The Projection Booth Podcast

On this special episode, Mike talks briefly to Pam Grier about her career from Beyond the Valley of the Dolls to Bad Grandmas.
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Eric Cohen and Rich Edwards return to take a ride in a convertible time machine, be-bopping back to the year 1997 to look at Curtis Hanson's L.A. Confidential. Starring more folks from down under than you can shake a boomerang at, this jazzy flick plays with many classic noir tropes while playing fast and loose with the third book of James Ellroy's L.A. Quartet.
We examine how Hanson and co-writer Brian Helgeland masterfully condensed Ellroy's compelling and complicated story to craft a Neo-Noir that some rank among the best. The film features dazzling performances from "newcomers" Russell Crowe and Guy Pearce.
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Written and directed by John Huston in his directorial debut, The Maltese Falcon (1941) stars Humphrey Bogart as gumshoe Sam Spade who unravels the mystery of the titular black bird.

Eric Cohen and Richard Edwards join Mike to discuss the original Dashiell Hammett story, the two other film adaptations of The Maltese Falcon, and the 1975 sequel.
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Based on the 1952 Mickey Spillane novel, Robert Aldrich's Kiss Me Deadly (1955) stars Ralph Meeker as Mike Hammer, a hardboiled gumshoe who gets dragged into a mystery involving a glowing case, duplicitous dames, and two-fisted violence.
Max Allan Collins, director of Mike Hammer's Mickey Spillane, talks about his career and working on Mickey Spillane's posthumous work.
Writer Andrew Nette and Professor Kevin Heffernan join Mike to discuss paranoia, the cold war, and much more.
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How do you solve a problem like Marnie?
Released in 1964, Alfred Hitchcock's Marnie stars Tippi Hedren as the titular heroine -- or perhaps anti-heroine -- an itinerant thief who gets caught and essentially blackmailed into marriage with Mark (Sean Connery) who thinks that Marnie is broken and takes it upon himself to "fix" her, diving deep into her childhood trauma.
Tania Modleski (The Women Who Knew Too Much: Hitchcock and Feminist Theory and Susan White (The Cinema of Max Ophuls) join Mike to unravel the red-tinged mystery of the film.
Author and filmmaker Tony Lee Moral (Hitchcock and the Making of Marnie) and Tippi Hedren (Tippi: A Memoir) discuss the behind-the-scenes of the contentious production.
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Released in 1973 in a truncated form, Sam Peckinpah’s Pat Garrett & Billy the Kid has had a long, contentious history. We’ll be talking about that as well as the film itself in which Kris Kristofferson plays the titular Billy the Kid. He’s the friend and eventual enemy of James Coburn as Pat Garrett. The film stars a host of familiar faces and character actors with this speaking to the passing of the torch from one generation of Westerns to the next... Or perhaps snuffing that flame.

Author Mike Faloon and artist David Lambert join Mike discuss Peckinpah's film. Interviews include screenwriter Rudy Wurlitzer (Two Lane Blacktop), Bob Dylan scholar David Wolf, and author/editor Paul Seydor (The Authentic Death and Contentious Afterlife of Pat Garrett and Billy the Kid: The Untold Story of Peckinpah's Last Western Film). 
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On a special episode of The Projection Booth, Mike talks with filmmaker Steve Mitchell about his 2017 documentary King Cohen: The Wild World of Filmmaker Larry Cohen. Mike also speaks to the film's subject, Larry Cohen, about his work on "Branded" and "Columbo" as well as several of his films.



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After a brief hiatus, The Projection Booth returns with a discussion of John Woo's A Better Tomorrow (1986). The film is seen as a hallmark of the “heroic bloodshed” subgenre of action films, doing for gunplay what a generation of Hong Kong films had done with swords.

The film tells the tale of Ho (Ti Lung), a criminal whose younger brother, Kit (Leslie Cheung), is a police officer. He's betrayed by a fellow gangster (Waise Lee) and sent up the river. When he returns to Hong Kong he wants to stay on the right side of the law which is more difficult than it should be.
The film speaks to loyalty, brotherhood, and put Chow Yun-Fat on the map as a bankable action star.
Cinema Junkie's Beth Accomando and Mike wax fondly about the glory days of HK Cinema, twin brothers, strange sequels, and the true colors of a hero.



