčil’s Marketa Lazarova. Based on the book by Vladislav Vančura, the film is an epic tale of fighting tribes in the 13th Century in the area that would become Czechoslovakia. The film is named after the maiden Marketa Lazarova who befalls one of the many brigands in the sweeping, beautiful, black and white film.
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On this special episode of The Projection Booth, we discuss the 2018 documentary on musical group Public Image Limited and John Lydon, The Public Image is Rotten.

We hear from PiL drummer Martin Atkins, bassist and producer Bill Laswell, and the director of The Public Image is Rotten, Tabbert Fiiller.

Crusty punks Chris Cummins and Skizz Cyzyk join Mike reminisce about "the good old days" and complain about the music the kids are listening to today...
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On this special episode of The Projection Booth, Mike talks to Anthony&Alex, the directing team behind the new documentary, Susanne Bartsch: On Top (2018).

For more information visit: http://www.anthonyandalex.com/
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On this special report, Mike talks to author Nick Dawson (Being Hal Ashby) and Amy Scott about the new documentary about filmmaker Hal Ashby... Hal (2018).

Learn more at http://hal.oscilloscope.net/
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Czechtember 2018 continues with a look at Antonin Moskalyk’s Dita Saxova. Released in 1968, the film was adapted by Arnost Lustig and based on his novel. The film is the story of our titular Dita Saxova, a survivor of Nazi death camps who carries with her survivor’s guilt. She moves from one relationship to another without seeming to have a care in the world, though this ultimately doesn’t seem to be the case.
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Zbyněk Brynych’s 1965 film The Fifth Horseman is Fear stars Miroslav Macháček as Dr. Braun. The film is ostensibly set during the Nazi occupation of Prague where Dr. Braun isn’t practicing medicine. Instead he’s cataloging the items the Nazis have pilfered from Jews who we can assume have been sent to the slaughter. This is never spoken aloud nor are a lot of other things. Instead, the film is rife with a sense of overwhelming dread that manifests in several interesting ways.

Kat Ellinger and Ben Buckingham join Mike in this first #Czechtember2018 entry.
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On this special episode of The Projection Booth we’re discussing the documentary film The Writer with No Hands. Directed by William Westaway, the film tells the story of writer and professor Matthew Alford and his investigation into the strange case of Hollywood screenwriter Gary DeVore.

Rod Lott (Bookgasm, Flickattack) joins Mike to tackle this film.
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As part of the research for The Writer with No Hands episode, Mike went back into the archive to re-tool an oldie and a goodie, TRAXX (1988).

Written by Gary DeVore and directed by Jerome Gary, Traxx (1988 ) stars Shadoe Stevens as the titular action hero who comes to a town beleaguered by baddies (including Robert Davi as Aldo Palucci). He cleans up crime with gusto, verve, and an endless amount of bullets. But Traxx really wants to give up his live as a one-man army to become the next Famous Amos.
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Written and directed by Andrew Niccol, Gattaca (1997) stars Ethan Hawke as Jerome Morrow… or is he? He’s actually Vincent Freeman, a naturally occurring person in a world where people can be genetically engineered…. for a price. This creates a new elite class where genes determine privilege. Vincent impersonates Jerome through a rather elaborate scheme in order to fulfill his dream of leaving this planet and becoming an astronaut.

Chris Cummins and Skizz Cyzyk join Mike to discuss the film while interviewee Xander Berkeley talks about his role in Gattaca as Dr. Lamar as well as his work in Mommy Dearest, Leaving Las Vegas, Safe, Barb Wire, and more.
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Jerzy Skolimowski's Deep End (1970) stars John Moulder-Brown as Mike, a fifteen year old drop-out who finds work at a public bath where he takes care of the male patrons while Jane Asher plays Susan, the female attendant. Mike becomes obsessed with Jane while she juggles her fiancee and side piece. It’s a rather unsettling coming-of-age story in the twilight days of swinging London.