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You want podcasters? 

On this special episode, five podcasters discuss Rob Reiner's 1992 film A Few Good Men. Written by Aaron Sorkin (and tweaked for the screen by William Goldman), the film stars Tom Cruise, Demi Moore, Jack Nicholson, and a slew of other familiar faces in this tense courtroom drama about masculinity, patriotism, honor, and duty. 

The episode is hosted by Jay and TJ of the We've Seen That podcast along with Joanna Langfield from The Movie Minute and occasional Projection Booth co-host Jon Cross from the After Movie Diner.
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Mike talks to Theo Anthony about his unusual documentary work, Rat Film from 2017.
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Released in the United States as The Lure , Agnieszka Smoczynska's 2015 film Corki Dancingu is the story of two mermaids, Golden (Michalina Olszanska) and Silver (Marta Mazurek), who join the world of humans as singers at a dinner club. To say the least, the have a little trouble fitting in.

Carol Borden (The Cultural Gutter) and David Rodgers (Bingecast) join Mike to discuss this modern take on Hans Christian Andersen's The Little Mermaid and Friedrich de la Motte Fouqué's Ondine. Guests include John Athanason of Weeki Wachee State Park as well as a real life mermaid!
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Finnish artist Touko Laaksonen redefined gay erotica with his intricate, fetishistic drawings of muscle-bound uniformed men. Dome Karukoski's 2017 bio-pic Tom of Finland explores the life of Laaksonen (Pekka Strang) and his legacy.

Maitland McDonagh (120 Days Books) joins Mike to discuss Tom of Finland, Daddy and the Muscle Academy, and more.
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Mike talks to director Marc Meyers about his film My Friend Dahmer (2017). Based on the graphic novel by Derf, the film tells a humanistic story about one of America's most notorious serial killers.
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Directed by Joseph Cates and written by Arnold Drake and Leon Totayakan, Who Killed Teddy Bear? (1965) stars Sal Mineo as Lawrence Sherman, a waiter at a nightclub and Juliet Prowse as bartender Norma Dain. Someone has an unhealthy obsession with Norma and keeps making obscene phone calls to her.

Heather Drain and Terry Frost join Mike to talk about this sleazy thriller.
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Is it future...? Or is it past...? It's a bit of both as we revisit David Lynch's Fire Walk With Me (1992) along with "Twin Peaks" Season 3 (AKA "Twin Peaks: The Return") on this final #Shocktober2017 episode. We speak specifically about the Twin Peaks: Fire Walk With Me - Teresa Banks and the Last Seven Days of Laura Palmer fan edit as well as Mark Frost's The Secret History of Twin Peaks.
Interviews feature Chrysta Bell, who played Agent Tammy Preston, and Claire Nina Norelli, author of the 33 1/3 book Angelo Badalamenti's Soundtrack from Twin Peaks.
Podcasters John Walker of Movie Schmovie and Christine Makepeace of the Feminine Critique join Mike to drink full and descend to attempt to put the latest incarnation of "Twin Peaks" in context. What year is it?
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Shocktober 2017 continues with a look at the offbeat horror comedy TerrorVision (1986). Written and directed by Ted Nicolaou, the film centers on the Putterman Family who, while father Stan -- Gerrit Graham -- is installing a new satellite dish and accidentally receive a distant transmission of a horrific hungry monster which proceeds to feast on the family including wife Rachel (Mary Woronov), son Sherman (Chad Allen), grandpa (Bert Remsen), daughter Suzy (Diane Franklin), and her metal head boyfriend O.D. (Jon Gries).
Podcasters Moe Porne (No Budget Nightmares) and Josh Hadley (Lost in the Static) join Mike to discuss this classic of Charles Band's Empire empire.
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Shocktober 2017 continues with a the 1976 film from Roman Polanski, The Tenant . Adapted from a book by Roland Topor (Fantastic Planet), the film also stars Polanski as Trelkovsky, a man in need of a new apartment. He finds one where the previous occupant has defenestrated herself. After her death, he's able to move in and finds that his neighbors don't like him being noisy... in fact, they don't like him being him at all. Some put this alongside Polanski's Repulsion and Rosemary's Baby as his “apartment trilogy” in which explores the terrors of urban paranoia.

Jamey Duvall of Movie Geeks United! and writer/director/actor Alex Winter join Mike to discuss what many consider to be Polanski's most personal film.
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Shocktober 2017 kicks off with Karl Freund's final film as a director and Peter Lorre's film film in America, Mad Love (1935). Based upon Maurice Renard 's The Hands of Orlac, the film shifts focus from the titular Orlac to Dr. Gogol, a cunning physician who specializes in some questionable procedures. He’s fascinated by the actress Yvonne Orlac (Frances Drake) and, rebuffed in his advances, manages to enter her life after he backhandedly helps her husband, concert pianist Stephen Orlac (Colin Clive), by giving him a new pair of hands after his have been crushed in an accident. But what kind of gift are the hands of a murderer on a master musician?
Samm Deighan joins Mike to discuss the unusual American debut from Peter Lorre along with special guests Gregory W. Mank (Hollywood Cauldron: Thirteen Horror Films from the Genre's Golden Age) and Stephen D. Youngkin (The Lost One: A Life of Peter Lorre).
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We wrap up the first Czechtember series with a film from director Oldrich Lipský, 1966's Happy End, an experimental comedy (which is as unusual as that sounds) that puts scenes in opposite order and runs motion backward from the death of our main character (Vladimír Menšík) while he gives the voice-over account of life from birth. Of course, this provides us with constant ironic juxtapositions.
The film was co-written by Lipský and Milos Macourek, the screenwriter behind some of the best comedies out of Czechoslovakia in the '60s and '70s.
Kat Ellinger and Ben Buckingham join Mike to discuss Happy End and other favorite Czech comedies.
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Czechtember continues with a look at Juraj Herz's The Cremator (AKA Spalovac mrtvol). Released in 1968, the year of the Prague Spring, the film stars Rudolf Hrusínský as Karl (or Roman) Kopfrkingl, a man dedicated to the idea of liberating the soul from the body through the practice of cremation.

Samm Deighan joins Mike to discuss collaborators and the madness that gripped the world in the 1930s and '40s.
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On this special episode, Mike talks with author Patty Farmer about her work including her latest books, Starring the Plaza and Playboy Laughs. Find out more at www.patty-farmer.com.
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Czechtember continues with a look at Pavel Jurácek's Case for a Rookie Hangman (AKA Prípad pro zacínajícího kata) from 1970. Very loosely based on the third part of Jonathan Swift's Gulliver's Travels, the film tells the tale of Lemuel Gulliver (Lubomír Kostelka) in the land of Balnibarbi, a surrealistic landscape where Lemuel has a hard time finding his footing, literally.

Kat Ellinger and Kevin Heffernan join Mike to discuss the malleability of Swift's satire and The Key to Determining Dwarfs, or The Last Travel of Lemuel Gulliver.



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Set in the distant year of 2017, The Running Man (1987) is set in a dystopian world where reality television rules the airwaves and the most popular show pits criminals against muscle-bound, spandex-clad "stalkers". Based loosely on a novella by "Richard Bachman" (AKA Stephen King), the film stars Arnold Schwarzenegger as Ben Richards, a man framed as "The Butcher of Bakersfield" and thrown Running Man game, hosted by Killian (Richard Dawson), and featuring a cadre of killers including Jesse Ventura, Jim Brown, Professor Toru Tanaka, and more.

Andrew Nette and Aaron Peterson join Mike to discuss the film, its odd production history, and the resonance to today's world. We also discuss the work of Robert Sheckley and his influence on "people hunting people" films including The Million Game, The Price of Peril, The Tenth Victim, and Freejack.