Alicia Malone (The Female Gaze) and Jonathan Owen (Avant-garde to New Wave: Czechoslovak Cinema, Surrealism and the Sixties) join Mike to discuss the film along with other coming-of-age films.
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Timon Singh of the Bristol Bad Film Club joins Mike to talk about his book, Born To Be Bad: Talking to the Greatest Villains in Action Cinema and the documentary, In Search of the Last Action Heroes, which he's producing and Oliver Harper is directing.
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On this special episode of The Projection Booth we’re looking at Dennis Hopper’s The Last Movie. Barely released by Universal Pictures in 1971, the film stars Hopper as Kansas -- a man as middle-American as his name. He’s in Peru as a stunt man for a Western. When the cast and crew packs up and goes back to Hollywood, he stays behind where the natives form a sort of cargo cult around movie-making, holding up Kansas as their god, savior, and their sacrifice.

Mike talks to Craig Rogers and David Marriott from Arbelos Films who have restored The Last Movie and have re-released the film. He speaks to author Jessica Hundley, editor of Dennis Hopper: Photographs 1961-1967, John Buck Wilkin who performed music on both The Last Movie and Lawrence Schiller & L. M. Kit Carson's The American Dreamer. Finally, he speaks with Nick Ebeling, the director of Along for the Ride and its subject, Satya De La Manitou.

Nick Dawson and Ben Buckingham join Mike to discuss the film as well as its fascinating history.
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Alan J. Pakula's, The Parallax View (1974) stars Warren Beatty as reporter Joe Frady. After a mysterious series of deaths, Frady gets embroiled in an investigation that leads him to The Parallax Corporation, a shady company that finds and recruits sociopaths in order to use them as assassins.

Interviews this episode include actor William Daniels and his wife Bonnie Bartlett, author Barna Donovan (Conspiracy Films: A Tour of Dark Places in the American Conscious), and filmmaker Shane O'Sullivan (RFK Must Die).

Jess Byard and Chris Stachiw join Mike to discuss the Loren Singer book, the Lorenzo Semple Jr. script, the David Giler rewrite and the eventual final product.
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Mike talks to filmmaker and Slamdance co-founder Dan Mirvish about his latest feature film, Bernard & Huey. Based on a comic series and script by Jules Feiffer (Little Murders, Carnal Knowledge, Popeye), the film stars Jim Rash and David Koechner as our titular characters.
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Based on the 1983 book by Elfriede Jelinek, Michael Haneke’s The Piano Teacher (2001) stars Isabelle Huppert as our titular pedagogue. She’s a woman trapped in a harrowing relationship with her mother. She is abused and belittled at home only to turn around and do the same to her students. Things change when she meets Walter Klemmer (Benoît Magimel) who is a bit obsessed with his prickly piano teacher, leading to a mutually dissatisfying relationship between the pair.

Jared Bauer (Show Me The Meaning) and Chris Stachiw (The Kulturecast) join Mike to discuss this harrowing film.
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Michael Campus's The Mack (1973) stars Max Julien as Goldie, a man who was set up and goes to jail only to come out and fulfill his dream of becoming the baddest pimp in town. He’s got the mob, the cops, black nationalists, and fellow pimps to contend with… it’s a rags to fur and velvet story.

Jon Cross (The After Movie Diner) and Moe Porne (No-Budget Nightmares) join Mike to discuss this classic blaxploitation film.
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On this special episode, Mike talks to Gerald Peary about The Rabbi Goes West, a new documentary that Peary and his co-director Amy Geller are completing via funding with Kickstarter. Go to www.therabbigoeswest.com to learn more.
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Jay Bauman and Terry Frost join Mike to look at the 1989 film from director Brian Yuzna, Society. The film stars Billy Warlock as Bill Whitney, a suburban teen who feels that things are amiss in his life.
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Two terrorists -- Daniel Kremer and Jonathan Marlow -- break into The Projection Booth to discuss the 1981 Canadian thriller Kings and Desperate Men.

Produced by, directed by, and starring Alexis Kanner, the movie is the story of an arrogant talk show host -- played by Patrick McGoohan. He and his family are taken hostage by a handful of gun-wielding terrorists. The main terrorist -- played by Kanner -- goes on the air with McGoohan’s character and they engage in tense battle of words.
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On this special episode of The Projection Booth, Maitland McDonagh and Rob St. Mary return to discuss recent developments in the sordid history of Caligula (1979) via the documentary Mission Caligula (2018) and interviews with filmmaker Alexander Tuschinski and Penthouse CEO Kelly Holland.