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We kick off the first annual "Czechtember" with a look at the most-easily accessible films of the Czech New Wave, the charmingly disarming 1966 film Closely Watched Trains (AKA Ostre Sledované Vlaky or Closely Observed Trains). Co-written and directed by Jirí Menzel and based upon Bohumil Hrabal's novella, the film stars Václav Neckár as Milos Hrma, a young man from a family of eccentrics. Not wanting to work too hard, he gets a job at the local railway station where he's mentored by the earthly Hubicka (Josef Somr) and Nazi-sympathizer Zednicek (Vlastimil Brodský).

Samm Deighan and Jonathan Owen (author of Avant-garde to New Wave: Czechoslovak Cinema, Surrealism and the Sixties) join Mike to discuss Menzel's subversive film and the way it plays with "sex comedy" themes against the backdrop of Nazi-occupied Czechoslovakia.
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The 1968 film by Frank and Eleanor Perry, The Swimmer (based on the John Cheever short story of the same name), stars Burt Lancaster as Ned Merrill, a Connecticut executive who decides to head back home by swimming through the pools of his neighbors, a "river" which he names "Lucinda" after his wife. Along the way, Ned is met with drinks, laughs, reminders of his affairs that went sour, and maybe even reminders that what he pretends to be may be no more.
Elric Kane and co-host emeritus Rob St. Mary join Mike to discuss the trouble production and ground-breaking ideas of The Swimmer.
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We're up all night to get lucky as we discuss the 2001 film from director and co-writer Juan Carlos Fresnadillo, Intacto which stars Leonardo Sbaraglia as Tomás, a man who survives a plane crash and who may just be the luckiest man in the world. He's found by Federico (Eusebio Poncela), who introduces him to an underground world where luck is something of a commodity and the man who rules over this kingdom, Samuel Berg (Max von Sydow).
Co-hosts Jamey Duvall and Heather Drain discuss the film as well as other related movies like 13, Fearless, and The Cooler.
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On this special episode, Mike talks with writer Michael Lucker about his career in Hollywood (including co-writing the screenplay for A Vampire in Brooklyn) as well as his recent book, CRASH! BOOM! BANG! How to Write Action Movies.

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On this special episode, Mike talks with writer/director Albert Pyun about his latest film, the sci-fi epic Interstellar Civil War: Shadows of the Empire (2017). They also discuss Pyun's dementia and how he was able to use this as an artistic method in the creation of his film.
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The first feature film from director George Lucas, THX-1138 (1971) features a world in which love is outlawed and mind-altering drugs are mandatory. The film stars Robert Duvall as the titular THX-1138 and Maggie McOmie as LUH-3417 as roommates who eventually develop into something much more despite the totalitarian regime in which they live.
Co-written by Walter Murch, the film ponders materialism, religion, and love.
Chris Bricklemyer (Outside the Cinema, Are You Serious?) and Jay Bauman (Red Letter Media) join Mike to discuss Lucas's freshman film, how its themes would echo in his other work, and how he revised it in the 2004 "director's cut."
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The 1960 directorial debut from Jerry Lewis, The Bellboy, also stars Lewis in the titular role. He's Stanley, a put upon hotel worker at the Fountainbleu hotel in Miami. The film doesn’t necessarily have a three act plot per se but is more an opportunity for a string of gags.

Filmmaker Peter Flynn and actor Craig Bierko join Mike to discuss The Bellboy as well as many other aspects of Lewis's career. Special guest Shawn Levy is the author of King of Comedy: The Life and Art of Jerry Lewis.
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Also known as The Streetwalker, The Margin, and sometimes even as Emmanuel 77, La Marge film stars Joe Dallesandro as Sigismond, a loving husband who leaves his wife and child to head to Paris. While there he learns of the sudden, unexpected death of his aforementioned family and spends a few days living in fringes of society, spending most of his time with Diana, played by Sylvia Kristel, a prostitute. The 1976 film is one of several adaptations of André Pieyre de Mandiargues by director Walerian Borowczyk.

Samm Deighan and Daniel Bird school Mike in the work of Walerian Borowczyk with the help of Jeremy Richey (author of the upcoming Sylvia Kristel in the Seventies: From Emmanuelle to Chabrol), cinematographer and cameraman Noël Véry, and Walerian Borowczyk's assistant, Michael Levy.
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Based on his manga of the same name, and released two years before the end of the comic series, Katsuhiro Otomo’s Akira (1988) tells the tale of Kaneda -- a teenage punk in a motorcycle gang -- and Kei -- a member of an underground resistance -- and their adventures in NeoTokyo. They enter into a world of psychics including the titular Akira, the little boy with incredible powers that lead to the devastating explosion that opens the film.

Special guest Jonathan Clements, author of Anime: A History, provides Mike with some much-needed background on Japanese animation while co-hosts El Goro and Chris Cummins describe their love of Otomo's groundbreaking film.

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Written by Itaru Era, the 2001 movie from prolific director Takashi Miike Visitor Q tells the story of a family in disarray. The unemployed father (Ken'ichi Endô) a former newsman who laid off after an unfortunate incident, the mother (Shungiku Uchida) a heroin addict who prostitutes herself for money to get a fix, the son (Jun Mutô) is a victim of bullying who then bullies his own mother, and the daughter (Fujiko) who has left home to become a prostitute as well. When the titular Visitor Q (Kazushi Watanabe) shows up... things change.

Special guest Tom Mes, author of Agitator: The Cinema of Takashi Miike, discusses Miike's career. Co-Hosts Patrick Bromley and Kevin Heffernan join Mike to examine Visitor Q as well as François Ozon's Sitcom and Pier Paolo Pasolini's Teorema (1968).
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On a special episode of The Projection Booth Steve Byrne and Sean Gray join Mike to discuss the documentary film CinemAbility (2013). Directed by Jenni Gold and co-written by Samuel Reed, the film looks at the long history of portraying disabilities on screen.
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Keenan Ivory Wayans's I'm Gonna Git You Sucka (1988) is at once a parody of and follow-up to Blaxploitation films of the 1970s. In it, Wayans stars as Jack Spade, the new blood trying to take down Mr. Big (John Vernon) with a team of classic heroes like John Slade (Bernie Casey), Hammer (Isaac Hayes), Slammer (Jim Brown), Kung Fu Joe (Steve James) and Fly Guy (Antonio Fargas).

Chris Cummins joins Mike to discuss the film. Special guests include actor Antonio Fargas (Putney Swope, Cleopatra Jones) and producer Peter McCarthy (Tapeheads, Roadside Prophets).
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Peter Greenaway's The Cook The Thief His Wife & Her Lover (1989) tells the tale of Albert Spica (Michael Gambon), a monstrous gangster putting on airs as a gourmand. This loutish brute is the co-owner of a restaurant where he, his wife Georgina (Helen Mirren) and his crew are regulars. Also a frequent patron at the restaurant is Michael (Alan Howard), a book dealer who is secretly Georgina’s lover.

Samm Deighan and Ken Stanley join Mike to discuss this controversial film as well as Greenaway's other work.
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Elric Kane joins Mike to discuss the 1979 film from director Ivan Zulueta, Arrebato. The film stars Eusebio Poncela as Jose, a director who’s dissatisfied with his own work. He soon meets Pedro (Will More), a filmmaker of a different sort.
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On this special episode of The Projection Booth we’re looking at the 2016 documentary from director Steve Bannon, Torchbearer. The film stars Phil Robertson, better known as “The Duck Commander”, and is an hour-long sermon which warns against the perils of secularism. This is the ninth film from Bannon as director, though he’s taken a bit of a break from filmmaking as he’s now advising the current President.
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Mike talks to action star Don "The Dragon" Wilson about his careers in acting and kickboxing. They discuss the Bloodfist series, Red Sun Rising, Batman and Robin, and his latest work with director Michael Baumgarten, Paying Mr. McGetty and The Martial Arts Kid.

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Initially begun in 1977 and not released until (1988, Andrzej Zulawski, On the Silver Globe, is based on a series called The Lunar Trilogy by Zulawski's great uncle Jerzy.
Joe Yanick and Heather Drain join Mike in an attempt to unravel the Polish sci-fi epic.
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Jonathan Kaplan's Over the Edge (1979) tells the story of a group of disaffected youths growing up in the sterile confines of a remote suburb. Their folks dig on that almighty dollar, seeking to continue to build up the cookie cutter homes of New Granada, even if it means knocking down the local rec center, the only place the kids have to congregate in any sort of civilized manner.