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On this special episode, director Travis Stevens and writer Bomani Story join Mike to discuss the 2018 film Rock Steady Row. This modern play on the Yojimbo / Fistful of Dollars story pits a freshman against two rival frats at Rock Steady University. Find out more at http://www.rocksteadyuniversity.com/
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Released in 1961, Akira Kurosawa’s Yojimbo was an international sensation and put jettisoned star Toshiro Mifune into the pantheon of cinematic badasses. It’s the story of merchants who manipulate two factions of gangsters in a small town. Our main character -- a man with no name -- comes to the town and after sizing things up decides that he’ll make a bit of money playing both sides against one another. Along the way we discover that perhaps he’s not the unscrupulous amoral bastard he pretends to be.

Eric Cohen and Jordan Blossey join Mike to discuss Yojimbo, it's sequel Sanjuro and a few other "Yojimbo movies" as well as Sergio Leone's A Fistful of Dollars, Dashiell Hammett's Red Harvest, Walter Hill's Last Man Standing and a raft of other similar films.
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Robert Shaw and Malcolm McDowell are two men on the run from mysterious forces in Joseph Losey's Figures in a Landscape. Adapted by Shaw from a novel by Barry England, the film is something of an artsy action movie.

Heather Drain and Cullen Gallagher join Mike to discuss the film... and learn a bit about themselves along the way.
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On this special episode of The Projection Booth, Mike talks to writer/director Gabriel Judet-Weinshel and actor Edoardo Ballerini about the sci-fi film noir 7 Splinters in Time, a movie nine years in the making.

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The crows are laughing at our episode about 1973's Scarecrow. The film stars Al Pacino and Gene Hackman as two drifters who join forces to head to Pittsburgh by way of Detroit to start a car wash.
Jamey Duvall (Movie Geeks United) and Bill Ackerman (Supporting Characters, From the Neighborhood) join Mike to discuss the film. Special guests include director Jerry Schatzberg and writer Garry Michael White (no relation).
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Max Ophuls's 1953 film The Earrings of Madame de... revolves around a pair of earrings, the titular woman who owned them (Danielle Darrieux), the man who gave them to her (Charles Boyer), and the man who gives them to her again (Vittorio De Sica).

Ken Stanley and Paula Guthat join Mike to talk about this beautiful and heart-breaking film. Susan White, author of The Cinema of Max Ophuls, discusses Ophuls's career.
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Detroit Rock City (1999) from director Adam Rifkin is the story of four friends and their desperate quest to get from Cleveland to Detroit to see KISS play live at Cobo Arena in 1978. They're faced with a series of challenges that threaten to keep them from seeing Gene, Paul, Ace, and Peter play the hits.

Returning from the Never Too Young To Die episode are co-hosts Josh Stewart and Heather Drain join Mike on this deluxe episode of the show which features director Adam Rifkin, screenwriter Carl V. Dupré, producer Tim Sullivan, actress Lin Shaye, and James Campion author of Shout It Out Loud: The Story of Kiss's Destroyer and the Making of an American Icon.
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James Cole (Bruce Willis) may or may not be a time traveler sent from our future to learn about our present. Inspired by Chris Marker's La Jetee, Terry Gilliam's Twelve Monkeys is based on a script by David Webb and Janet Peoples.

Tony Black and Jedidiah Ayres join Mike to discuss this twisted time travel story. Dahlia Schweitzer -- author of Going Viral: Zombies, Viruses, and the End of the World -- discusses the prevalence and significance of the disease narrative at the time of Twelve Monkeys's release.
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Mike talks to Bryan Wendorf, director of the Chicago Underground Film Festival, about the history of the fest and the events surrounding their 25th anniversary where Mike will be one of the judges.