This episode features interviews with co-writers Charlie Haas and Tim Hunter along actors Vincent Spano, Andy Romano, and Harry Northup.

Leon Chase and Heather Drain join Mike to reminisce about the film and their younger days.

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Based on the controversial book by Bret Easton Ellis, American Psycho (2000) tells the tale of Wall Street's Patrick Bateman (Christian Bale), his murderous rampage, and the world of the late 1980s Manhattan.

The episode features interviews with one of the original screenwriters, Roberta Hanley, along with the film's director, Mary Harron and co-screenwriter / actress Guinevere Turner.

David Rodgers and Cinema Detroit's Paula Guthat join Mike to discuss yuppie scum and how American Psycho still resonates today.
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Wings of Desire, the 1987 film from Wim Wenders, stars Bruno Ganz as Damiel and Otto Sander as Cassiel, two angels out of many that watch over Berlin. They are immortal observers, watching the goings-on of the myriad people around them. Yet, they can never experience the full world in which the humans live. They know not taste, touch, feeling, or love...
Small Screen Cinema's Joe Yanick joins Mike to discuss Peter Falk, the sequel Faraway, So Close!, and the American remake City of Angels on this episode.
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On this special episode of The Projection Booth, Mike talks with Jeffrey Schwarz about his latest documentary, The Fabulous Allan Carr (2017) which follows the life and career of producer and caftan enthusiast Allan Carr. We discuss his triumphs like Grease and La Cage aux Folles as well as Grease 2 and Can't Stop the Music.
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On this special episode of The Projection Booth, Mike talks to Lydia Tenaglia about her film Jeremiah Tower: The Last Magnificent (2016), a documentary about culinary pioneer Jeremiah Tower and his travels and travails.
Ms. Tenaglia also shares stories of her early career; working on medical reality shows (Trauma: Life in the ER) and her role in bringing Anthony Bourdain to television.
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Based on a book by David Wong, Don Coscarelli's John Dies at the End (2012) stars Chase Williamson as a character named David Wong while Rob Mayes plays the titular John. The film chronicles the otherworldly adventures of Dave and John as they ingest a new drug, Soy Sauce, and travel to other dimensions.
Special guest Glynn Turman plays Detective Lawrence Appleton in the film. He discusses his "accidental" career and his groundbreaking appearance in "Peyton Place" as well as some of his favorite roles in Cooley High, The Serpent's Egg, and more.
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On this special episode of The Projection Booth, Mike talks with Professor Jad Smith about his book, Alfred Bester, part of the University of Illinois Press series, Masters of Science Fiction.
Bester, a master craftsman of prose, is best known for his seminal sci-fi books The Stars My Destination and The Demolished Man.
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Based on Charles Neider's book The Authentic Death of Hendry Jones, One-Eyed Jacks (1961) tells the tale of Rio AKA The Kid, played by Marlon Brando, and Dad Longsworth, played by Karl Malden. The two are outlaws who take very different paths, the Kid being a "noble" criminal while Dad eventually becomes a servant of the law. We watch them spar in the coastal Californian city of Monterrey where the tumultuous water serves as a metaphor for the raging emotions inside each man.
The film was originally supposed to have been a powerhouse production with Sam Peckinpah writing the adaptation, Stanley Kubrick directing, and Brando as the star. But things don't always work out the way they're supposed to. Instead, this became the first and only film that Brando directed.
Jamey Duvall and Paul Zimmerman join Mike to discuss Brando, Westerns, and more. Special guest Toby Roan is the author of the upcoming A Million Feet Of Film: The Making Of One-Eyed Jacks.
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On this special episode, Mike talks with director Steven Shainberg about his career from The Big Hit (1996) to Secretary (2002), to Fur (2006) to his latest, Rupture (2016) starring Noomi Rapace, Michael Chiklis, and Peter Stormare.
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Mike talks with Brian Hunter about the line-up for Cinetopia 2017, the annual film festival which takes place in Ann Arbor and Metro Detroit. For more information visit http://www.cinetopiafestival.org/
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