For tickets and showtimes visit https://cuff.org
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Jordan Blossey and Roxy MacDonald join Mike to discuss Barbara Loden’s WANDA. Released in 1970 the film was written by, stars, and was directed by Loden. It’s the personal story of a woman at wits ends who seems adrift in her own life.
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On this special episode of The Projection Booth, Mike talks to directors Mark Dennis and Ben Foster about their latest feature, Time Trap (2017). It's the story of a handful of young friends who discover a mysterious cave where time passes differently...
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Jim Henson and Frank Oz's The Dark Crystal (1982) is a dark fantasy story of Jen, one of two remaining gelflings in the world of Mithra. He goes on a quest to reunite a shard with the titular Dark Crystal in order to restore balance to his world.

El Goro of the Talk Without Rhythm podcast and Kat Ellinger of Diabolique Magazine discuss all the various versions of the revolutionary film with Mike while guest Brian Jay Jones -- author of Jim Henson: The Biography -- talks about Henson's career from his early days of puppeteering to his experimental films and beyond.
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EgoFest VI? That's a lotta ego. Yes, it's that time where I brag and boast and occasionally say something that may be of use to listeners of the Projection Booth. On this episode you'll learn more about... Hosting updates, recent guest hosting gigs, how much of an old fart Mike is, Icepick to the Moon, Survival of the Film Freaks, Mike's love of Rotten Tomatoes, upcoming episodes, and more.
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Loosely based on the novel The Looters by John Reese, Don Siegel's Charley Varrick (1973) stars Walter Matthau as the titular Varrick, who, when he robs a backwater bank, accidentally gets embroiled with the mob.
Actor Andy Robinson discusses his career from playing Scorpio in Dirty Harry to Larry Cotton in Hellraiser to Garak in Star Trek: Deep Space Nine.
Co-hosts Maurice Bursztynski and Heather Drain talk about the appeal of Walter Matthau and Joe Don Baker, the films of Don Siegel, and much more. 
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Presenting the rest of the interview we did with art director / production designer David L. Snyder from our Demolition Man episode. Mr. Snyder discusses his work on films such as Blade Runner, Pee Wee's Big Adventure, The Idolmaker and more. 

For more about Mr. Snyder visit his website at http://www.davidlsnyderfilms.com 
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We travel back to the days of yesteryear with a look at the 1962 film from director John Ford, The Man Who Shot Liberty Valance. The film stars Jimmy Stewart as Ransom Stoddard, a lawyer who comes out west only to get robbed by the titular Liberty Valance (Lee Marvin). The film also stars John Wayne as Tom Doniphan, a man of action and the living embodiment of "The Old West".

Joseph McBride and Kenneth E. Hall discuss the works of John Ford while Jon Cross and Ben Buckingham join Mike to talk about Liberty Valance and revisionist Westerns.
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Directed by Marco Brambilla and produced by Joel Silver, the Demolition Man (1993) stars Sylvester Stallone as hot shot supercop John Spartan. When he's set up to look like a mass murderer by his nemesis Simon Phoenix (Wesley Snipes), the two are sent to cryo-prison where they’re put on ice until the distant future year of 2032 where Phoenix breaks out of jail and the namby pamby cops of the future have no idea how to handle him. Of course, it's up to John Spartan to bring Simon Phoenix to justice again.

Stallone superfan Professor Laura Helen Marks and Outside the Cinema's Chris Bricklemyer join Mike to discuss this disarmingly charming sci-fi action film. Guests include three of the many writers of the film from original scribe Peter M. Lenkov to Fred Dekker to Daniel Waters. We also hear from the incredible production designer David L. Snyder.



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Based on the 1974 novel by Richard Condon, William Richert's Winter Kills (1979) tells the tale of Nick Kegan (Jeff Bridges), half brother of President Tim Kegan who was assassinated in Philadelphia in February 1960. When he receives a deathbed confession from the man who allegedly shot President Kegan, Nick goes down the rabbit-hole, trying sort out the truth from the lies and obfuscations of everyone around him, including his father, Pa Kegan (John Huston).

William Richert discusses the making of the film -- a story which rivals the on-screen antics. Matthew Socey and Jeff Meyers join Mike to talk about comic conspiracy films.
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We're looking at Sergei Parajanov’s The Color of Pomegranates. Released in 1969, the film is something of a look at the life of Armenian ashugh Sayat Nova told in a very oblique and beautiful way.
Director and DP Larry Revene joins Mike to talk about this poetic film. Daniel Bird, director of The World is a Window: The Making of The Color of Pomegranates and James Steffen, the author of The Cinema of Sergei Parajanov, discuss the making of the film as well as the cuts imposed by Russian censors.
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Mike talks to filmmakers Michael Galinsky and Suki Hawley about their careers from their early narrative work (Half Cocked) to their documentary Horns & Halos to their most recent work, All The Rage (Saved by Sarno).  
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Mike talks to Daniel Roebuck about his early days (Cavegirl, River's Edge), working with Don Coscarelli and Rob Zombie, as well as his latest venture -- co-writing, directing, producing, and starring in Getting Grace, a poingnant story of hope and redemption.  

Find out more at https://www.gettinggracethemovie.com/ 
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Directed by Frank Perry, the film was written by David Zelag Goodman and based on the book Girl on the Volkswagen Floor by William Arthur Clark, Man On A Swing (1974) stars Cliff Robertson as detective Lee Tucker who investigates the mysterious murder of a young woman. When things are at a stalemate with the case, he’s approached by Franklin Willis, played by Joel Grey, an alleged psychic with uncanny insights into the case.
Justin Bozung returns to The Projection Booth to discuss Frank Perry and the production of Man On A Swing while writer Dennis Tafoya and film scholar Scout Tafoya talk with Mike about this unusual film.
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While we often talk about a few movies on every episode -- one main film and some supporting works, sequels, and so on -- we're spotlighting two movies on this episode: Michael Campus's Z.P.G. (1972) and Alfonso Cuaron's Children of Men (2006). Z.P.G. (Zero Population Growth) stars Oliver Reed as Russ McNeil and and Geraldine Chaplan as his wife Carol. The film is set the near future where global resources have been strained and the environment has paid the price for the blight of human beings which have polluted the air so much that they live under a shroud of smog. The film was inspired by Paul Ehrlich's 1968 clarion call, The Population Bomb which warned of overpopulation.
Alfonso Cuaron's Children of Men is a very loose adaptation of P.D. James's 1992 novel. The film stars Clive Owen as Theo Faron who's biding his time on planet earth as the population is dying -- or killing itself off. No babies have been born in over 18 years which has exacerbated social strife, leading to terrorism, mass suicide, and refugee crises.
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We’re looking at the Conservative comedy, An American Carol 2008. The child of Charles Dickens and Bill O'Reilly, the film tells the tale of Michael Malone -- a stand-in for filmmaker Michael Moore (Kevin P. Farley). He's a liberal know-nothing who’s inflamed hate against the Land that We Love and is visited by four ghosts -- well, three ghosts and a contemporary country singer -- to try and convince him to love country music and stop complaining about gun control, global warming, unjust wars, and other bleeding-heart liberal causes.
Directed by David Zucker (Airplane!, Top Secret), the film was co-written by Myrna Sokoloff, as a reaction to Hollywood intolerance.
Rob St. Mary returns to the show along with Mike Sullivan to discuss the film, satire, and falafels.
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We're heading to Falconhurst and looking at the unlikely hit film Mandingo (1975), the book series that informed it and its sequel, and the knock-offs in its wake. Richard Fleischer's film stars Ken Norton as Mede, the titular Mandingo, while James Mason and Perry King are the father and son who run Falconhurst, a slave-breeding plantation.
Greg Klymkiw (UFO Doggies, Careful) and writer Paul Talbot (Mondo Mandingo: The Falconhurst Books and Films) join Mike to discuss Mandingo, it's sequel Drum, and several other sordid slavery-themed films (including the remarkable Addio Zio Tom). 
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We're discussing the 1993 film from Joel Schumacher, Falling Down. Written by Ebbe Roe Smith, the film stars Michael Douglas as a white guy who's wound a little too tight and finally snaps.
Aaron Peterson and Jamey Duvall join Mike on an episode that's not for libtards, snowflakes, or cucks.
The episode features interviews with director Joel Schumacher, writer Ebbe Roe Smith, and producer Timothy Harris.
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